2015, ISBN: 9780916724696

edizione con copertina rigida

Norman, OK, U.S.A.: University of Oklahoma Press, 1988. Hardcover. Fine/Good. The most important single influence on Soviet literature of the Twenties." Sturdy book, quality black … Altro …

Norman, OK, U.S.A.: University of Oklahoma Press, 1988. Hardcover. Fine/Good. The most important single influence on Soviet literature of the Twenties." Sturdy book, quality black cloth, very bright red lettering on spine, 302 pages. DJ beneath mylar, glossy white background, a sketch of author on front with pink background, books of related interest advertised on back on Tennyson, Pasternak, Beckett and De Quincey. DJ has thin 3/8" tear at bottom front edge near tip, slight wear spot on front, 302 pages. Good DJ/Very Fine book., University of Oklahoma Press, 1988, 3.75, Portland, OR: Dioscorides Press, 1988. 3 Vol. Set. Working copies; Retired library set, marked, stamped, and labeled. Rear withdrawn pocket on all vols. Pages 635-end are loose in vol. II Otherwise textblocks are clean and tight. Library stamped top page edges on vols. I and II, all page edges on vol. III are crisp. Deep pink cloth binding, library label removal remnants on upper left corner of front covers and on foot of spines, slightly bumped corners and bumped to head and foot of spine on all volumes. Vol. I is 611pp., including index. Vol. II is 661pp., including index. Vol. III is 666pp., including bibliographical references and index.. Reprint. Cloth. Very Good. 8vo - over 7¾" - 9¾" tall. Ex-Library Copy/Hardcover., Dioscorides Press, 1988, 3, Cambridge, MA: Center for Conservation and Technical Studies, Harvard University Art Museum, 1988. Softcover. VG- (Mostly clean but with occasional margin marks in pink marker; previous owner's blind stamp on title page, along with inscription by John Cohn, perhaps related to the editor). May have small defect on lower spine and cover from where a label was removed. Putty card wraps with color illus. and red lettering. 62 pp. with color and bw images throughout. The Harvard Murals, painted in the early 1960s, were originally installed in a penthouse of the university's Holyoke Center in 1964. But the colors of the murals soon faded from exposure to direct sunlight, and each of the paintings faded in its own distinct way. A once-coherent collection had become disparate. What remained of the paintings bore a distant resemblance to the images Rothko intended. This volume was written at this time, when all hope had faded, as well as the murals, and a team of conservators made technical examinations and proposals for salvage of these irreplacable works. Includes essays by the conservators and sections on the history of the murals, Rothko's studies for the murals, and notes on the technical analyses. With an introduction my Marjorie Cohn. Finally, after extensive light-based conservation, Rothko's restored Harvard Murals unveiled in November 2014, coinciding with the reopening of the Harvard Art Museums, re-designed by Renzo Piano. Mark Rothko's Harvard Murals will be on view through July 26, 2015., Center for Conservation and Technical Studies, Harvard University Art Museum, 1988, 3<

2015, ISBN: 9780916724696

Cambridge, MA: Center for Conservation and Technical Studies, Harvard University Art Museum, 1988. Softcover. VG- (Mostly clean but with occasional margin marks in pink marker; previous … Altro …

Cambridge, MA: Center for Conservation and Technical Studies, Harvard University Art Museum, 1988. Softcover. VG- (Mostly clean but with occasional margin marks in pink marker; previous owner's blind stamp on title page, along with inscription by John Cohn, perhaps related to the editor). May have small defect on lower spine and cover from where a label was removed. Putty card wraps with color illus. and red lettering. 62 pp. with color and bw images throughout. The Harvard Murals, painted in the early 1960s, were originally installed in a penthouse of the university's Holyoke Center in 1964. But the colors of the murals soon faded from exposure to direct sunlight, and each of the paintings faded in its own distinct way. A once-coherent collection had become disparate. What remained of the paintings bore a distant resemblance to the images Rothko intended. This volume was written at this time, when all hope had faded, as well as the murals, and a team of conservators made technical examinations and proposals for salvage of these irreplacable works. Includes essays by the conservators and sections on the history of the murals, Rothko's studies for the murals, and notes on the technical analyses. With an introduction my Marjorie Cohn. Finally, after extensive light-based conservation, Rothko's restored Harvard Murals unveiled in November 2014, coinciding with the reopening of the Harvard Art Museums, re-designed by Renzo Piano. Mark Rothko's Harvard Murals will be on view through July 26, 2015., Center for Conservation and Technical Studies, Harvard University Art Museum, 1988, 3<

1988, ISBN: 9780916724696

Harvard University Press, 1988-06. Paperback. Good., Harvard University Press, 1988-06, 2.5