2021, ISBN: 9780913697160

edizione con copertina flessibile, edizione con copertina rigida, Prima edizione

NY: American Art Association, Inc., 1928 Book. Good. Soft cover. First Edition. Edgewear, spine-end wear, minor dampstain on bottom inner corner. Scarce copy of this 271 page, illustrate… Altro …

NY: American Art Association, Inc., 1928 Book. Good. Soft cover. First Edition. Edgewear, spine-end wear, minor dampstain on bottom inner corner. Scarce copy of this 271 page, illustrated art exhibition and sale catalogue, held at the American Art Galleries in January of 1928. Includes introduction to the collection by Olive S. Tonks, Professor of Classic Art at Vassar College; Prof. Nicholas W. Martinovitch of Columbia University; and Prof. M. Riefstahl of New York University.., American Art Association, Inc., 1928, 2.5, Scarce signed UK edition! First edition. Hard cover. Princeton University Press, Princeton (2021)New in new dust jacket. Signed by author. SIGNED FIRST EDITION Hardcover: new. Dust jacket: new. Personally signed by the author directly to the title page. Not a bookplate; not a tip in. UK First edition, second printing. Dust jacket is wrapped in protective archival grade mylar. Photos available upon request.From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 yearsWhat does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this bookagainst a background of today's "sculpture wars"Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "Twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century American sculptor Edmonia Lewis, as well as by generations of weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC, Princeton University Press, 2021, 6, Caracas: Museo de Bellas Artes, 2005. color plates, cat., indice, appen., bibl/hem., d.j. in paper slipcase. Other title: "Colecciones: pintura, escultura, instalaciones, videoarte, tapices." OCLC: 123408090. First volume of the ambitious editorial project of the Museum of Fine Arts that will represent the complete inventory of the institution's collection. This first number is a descriptive catalogue of the museums holdings of Latin American and Universal paintings, sculptures, installations, video art and tapestry covering from the medieval to present times. Each entry includes technical information, photographs along bibliographic and hemerographic references. Includes exhibition list and artists and general index., Museo de Bellas Artes, 2005, 0, Vito Schnabel. 20 Hoxton Square Projects, 2009 74 pages. Edition of 1000. 25.5 x 20.5 cm. White printed card covers. Green lettering along the spine and on the front cover. Sealed in original transparent publisher's shrink-wrapping. This publication accompanied the exhibition Theo A. Rosenblum: "I Didn't Know There Was Chicken In This Soup" that took place June 24 August 1, 2009 at 20 Hoxton Square in London, United Kingdom, presented by Vito Schnabel and 20 Hoxton Square. The art works, the artist s first solo show, included humorous paintings, sculptures and drawings influenced by comic books, horror films and medieval art, and allegorical painting. Rosenblum grew up in Manhattan; his mother, Jane Kaplowitz, is a painter, and his father, Robert Rosenblum, was curator at the Metropolitan Museum of Art and the Guggenheim Museum and a Professor at New York University. Rosenblum's work parodied the world around us and offered a visceral thrill, which provoked an immediate reaction and served as a draw that allowed the audience deeper entry into the work. Rosenblum first envisioned an expected interaction between two related objects, which he then disrupted, in the way that culture or science would disrupt a natural interaction, or nature would disrupt a manmade interaction. Rosenblum's work is about "the natural order of the world, mankind's artificial replications and interruptions of order and his own scepticism and fears this generates "in other words, life can often make you feel like a shit magnet". Rosenblum is a New York-based artist educated at Cooper Union School of Art. He has exhibited throughout the United States and has been included in several group shows, including: A Better History at the American Standard Gallery in New York, NY (2009), Invasions at 7Eleven Gallery in New York, NY (2008), Dutch Elm Disease in the Painting and Sculpture Collection at Gavin Brown s Enterprise @ Passerby in New York, NY (2007), Kamp K48 at John Connelly Presents in New York, NY (2006) and The Zine Unbound: Kults, Werewolves and Sarcastic Hippies at the Yerba Buena Center for the Arts in San Francisco, CA (2005). No copy in WorldCat.. 1st Edition. Soft cover. New., Vito Schnabel. 20 Hoxton Square Projects, 2009, 6, VMFA. New. 2007. Paperback. 0917046811 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened - 150 entries selected by VMFA staff; illustrated with full-color reproductions. Spanning more than five thousand years and representing a significant array of world cultures, this extensively updated, beautifully reproduced volume showcases masterworks of ancient Mediterranean and American art; Asian, African, and European paintings, as well as Byzantine and Western Medieval Sculpture and the Decorative Arts are also characterized. Description: "Spanning more than five thousand years and representing a significant array of world cultures, this extensively updated, beautifully reproduced volume showcases masterworks of ancient Mediterranean and American art; Asian, African, and European paintings, as well as Byzantine and Western Medieval Sculpture and the Decorative Arts are also characterized. " -- with a bonus offer-- ., VMFA, 2007, 6, MacMillan. As New. 1943. Hardcover. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW, THE TEXT BLOCK IS PRISTINE, CLEAN, UNMARKED, AND IN EXCELLENT CONDITION - - COMPLETE TWO (2) VOLUME SET. Volume 1 - Text (414 pages) ; Volume 2 - Illustrations (black and white photo images. ) Categories surveyed: architecture, sculpture, pottery, weaving, metal-work, jade & other semi-precious stones, murals and manuscripts, miscellaneous applied arts and facets of daily life. -- with a bonus offer-- ., MacMillan, 1943, 5, University of Pennsylvania Press. New. 1993. Paperback. 0913697168 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 120 pp. With 132 ills. (20 col. ). 28 x 22 cm. Description: "A detailed study of the individualistic body of work created by American artist Prendergast (1863-1948) following his successful early career as a framemaker, this catalogue documents with illustrations and frequently lengthy commentaries some 70 pieces dating from the 1910s through the 1940s, including watercolors, sculptures, drawings and decorative objects along with many of the paintings of religious scenes and medieval and folk subjects produced by the artist on carved gessoed panels. Two essays chronicle Prendergast's career, describe his adaptation of Italian Renaissance techniques, and examine the evolution of his deliberately primitivist style and archaic themes, noting affinities with the Neo-Impressionist works of his brother Maurice." -- with a bonus offer--; 0.41 x 11.02 x 8.57 Inches ., University of Pennsylvania Press, 1993, 6<

1993, ISBN: 9780913697160

University of Pennsylvania Press, Taschenbuch, 120 Seiten, Publiziert: 1993-08-01T00:00:01Z, Produktgruppe: Buch, 1 kg, Dauerausstellungen, Ausstellungskataloge, Film, Kunst & Kultur, Kat… Altro …

University of Pennsylvania Press, Taschenbuch, 120 Seiten, Publiziert: 1993-08-01T00:00:01Z, Produktgruppe: Buch, 1 kg, Dauerausstellungen, Ausstellungskataloge, Film, Kunst & Kultur, Kategorien, Bücher, Monographien, Einzelne Künstler, Malerei, Fremdsprachige Bücher, Featured Categories, Englische Bücher, 7c9a6c79-19ea-4dea-90da-d7d47042d341_2301, 7c9a6c79-19ea-4dea-90da-d7d47042d341_0, Arborist Merchandising Root, acc906d0-2585-4921-a56f-3ff277850936_4901, acc906d0-2585-4921-a56f-3ff277850936_0, Special Features Stores, Taschenbücher, acc906d0-2585-4921-a56f-3ff277850936_4201, University of Pennsylvania Press, 1993<

1993, ISBN: 0913697168

[EAN: 9780913697160], Neubuch, [PU: Williams College Museum, Williamstown, Mass], ART, CATALOG, CATALOGUE, CATALOGUES, CHARLES, COLLECTION, COLLECTIONS, COLLEGE, CRITICISM, EUGÉNIE, EXHIB… Altro …

[EAN: 9780913697160], Neubuch, [PU: Williams College Museum, Williamstown, Mass], ART, CATALOG, CATALOGUE, CATALOGUES, CHARLES, COLLECTION, COLLECTIONS, COLLEGE, CRITICISM, EUGÉNIE, EXHIBITION, EXHIBITIONS, MASSACHUSETTS, PRENDERGAST, PRIVATE, WILLIAMS, WILLIAMSTOWN, . . . . 4to, paperback. NEW. Still in shrinkwrap. Bright, crisp & clean; unread; covers glossy. 120 p., illus. (some color). Catalog of an exhibition held from Aug. 14, 1993 through Jan. 9, 1994., Books<

ISBN: 9780913697160

The Art of Charles Prendergast from the Collections of the Williams College Museum of Art and Mrs. Charles Prendergast Paperback New Books, Univ of Pennsylvania Pr