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Stir It Up: Musical Mixes from Roots to Jazz (Hardcover) - Gene Santoro

(*)

Gene Santoro:
Stir It Up: Musical Mixes from Roots to Jazz (Hardcover) - copertina rigida, flessible

1997, ISBN: 0195098692

[EAN: 9780195098693], Neubuch, [PU: Oxford University Press, USA, New York], Hardcover. It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essa… Altro …

[EAN: 9780195098693], Neubuch, [PU: Oxford University Press, USA, New York], Hardcover. It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliche takes on a real, but paradoxical, life: while music criss-crosses the globe with ever-greater speed, musicians seize what's useful, and expand their idioms more rapidly. More and more since the 1960s, musicians, both in America and abroad, have shown an uncanny but consistent ability to draw inspiration from quite unexpected sources. We think of Paul Simon in Graceland, blending Afropop rhythms and Everly Brothers harmonies into a remarkable new sound that captured imaginations worldwide. Or Jimi Hendrix, trying to wring from guitar the howling, Doppler-shifting winds he experienced as a paratrooper. Or Thelonius Monk, mingling Harlem stride piano, bebop, the impressionist harmonies of DeBussey, and a delight in "harmonic space" that eerily paralleled modern physics. From the startling experiments of such jazz giants as Charles Mingus, to the political bite of Bob Marley and Bruce Springsteen, we see musicians again and again taking musical tradition and making it new. The result is a profusion of new forms, media that are constantly being reinvented-in short, an art form capable of seemingly endless, and endlessly fascinating, permutations. Gene Santoro's Stir It Up is an ideal guide to this ever-changing soundscape. Santoro is the rare music critic equally at home writing about jazz (John Coltrane, Ornette Coleman, Tom Harrell), rock (Sting, Elvis Costello, P.J. Harvey), and the international scene (Jamaican, Brazilian, and African pop music). In Stir It Up, readers will find thoughtful but unpretentious discussions of such different musicians as David Byrne and Aretha Franklin, Gilberto Gil and Manu Dibango, Abbey Lincoln and Joe Lovano. And Santoro shows us not only the distinctive features of the diverse people who create so many dazzling sounds, but also the subtle and often surprising connections between them. With effortless authority and a rich sense of music history, he reveals, for instance, how Ornette Coleman was influenced by a mystical group in Morocco-the Major Musicians of Joujouka-whom he discovered via Rolling Stone Brian Jones; how John Coltrane's unpredictable, extended sax solos influenced The Byrds, The Grateful Dead, and most significantly, Jimi Hendrix; and how Bob Marley's reggae combined Rastafarian chants with American pop, African call-and-response, and Black Nationalist politics into a potent mix that still shapes musicians from America to Africa, Europe to Asia. A former musician himself, Santoro is equally illuminating about both the technical aspects of the music and the personal development of the artists themselves. He offers us telling glimpses into their often turbulent lives: Ornette Coleman being kicked out of his high school band for improvising, Charles Mingus checking himself into Bellevue because he'd heard it was a good place to rest, the teenaged Jimi Hendrix practicing air-guitar with a broom at the foot of his bed, Aretha Franklin's Oedipal struggle with her larger-than-life preacher-father. Throughout the volume, Santoro's love and knowledge shine through, as he maps the rewarding terrain of pop music's varied traditions, its eclectic, cross-cultural borrowings, and its astonishing innovations. What results is a fascinating tour through twentieth-century popular music: lively, thought-provoking, leavened with humor and unexpected twists. Stir It Up is sure to challenge readers even as it entertains them. It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliche takes on a real, but paradoxical, life: while music crisscrosses the globe with ever greater speed, musicians seize what's useful, and expand their idioms more rapidly. More Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability., Books<

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Stir It Up : Musical Mixes from Roots to Jazz by Gene Santoro - Gene Santoro

(*)

Gene Santoro:
Stir It Up : Musical Mixes from Roots to Jazz by Gene Santoro - libri usati

ISBN: 9780195098693

It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliche takes on a real, but paradoxical, life: while m… Altro …

It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliche takes on a real, but paradoxical, life: while music crisscrosses the globe with ever greater speed, musicians seize what's useful, and expand their idioms more rapidly. More and more since the 1960s, musicians, both in America and abroad, have shown an uncanny but consistent ability to draw inspiration from quite unexpected sources. We think of Paul Simon in Graceland, blending Afropop rhythms and Everly Brothers harmonies into a remarkable new sound that captured imaginations worldwide. Or Jimi Hendrix, trying to wring from guitar the howling, Doppler-shifting winds he experienced as a paratrooper. Or Thelonius Monk, mingling Harlem stride piano, bebop, the impressionist harmonies of DeBussey, and a delight in "harmonic space" that eerily paralleled modern physics. From the startling experiments of such jazz giants as Charles Mingus, to the political bite of Bob Marley and Bruce Springsteen, we see musicians again and again taking musical tradition and making it new. The result is a profusion of new forms, media that are constantly being reinvented--in short, an art form capable of seemingly endless, and endlessly fascinating, permutations. Gene Santoro's Stir It Up is an ideal guide to this ever changing soundscape. Santoro is the rare music critic equally at home writing about jazz (John Coltrane, Ornette Coleman, Tom Harrell), rock (Sting, Elvis Costello, P.J. Harvey), and the international scene (Jamaican, Brazilian, and African pop music). In Stir It Up, readers will find thoughtful but unpretentious discussions of such differentmusicians as David Byrne and Aretha Franklin, Gilberto Gil and Manu Dibango, Abbey Lincoln and Joe Lovano. And Santoro shows us not only the distinctive features of the diverse people who create so many dazzling sounds, but also the subtle and often surprising connections between them. With effortless authority and a rich sense of music history, he reveals, for instance, how Ornette Coleman was influenced by a mystical group in Morocco--the Major Musicians of Joujouka--whom he discovered via Rolling Stone Brian Jones; how John Coltrane's unpredictable, extended sax solos influenced The Byrds, The Grateful Dead, and most significantly, Jimi Hendrix; and how Bob Marley's reggae combined Rastafarian chants with American pop, African call-and-response, and Black Nationalist politics into a potent mix that still shapes musicians from America to Africa, Europe to Asia. A former musician himself, Santoro is equally illuminating about both the technical aspects of the music and the personal development of the artists themselves. He offers us telling glimpses into their often turbulent lives: Ornette Coleman being kicked out of his high school band for improvising, Charles Mingus checking himself into Bellevue because he'd heard it was a good place to rest, the teenaged Jimi Hendrix practicing air-guitar with a broom at the foot of his bed, Aretha Franklin's Oedipal struggle with her larger-than-life preacher-father. Throughout the volume, Santoro's love and knowledge shine through, as he maps the rewarding terrain of pop music's varied traditions, its eclectic, cross-cultural borrowings, and its astonishing innovations. What results is a fascinating tour through twentieth-centurypopular music: lively, thought-provoking, leavened with humor and unexpected twists. Stir It Up is sure to challenge readers even as it entertains them. Media > Book, [PU: Oxford University Press]<

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Stir It Up : Musical Mixes from Roots to Jazz - Santoro, Gene

ESEMPIO

(*)

Santoro, Gene:
Stir It Up : Musical Mixes from Roots to Jazz - edizione con copertina flessibile

2001, ISBN: 9780195098693

edizione con copertina rigida

New York: Oxford University Press. Near Fine in Near Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0195079434 . Ten essays by this well-known jazz author on the orgins… Altro …

New York: Oxford University Press. Near Fine in Near Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0195079434 . Ten essays by this well-known jazz author on the orgins and developement of jazz in America--as well as its "uncertain future." Contains an index and source notes in the rear. Original gray cloth publisher's covers with spine lettering. Note: The dust jacket is taped with a short piece of tape on each foldover to affix it to the book (taped to the end papers), else This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The dust jacket in similarly nice condition with no chips, tears, or markings. Please inquire if you would like more information. ; 8vo, 8"- 9" tall; 326 pages ., Oxford University Press, 1993, 4, New York: Oxford University Press, 1956. First Edition. Hard Cover. Very Good +. Tight binding. No chips, tears, creases. Gift inscription on front endpaper. Tape shadows on endpapers. White spot on bottom of rear coverboard. Black and white photographic illustrations. 8vo - over 7¾" - 9¾" tall. 367 pp., Oxford University Press, 1956, 3, New York: Oxford University Press. Near Fine in Good dust jacket. 1981. First Printing. Hard Cover. Publisher's full beige cloth, black lettering on spine. . Dust jacket slightly worn, else tight, square, unmarked, and clean. NEAR FINE/GOOD. . 8vo 8" - 9" tall. 285 pp ., Oxford University Press, 1981, 4, New York: Oxford University Press, 2001. Paperback. Near Fine. Through the lenses of history, gender studies, media, pedagogy, cosmology, nostalgia, and urban ethnomusicology, the book offers a captivating examination of the tembang Sunda, which serves as a metaphorical ship carrying the urban Sundanese back to the rural past of their ancestors. Includes an excellent CD, vivid photos, and brief musical examples. 276 pages; black marks on bottom edge.; 6 1/4 x 9 1/4, Oxford University Press, 2001, 4, New York: Oxford University Press, 1997. Book. Fine. Hardcover. First Edition.. FIRST PRINTING of the First Edition. A collection of essays on modern music, musicians, their styles and goals, innovations and concepts, the industry itself and its continuing evolution, the newer uses of instruments, and the history of this art and cultural form, discussing individual contributions and their creators and how the works of music came about. Hardcover with dust jacket, indexed, 193pp. A very nice copy. Rare. Size: 8vo - over 7¾" - 9¾" tall., Oxford University Press, 1997, 5<

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(*) Libro esaurito significa che il libro non è attualmente disponibile in una qualsiasi delle piattaforme associate che di ricerca.

Stir It Up : Musical Mixes from Roots to Jazz - Santoro, Gene

ESEMPIO

(*)

Santoro, Gene:
Stir It Up : Musical Mixes from Roots to Jazz - edizione con copertina flessibile

2001, ISBN: 9780195098693

edizione con copertina rigida

New York: Oxford University Press. Near Fine in Near Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0195079434 . Ten essays by this well-known jazz author on the orgins… Altro …

New York: Oxford University Press. Near Fine in Near Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0195079434 . Ten essays by this well-known jazz author on the orgins and developement of jazz in America--as well as its "uncertain future." Contains an index and source notes in the rear. Original gray cloth publisher's covers with spine lettering. Note: The dust jacket is taped with a short piece of tape on each foldover to affix it to the book (taped to the end papers), else This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The dust jacket in similarly nice condition with no chips, tears, or markings. Please inquire if you would like more information. ; 8vo, 8"- 9" tall; 326 pages ., Oxford University Press, 1993, 4, New York: Oxford University Press, 1956. First Edition. Hard Cover. Very Good +. Tight binding. No chips, tears, creases. Gift inscription on front endpaper. Tape shadows on endpapers. White spot on bottom of rear coverboard. Black and white photographic illustrations. 8vo - over 7¾" - 9¾" tall. 367 pp., Oxford University Press, 1956, 3, New York: Oxford University Press, 2001. Paperback. Near Fine. Through the lenses of history, gender studies, media, pedagogy, cosmology, nostalgia, and urban ethnomusicology, the book offers a captivating examination of the tembang Sunda, which serves as a metaphorical ship carrying the urban Sundanese back to the rural past of their ancestors. Includes an excellent CD, vivid photos, and brief musical examples. 276 pages; black marks on bottom edge.; 6 1/4 x 9 1/4, Oxford University Press, 2001, 4, New York: Oxford University Press. Near Fine in Good dust jacket. 1981. First Printing. Hard Cover. Publisher's full beige cloth, black lettering on spine. . Dust jacket slightly worn, else tight, square, unmarked, and clean. NEAR FINE/GOOD. . 8vo 8" - 9" tall. 285 pp ., Oxford University Press, 1981, 4, New York: Oxford University Press, 1997. Book. Fine. Hardcover. First Edition.. FIRST PRINTING of the First Edition. A collection of essays on modern music, musicians, their styles and goals, innovations and concepts, the industry itself and its continuing evolution, the newer uses of instruments, and the history of this art and cultural form, discussing individual contributions and their creators and how the works of music came about. Hardcover with dust jacket, indexed, 193pp. A very nice copy. Rare. Size: 8vo - over 7¾" - 9¾" tall., Oxford University Press, 1997, 5<

usa, c..

Biblio.co.uk

Peninsula Books, Bibliodditiques, Chequamegon Book Company, Round Table Books, LLC, JB Books
Costi di spedizione: EUR 17.28
Details...

(*) Libro esaurito significa che il libro non è attualmente disponibile in una qualsiasi delle piattaforme associate che di ricerca.

Stir It Up - Musical Mixes from Roots to Jazz - Santoro, Gene

ESEMPIO

(*)

Santoro, Gene:
Stir It Up - Musical Mixes from Roots to Jazz - copertina rigida, flessible

1997, ISBN: 9780195098693

Oxford 1997. 1997. 8vo. Hardcover in d/w. Very good. A former musician himself, Santoro is equally illuminating about both the technical aspects of the music and the personal developmen… Altro …

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1

Stir It Up: Musical Mixes from Roots to Jazz (Hardcover) - Gene Santoro

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da AbeBooks.de

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Link sponsorizzato

Gene Santoro:

Stir It Up: Musical Mixes from Roots to Jazz (Hardcover) - copertina rigida, flessible

1997, ISBN: 0195098692

[EAN: 9780195098693], Neubuch, [PU: Oxford University Press, USA, New York], Hardcover. It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essa… Altro …

[EAN: 9780195098693], Neubuch, [PU: Oxford University Press, USA, New York], Hardcover. It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliche takes on a real, but paradoxical, life: while music criss-crosses the globe with ever-greater speed, musicians seize what's useful, and expand their idioms more rapidly. More and more since the 1960s, musicians, both in America and abroad, have shown an uncanny but consistent ability to draw inspiration from quite unexpected sources. We think of Paul Simon in Graceland, blending Afropop rhythms and Everly Brothers harmonies into a remarkable new sound that captured imaginations worldwide. Or Jimi Hendrix, trying to wring from guitar the howling, Doppler-shifting winds he experienced as a paratrooper. Or Thelonius Monk, mingling Harlem stride piano, bebop, the impressionist harmonies of DeBussey, and a delight in "harmonic space" that eerily paralleled modern physics. From the startling experiments of such jazz giants as Charles Mingus, to the political bite of Bob Marley and Bruce Springsteen, we see musicians again and again taking musical tradition and making it new. The result is a profusion of new forms, media that are constantly being reinvented-in short, an art form capable of seemingly endless, and endlessly fascinating, permutations. Gene Santoro's Stir It Up is an ideal guide to this ever-changing soundscape. Santoro is the rare music critic equally at home writing about jazz (John Coltrane, Ornette Coleman, Tom Harrell), rock (Sting, Elvis Costello, P.J. Harvey), and the international scene (Jamaican, Brazilian, and African pop music). In Stir It Up, readers will find thoughtful but unpretentious discussions of such different musicians as David Byrne and Aretha Franklin, Gilberto Gil and Manu Dibango, Abbey Lincoln and Joe Lovano. And Santoro shows us not only the distinctive features of the diverse people who create so many dazzling sounds, but also the subtle and often surprising connections between them. With effortless authority and a rich sense of music history, he reveals, for instance, how Ornette Coleman was influenced by a mystical group in Morocco-the Major Musicians of Joujouka-whom he discovered via Rolling Stone Brian Jones; how John Coltrane's unpredictable, extended sax solos influenced The Byrds, The Grateful Dead, and most significantly, Jimi Hendrix; and how Bob Marley's reggae combined Rastafarian chants with American pop, African call-and-response, and Black Nationalist politics into a potent mix that still shapes musicians from America to Africa, Europe to Asia. A former musician himself, Santoro is equally illuminating about both the technical aspects of the music and the personal development of the artists themselves. He offers us telling glimpses into their often turbulent lives: Ornette Coleman being kicked out of his high school band for improvising, Charles Mingus checking himself into Bellevue because he'd heard it was a good place to rest, the teenaged Jimi Hendrix practicing air-guitar with a broom at the foot of his bed, Aretha Franklin's Oedipal struggle with her larger-than-life preacher-father. Throughout the volume, Santoro's love and knowledge shine through, as he maps the rewarding terrain of pop music's varied traditions, its eclectic, cross-cultural borrowings, and its astonishing innovations. What results is a fascinating tour through twentieth-century popular music: lively, thought-provoking, leavened with humor and unexpected twists. Stir It Up is sure to challenge readers even as it entertains them. It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliche takes on a real, but paradoxical, life: while music crisscrosses the globe with ever greater speed, musicians seize what's useful, and expand their idioms more rapidly. More Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability., Books<

NEW BOOK. Costi di spedizione: EUR 34.98 AussieBookSeller, Truganina, VIC, Australia [52402892] [Rating: 5 (von 5)]

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2

Stir It Up : Musical Mixes from Roots to Jazz by Gene Santoro - Gene Santoro

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da BetterWorldBooks.com

€ 5,00

Dettagli & spedizione

Link sponsorizzato

Gene Santoro:

Stir It Up : Musical Mixes from Roots to Jazz by Gene Santoro - libri usati

ISBN: 9780195098693

It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliche takes on a real, but paradoxical, life: while m… Altro …

It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliche takes on a real, but paradoxical, life: while music crisscrosses the globe with ever greater speed, musicians seize what's useful, and expand their idioms more rapidly. More and more since the 1960s, musicians, both in America and abroad, have shown an uncanny but consistent ability to draw inspiration from quite unexpected sources. We think of Paul Simon in Graceland, blending Afropop rhythms and Everly Brothers harmonies into a remarkable new sound that captured imaginations worldwide. Or Jimi Hendrix, trying to wring from guitar the howling, Doppler-shifting winds he experienced as a paratrooper. Or Thelonius Monk, mingling Harlem stride piano, bebop, the impressionist harmonies of DeBussey, and a delight in "harmonic space" that eerily paralleled modern physics. From the startling experiments of such jazz giants as Charles Mingus, to the political bite of Bob Marley and Bruce Springsteen, we see musicians again and again taking musical tradition and making it new. The result is a profusion of new forms, media that are constantly being reinvented--in short, an art form capable of seemingly endless, and endlessly fascinating, permutations. Gene Santoro's Stir It Up is an ideal guide to this ever changing soundscape. Santoro is the rare music critic equally at home writing about jazz (John Coltrane, Ornette Coleman, Tom Harrell), rock (Sting, Elvis Costello, P.J. Harvey), and the international scene (Jamaican, Brazilian, and African pop music). In Stir It Up, readers will find thoughtful but unpretentious discussions of such differentmusicians as David Byrne and Aretha Franklin, Gilberto Gil and Manu Dibango, Abbey Lincoln and Joe Lovano. And Santoro shows us not only the distinctive features of the diverse people who create so many dazzling sounds, but also the subtle and often surprising connections between them. With effortless authority and a rich sense of music history, he reveals, for instance, how Ornette Coleman was influenced by a mystical group in Morocco--the Major Musicians of Joujouka--whom he discovered via Rolling Stone Brian Jones; how John Coltrane's unpredictable, extended sax solos influenced The Byrds, The Grateful Dead, and most significantly, Jimi Hendrix; and how Bob Marley's reggae combined Rastafarian chants with American pop, African call-and-response, and Black Nationalist politics into a potent mix that still shapes musicians from America to Africa, Europe to Asia. A former musician himself, Santoro is equally illuminating about both the technical aspects of the music and the personal development of the artists themselves. He offers us telling glimpses into their often turbulent lives: Ornette Coleman being kicked out of his high school band for improvising, Charles Mingus checking himself into Bellevue because he'd heard it was a good place to rest, the teenaged Jimi Hendrix practicing air-guitar with a broom at the foot of his bed, Aretha Franklin's Oedipal struggle with her larger-than-life preacher-father. Throughout the volume, Santoro's love and knowledge shine through, as he maps the rewarding terrain of pop music's varied traditions, its eclectic, cross-cultural borrowings, and its astonishing innovations. What results is a fascinating tour through twentieth-centurypopular music: lively, thought-provoking, leavened with humor and unexpected twists. Stir It Up is sure to challenge readers even as it entertains them. Media > Book, [PU: Oxford University Press]<

used in stock. Costi di spedizione:zzgl. Versandkosten., Costi di spedizione aggiuntivi

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Ordina
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$ 15,00

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Santoro, Gene:
Stir It Up : Musical Mixes from Roots to Jazz - edizione con copertina flessibile

2001

ISBN: 9780195098693

edizione con copertina rigida

New York: Oxford University Press. Near Fine in Near Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0195079434 . Ten essays by this well-known jazz author on the orgins… Altro …

New York: Oxford University Press. Near Fine in Near Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0195079434 . Ten essays by this well-known jazz author on the orgins and developement of jazz in America--as well as its "uncertain future." Contains an index and source notes in the rear. Original gray cloth publisher's covers with spine lettering. Note: The dust jacket is taped with a short piece of tape on each foldover to affix it to the book (taped to the end papers), else This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The dust jacket in similarly nice condition with no chips, tears, or markings. Please inquire if you would like more information. ; 8vo, 8"- 9" tall; 326 pages ., Oxford University Press, 1993, 4, New York: Oxford University Press, 1956. First Edition. Hard Cover. Very Good +. Tight binding. No chips, tears, creases. Gift inscription on front endpaper. Tape shadows on endpapers. White spot on bottom of rear coverboard. Black and white photographic illustrations. 8vo - over 7¾" - 9¾" tall. 367 pp., Oxford University Press, 1956, 3, New York: Oxford University Press. Near Fine in Good dust jacket. 1981. First Printing. Hard Cover. Publisher's full beige cloth, black lettering on spine. . Dust jacket slightly worn, else tight, square, unmarked, and clean. NEAR FINE/GOOD. . 8vo 8" - 9" tall. 285 pp ., Oxford University Press, 1981, 4, New York: Oxford University Press, 2001. Paperback. Near Fine. Through the lenses of history, gender studies, media, pedagogy, cosmology, nostalgia, and urban ethnomusicology, the book offers a captivating examination of the tembang Sunda, which serves as a metaphorical ship carrying the urban Sundanese back to the rural past of their ancestors. Includes an excellent CD, vivid photos, and brief musical examples. 276 pages; black marks on bottom edge.; 6 1/4 x 9 1/4, Oxford University Press, 2001, 4, New York: Oxford University Press, 1997. Book. Fine. Hardcover. First Edition.. FIRST PRINTING of the First Edition. A collection of essays on modern music, musicians, their styles and goals, innovations and concepts, the industry itself and its continuing evolution, the newer uses of instruments, and the history of this art and cultural form, discussing individual contributions and their creators and how the works of music came about. Hardcover with dust jacket, indexed, 193pp. A very nice copy. Rare. Size: 8vo - over 7¾" - 9¾" tall., Oxford University Press, 1997, 5<

USA, C.. - Costi di spedizione: EUR 17.28 Peninsula Books, Bibliodditiques, Round Table Books, LLC, Chequamegon Book Company, JB Books

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Santoro, Gene:
Stir It Up : Musical Mixes from Roots to Jazz - edizione con copertina flessibile

2001, ISBN: 9780195098693

edizione con copertina rigida

New York: Oxford University Press. Near Fine in Near Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0195079434 . Ten essays by this well-known jazz author on the orgins… Altro …

New York: Oxford University Press. Near Fine in Near Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0195079434 . Ten essays by this well-known jazz author on the orgins and developement of jazz in America--as well as its "uncertain future." Contains an index and source notes in the rear. Original gray cloth publisher's covers with spine lettering. Note: The dust jacket is taped with a short piece of tape on each foldover to affix it to the book (taped to the end papers), else This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The dust jacket in similarly nice condition with no chips, tears, or markings. Please inquire if you would like more information. ; 8vo, 8"- 9" tall; 326 pages ., Oxford University Press, 1993, 4, New York: Oxford University Press, 1956. First Edition. Hard Cover. Very Good +. Tight binding. No chips, tears, creases. Gift inscription on front endpaper. Tape shadows on endpapers. White spot on bottom of rear coverboard. Black and white photographic illustrations. 8vo - over 7¾" - 9¾" tall. 367 pp., Oxford University Press, 1956, 3, New York: Oxford University Press, 2001. Paperback. Near Fine. Through the lenses of history, gender studies, media, pedagogy, cosmology, nostalgia, and urban ethnomusicology, the book offers a captivating examination of the tembang Sunda, which serves as a metaphorical ship carrying the urban Sundanese back to the rural past of their ancestors. Includes an excellent CD, vivid photos, and brief musical examples. 276 pages; black marks on bottom edge.; 6 1/4 x 9 1/4, Oxford University Press, 2001, 4, New York: Oxford University Press. Near Fine in Good dust jacket. 1981. First Printing. Hard Cover. Publisher's full beige cloth, black lettering on spine. . Dust jacket slightly worn, else tight, square, unmarked, and clean. NEAR FINE/GOOD. . 8vo 8" - 9" tall. 285 pp ., Oxford University Press, 1981, 4, New York: Oxford University Press, 1997. Book. Fine. Hardcover. First Edition.. FIRST PRINTING of the First Edition. A collection of essays on modern music, musicians, their styles and goals, innovations and concepts, the industry itself and its continuing evolution, the newer uses of instruments, and the history of this art and cultural form, discussing individual contributions and their creators and how the works of music came about. Hardcover with dust jacket, indexed, 193pp. A very nice copy. Rare. Size: 8vo - over 7¾" - 9¾" tall., Oxford University Press, 1997, 5<

USA, C.. - Costi di spedizione: EUR 17.28 Peninsula Books, Bibliodditiques, Chequamegon Book Company, Round Table Books, LLC, JB Books

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Santoro, Gene:
Stir It Up - Musical Mixes from Roots to Jazz - copertina rigida, flessible

1997, ISBN: 9780195098693

Oxford 1997. 1997. 8vo. Hardcover in d/w. Very good. A former musician himself, Santoro is equally illuminating about both the technical aspects of the music and the personal developmen… Altro …

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Stir It Up

Autore:	Gene Santoro
Titolo:	Stir It Up
ISBN:	0195098692

It's a cliche that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliche takes on a real, but paradoxical, life: while music crisscrosses the globe with ever greater speed, musicians seize what's useful, and expand their idiomsmore rapidly. More and more since the 1960s, musicians, both in America and abroad, have shown an uncanny but consistent ability to draw inspiration from quite unexpected sources. We think of Paul Simon in Graceland, blending Afropop rhythms and Everly Brothers harmonies into a remarkable new sound thatcaptured imaginations worldwide. Or Jimi Hendrix, trying to wring from guitar the howling, Doppler-shifting winds he experienced as a paratrooper. Or Thelonius Monk, mingling Harlem stride piano, bebop, the impressionist harmonies of DeBussey, and a delight in "harmonic space" that eerily paralleledmodern physics. From the startling experiments of such jazz giants as Charles Mingus, to the political bite of Bob Marley and Bruce Springsteen, we see musicians again and again taking musical tradition and making it new. The result is a profusion of new forms, media that are constantly beingreinvented--in short, an art form capable of seemingly endless, and endlessly fascinating, permutations. Gene Santoro's Stir It Up is an ideal guide to this ever changing soundscape. Santoro is the rare music critic equally at home writing about jazz (John Coltrane, Ornette Coleman, Tom Harrell), rock (Sting, Elvis Costello, P.J. Harvey), and the international scene (Jamaican, Brazilian, andAfrican pop music). In Stir It Up, readers will find thoughtful but unpretentious discussions of suchdifferent musicians as David Byrne and Aretha Franklin, Gilberto Gil and Manu Dibango, Abbey Lincoln and Joe Lovano. And Santoro shows us not only the distinctive features of the diverse people whocreate so many dazzling sounds, but also the subtle and often surprising

Informazioni dettagliate del libro - Stir It Up

EAN (ISBN-13): 9780195098693
ISBN (ISBN-10): 0195098692
Copertina rigida
Copertina flessibile
Anno di pubblicazione: 1997
Editore: Oxford University Press Inc
208 Pagine
Peso: 0,445 kg
Lingua: eng/Englisch

Libro nella banca dati dal 2007-05-18T19:16:21+02:00 (Zurich)
Pagina di dettaglio ultima modifica in 2024-01-09T11:18:35+01:00 (Zurich)
ISBN/EAN: 0195098692

ISBN - Stili di scrittura alternativi:
0-19-509869-2, 978-0-19-509869-3
Stili di scrittura alternativi e concetti di ricerca simili:
Autore del libro : santoro, gene, david harvey, coleman ornette, tom stone, mingus charles, cliché international, tom franklin, david byrne, coleman joe, joe jones, popular piano solos, john coleman, manu rich, bruce springsteen, paul costello, joe cross, david gil, grateful dead
Titolo del libro: und stir, mix, stir musical mixes from roots jazz, just jazz, all that jazz, this jazz, best jazz, over jazz

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9780195356854 Stir It Up: Musical Mixes from Roots to Jazz Gene Santoro Author (Gene Santoro)

9780195356854 Stir It Up: Musical Mixes from Roots to Jazz Gene Santoro Author (Gene Santoro)

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