2007, ISBN: 9780865475328

edizione con copertina rigida

[ Edition: illustrated edition ]. Good Condition. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Water Damage: SLIGHT, doesn't … Altro …

[ Edition: illustrated edition ]. Good Condition. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Water Damage: SLIGHT, doesn't affect use ] Publisher: Natl Geographic Society Pub Date: 6/1/1984 Binding: Hardcover Pages: 30, 2.5, Berkley Publishing Corporation : New York, 1977. Paperback. good/no jacket. Starlight, by Alfred Bester, a Berkley Medallion Book published by Berkley Publishing Corporation 1977, ISBN#: 0425034518, Soft bound, Good- condition (cover wear at corners, edges and along spine, tear on top front cover at spine, light spine crease). This is a fantastic collection of some of the best great short fiction of Alfred Bester. If you are not familiar with Besters work, this is a great chance to acquire one of his best works. Alfred Bester was born in Manhattan in 1913, the city which appears in much of his writing. He attended the University of Pennsylvania, gave law school a try, got married in 1936, and then began his long writing career. A childhood spent reading fairy tales, H. G. Wells, and the then new magazine Amazing Quarterly naturally led him to attempt to write science fiction. His first story, "The Broken Axiom," published in Thrilling Wonder Stories in 1939, won him the prize in the magazine's short story contest. He published about a dozen stories, few of which have been collected, and disappeared for the first time from science fiction. In 1942, he began writing for comics, which were just getting their start, working on popular titles such as Batman, Superman, and the Green Lantern, where he invented the Green Lantern Oath and the famous villain Solomon Grundy. A few years later he moved into radio, writing for Charlie Chan, The Shadow, and many other programs; he even directed one for awhile. When television came around he tried that too and came to hate it; he wrote about the experience in his first mainstream novel, the satirical Who He?, also published as The Rat Race, which came out in 1953. Tired of rehashing the same few plots, shocked at having been criticized for being "too original," Bester returned to science fiction as an escape, an outlet for the plots and characters that wouldn't fit into the structured, simple stories he wrote for others. He had committed himself to a life of writing, and had learned all the tricks of the trade, particularly plotting, character, and tension. It is in science fiction that he took all these skills and practiced them in double time, confounding all expectations of the genre by taking its tenets and extrapolating them out of the water, sending them into the future. "So, out of frustration, I went back to science fiction in order to keep my cool. It was a safety valve, an escape hatch, therapy for me. The ideas which no show would touch could be written as science fiction stories and I could have the satisfaction of seeing them come to life." Bester's return to science fiction was marked by "Oddy and Id," published in 1950 in John Campbell, Jr.'s Astounding under the title "The Devil's Invention" - an apt one considering Campbell's new infatuation with "dianetics," invented by another science fiction writer, L. Ron Hubbard. Bester, with great humor and a little sadness, tells of his first "demented" (his words) meeting with the editor in "My Affair with Science Fiction." He was made to read the galleys of Hubbard's first articles on dianetics, all the while feigning interest, with the editor hovering over him, every moment trying to convert him. He lies, pretending to be taken in and telling Campbell, "...the emotional wounds are too much to bear. I can't go on with this." Bester was trying desperately to hold back laughter. The editor's response: "Yes, I could see you were shaking." The experience alienated him from Campbell, an important writer and one of the genre's most influential editors, who he thought of as a mentor. Bester began to write for Horace Gold, who sought him ought for his new magazine Galaxy, which was publishing more psychology-based, less "hard" science fiction. Gold helped Bester formulate the ideas for his first science fiction novel, and gave it its title The Demolished Man (the author's working title was the much less memorable Demolition!). The novel won the first Hugo award for best novel in 1953, and the attention it received kept Bester in the science fiction field for the next ten years and allowed him to meet and befriend some of his peers (who, incidentally, called him Alfie.) Several of the stories collected in Virtual Unrealities were written during this time, many of them for the new Fantasy and Science Fiction magazine. In 1956, Alfred Bester began writing travel articles for Holiday magazine and published his second novel The Stars My Destination. It was even more unusual than his first novel and received mixed reviews, its violent passages and sexuality put off many critics. Time would prove it just as important, if not more so, than his first novel. There are even recent rumors of a movie. In the early Sixties Bester also wrote reviews for Fantasy and Science Fiction, many of them very critical of the state of the genre. Though a career writer, he never relied on science fiction for his livelihood. This fact, and his many departures from the genre, gave him outsider status. It is likely the reason his stories and novels were so unique; he did not write them in haste, as a pulp writer who needed to make the money would, and he wrote all kinds of stories. These are things he finds at fault in science fiction, whose authors, he argued, are too short-sighted in their literary aspirations, not well read, and have a deadly reliance on science fact which stifles the genre's relevance to real life. Nitpicking critics often criticized him for his bad science, most notably the editor Damon Knight who nonetheless is impressed by him. Bester's response: "I hate hard science fiction." He advocated psychological drama over technological speculations, such as in this review of the author James Blish, who he urges to take up "...drink, drugs, seduction, crime, politics...anything that will shock him into experiencing the stresses that torture people, so that he will be able to write about them with the same lucid dedication which he presently reserves exclusively for science." Though Bester was critical, it was out of love for the genre: "It's the only literary medium left in which we have a free hand. We can do any damn thing we please. And we know we have a creative reading public who will go along with us." It is speculated that Bester's critical stance may have led to his second departure from science fiction, but it was actually his decision to concentrate on his job at Holiday, where he became a senior editor in 1967. (He remained there until the magazine changed hands in 1970.) His job, he says, was too much fun. In his essay, he tells of interviews with Sophia Loren, Elizabeth Taylor, and Laurence "Sir Larry" Olivier, visits to NASA, and test driving new cars. "Reality had become so colorful for me that I no longer needed the therapy of science fiction." After this flashy career, Alfred Bester returned to science fiction in 1973 with the story "The Four-Hour Fugue," which became part of his third science fiction novel, The Computer Connection, published in 1975 to uniformly negative reviews. (He himself admits that it was an experiment that failed - "that confounded book," he called it. ) Starlight, a short story collection compiling two earlier ones, appeared in 1976. In 1980 he published the story "Galatea Galante" and Golem100, which only he considered to be his greatest novel. His last novel, The Deceivers, published in 1981, was so bad some reviewers neglected to review it for fear of offending its author. Though his later stories are good, he never recaptured the glory of his early science fiction career. Alfred Bester died in Pennsylvania in 1987, the same year the Science Fiction Writers of America gave him the Grandmaster prize of the Nebula Awards. It is time that you find out why. The table of contents contains the following stories: from The Light Fantastic: 5271009; Ms Found in a Champagne Bottle; Fondly Fahrenheit; The Four Hour Fugue; The Men Who Murdered Mohammed; Disappear Act; Hell is Forever; from Star Light Star Bright: Adam and No Eve; Time if the Traitor; Oddly and Id; Hobson's Choice; They Don't Make Life Like They Used To; Of Time and Third Avenue; Isaac Asimov; The Pi Man; Something Up There Likes Me; and My Affair with Science Fiction. The book is approximately 4 1/8 X 6 7/8 inches in size and contains 452 pages. The cover price is $1.85. Another copy of the book is currently offered on the Internet at House of Books for $12.95. For more info about this other book, Visit: http://www.alibris.com/search/detail.cfm?binding=sc&chunk=25&mtype=&qisbn=0425034518&S=R&bid=8138231597&pqtynew=&page=1&matches=14&qsort=r> Buyer pays minimal shipping - US Post Office Media Mail unless specified otherwise. If you have any questions please send me an email. Thanks for looking!, Berkley Publishing Corporation, 1977, 2.5, Fair. This is a well-read book, which means that the previous owner probably really enjoyed it! The cover and pages may include moderate foxing and annotations, but the text is not obscured and still readable. Moderate cosmetic defects and minor water damage may be present on the edges of the book. For paperbacks, there may be multiple crease marks on the spine., 2, Fair. This is a well-read book, which means that the previous owner probably really enjoyed it! The cover and pages may include moderate foxing and annotations, but the text is not obscured and still readable. Moderate cosmetic defects and minor water damage may be present on the edges of the book. For paperbacks, there may be multiple crease marks on the spine., 2, Fair. This is a well-read book, which means that the previous owner probably really enjoyed it! The cover and pages may include moderate foxing and annotations, but the text is not obscured and still readable. Moderate cosmetic defects and minor water damage may be present on the edges of the book. For paperbacks, there may be multiple crease marks on the spine., 2, UsedAcceptable. The item is fairly worn but still readable. The book may have some cosmetic wear (i.e. creased spine/cover, scratches, curled corners, folded pages, sunburn, stains, water damage, bent, torn, damaged binding, dent). - The dust jacket if present, may be marked, and have considerable heavy wear. The book might be ex-library copy, and may have the markings and stickers associated from the library - The book may have considerable highlights/notes/underlined pages but the text is legible - Accessories such as CD, codes, toys, may not be included - Safe and Secure Mailer - No Hassle Return, 0, New York: Algonquin Books, 2007-04-09. Trade Paperback. Very Good. 5x0x8. No Stock Photos! We photograph every item. 350 pages; edge wear; An atmospheric, gritty, and compelling novel of star-crossed lovers, set in the circus world circa 1932, by the bestselling author of "Riding Lessons. When Jacob Jankowski, recently orphaned and suddenly adrift, jumps onto a passing train, he enters a world of freaks, grifters, and misfits, a second-rate circus struggling to survive during the Great Depression, making one-night stands in town after endless town. A veterinary student who almost earned his degree, Jacob is put in charge of caring for the circus menagerie. It is there that he meets Marlena, the beautiful young star of the equestrian act, who is married to August, the charismatic but twisted animal trainer. He also meets Rosie, an elephant who seems untrainable until he discovers a way to reach her. Beautifully written, "Water for Elephants is illuminated by a wonderful sense of time and place. It tells a story of a love between two people that overcomes incredible odds in a world in which even love is a luxury that few can afford., Algonquin Books, 2007-04-09, 3, Giroux : New York, 1998. Paperback. Fine/No Jacket. Margins - A Naturalist Meets Long Island Soundby Mary Parker Buckles Published by North Point Press, a division of Farrar, Straus and Giroux, New York 1998, ISBN#: 0865475326, Soft bound, New/Mint condition. Twenty-four million people live within one hundred miles of Long Island Sound, the 110-mile-long body of water that separates Long Island from Connecticut and New York's mainland. Yet the land, sky, and inter-tidal areas that Mary Parker Buckles explores in Margins, as well as the water itself, have remained virtually uncelebrated until now. While the Sound has been endangered by pollution and development, it is far from dead, as some picture it. Buckles' inspired explorations show that, in fact, it teems with life and is well worth our attention. With a deft touch and a naturalist's keen eye, Buckles introduces herself - and us - to this stimulating environment. Blending hard science with her own often whimsical observations, she discovers the magic of shorebirds on a stopover during their semi-annual migrations and comes to appreciate the temperament of owls, the intricacy of barnacles, the crusty horseshoe crab, and the fragile osprey chick. Buckles explains what the ongoing battle over wetlands is all about and elucidates the complexities of the place she describes as "inherently sacred by virtue of being alive." Raised in inland Mississippi, moving to the Midwest as an adult, Buckles yearned to live by the sea. When, in the late 1980s, she at last "landed" along Long Island Sound, she was "predisposed to like" what she would find there. But "like" is an uncharacteristically hazy word from this talented writer, who in her first book displays an ear for the exact phrase every bit as acute as her eye for the natural phenomena that she details and celebrates. Long Island Sound, which rests on the south along its titular land mass and on the north along the Connecticut shoreline, laps against some highly developed land. Yet Buckles discovers and explores world upon world of natural wonder within suburbia, grouping them sensibly into sections on "Land," "Air," "Water" and "Inter-tidal Zone." The range of wildlife she limns could fill a museum hall, from ospreys to sea squirts to raptors to barnacles, whose "tiny adult, which in some ways resembles a soggy Rice Krispie, is very intricately formed." This book is a first-rate natural history, but more, for Buckles views these creatures and the settings in which they live not only with the rigor of a scientist but with the good humor and passion of one who feels deeply a part of what she surveys. So in myriad anecdotes the text reveals the behavior of the author and her friends as well, as when, one May night, Buckles joins another naturalist to watch horseshoe crabs swim, then returns a few nights later to see them mate.This is a delicate, selective, and deeply personal natural history of Long Island Sound.When Buckles (author of "Mammals of the World") found herself transplanted to the Connecticut shore, she wanted to get to know the environment beyond its problematic reputation as a sewage-laden, pathogenic wasteland, its bounty contaminated. To her the sound was not diseased (indeed, it appeared to be on the mend), but rather "a place inherently sacred by virtue of being alive." So she got down on her hands and knees at the water's edge, or pottered about in her little Boston Whaler, becoming intimate with the land- and waterscapes, knitting together the specialized habitats and communities that could be seen to flow into one another "like watercolors left in the rain." Here she details 14 investigations of things natural that identify the sound for her: its glacial origins and geologic history, its coves and estuaries and its avian abundancebufflehead and old squaw, mergansers, cormorants, ospreys, and many more. She marvels at the return of the oak, hickory, and tulip poplar forests, and pokes about the islands: grand Gardiners, tiny Fish, tern-colonized Falkner. She dredges for oysters, then tips back the catch, and catalogs the curious menagerie that populates a dock. And there is an extended meditation on the unique salt-marsh landscape, with its spartina, fiddlers, and pipers. Buckles' writing is careful and graceful, and she has a facility for investing the mundane with significance (barnacles, for instance) and clarifying obscure biological processes. Buckles tunes in to the habits and rhythms of her home shore and lets them nurture her spirit. "Long Island Sound has a beauty and a vitality that leave me dumbfounded with love. These writings are my love letters." The book is approximately 5 X 8 inches in size and contains 286 pages. The cover price is $13. Another copy of the book is currently offered on the Internet at Warrior Books for $23. Buyer pays minimal shipping - US Post Office Media Mail unless specified otherwise. If you have any questions please send me an email. Thanks for looking!, Giroux, 1998, 5<

1998, ISBN: 9780865475328

edizione con copertina flessibile

Gene Leis Guitar brochure/advertisement13.6 x 13.4 inches, 2 pagesGene Leis (April 19, 1920 March 15, 1993) was an American jazz guitarist, teacher, bandleader, composer, producer and en… Altro …

Gene Leis Guitar brochure/advertisement13.6 x 13.4 inches, 2 pagesGene Leis (April 19, 1920 March 15, 1993) was an American jazz guitarist, teacher, bandleader, composer, producer and entrepreneur. He was known primarily for his publications and recorded guitar courses in the 1960s.Leis was born into a musical family in Sedgwick, Kansas, near Witchita. His parents had a family band and played at local dances, weddings, and other events. When he was nine, he joined the family group on mandolin, an instrument whose neck was small enough for him to play comfortably. In his early teens he took up tenor guitar and began playing with other small groups. His father wanted him to play cello, and Leis negotiated a series of banjo lessons in exchange.During the late 1930s Leis listened to the swing bands of Goodman and to guitarists Charlie Christian and Django Reinhardt. The introduction of the electric guitar changed the nature of the guitar player in dance bands so that they could play loud enough to be heard over the other instruments. He decided to focus on guitar.In early 1941, this 21-year-old musician enlisted in the U.S. Army Air Corps in Galveston, Texas, and was sent to Muroc Army Air Field, in the desert north of Lancaster, California. Later this airfield would become known as Edwards Air Force Base, but in 1941 it was an airfield used to train bombing and gunnery maneuvers.While at the base, Gene took lessons from Dave Saunders, a student of George M. Smith, a studio and performing guitarist and author of "George M. Smith Modern Guitar Method". These lessons formed the core of Gene's later teaching system. Smith's method focused on teaching players the chord techniques necessary for rhythm playing and improvising in contemporary jazz. His focus was on thoroughly knowing and using chords as the basis for rhythm and chord improvising. Gene would later say, "If you don't know your chords you'll never play enough guitar to be dangerous".Promoted to Staff Sergeant, Gene formed a band, "Gene and his Jive Bombers", composed of GIs and civilians and toured the area for the next three years. Typically, Gene arranged, directed, produced and emceed at these appearances.Later, Gene was sent to India to organize entertainment for various airbases in the China-Burma-India Theater of the war, playing in many different kinds of bands and at one time touring camps for several months with popular movie star and singer Tony Martin. Discharged in December 1945, Technical Sergeant Leis moved to Lancaster, California and started a dance band that played around the local area.At night he worked on a project a teach-yourself guitar course on records.Using records to teach and selling them via mail order was a new idea the old 78's were so brittle they would break when shipped, and they were heavy, which made shipping costly. The new vinyl records were much more forgiving, and the 12" version could hold a lot of play time. In 1955 Columbia Records created the Columbia Record Club, a new division of Columbia Records whose purpose was to test the idea of marketing music through the mail. The public's response proved that mail-order record distribution was an effective way to market music. By the end of 1955, the Columbia Record Club boasted 128,000 members who purchased 700,000 records. This proved to Gene that his idea, teaching guitar to students using recorded courses, could work.As Gene began developing his recorded guitar course, he worked hard to develop certain skills in order to create the kind of quality course he knew students would need. He enrolled in a school of broadcasting to learn to develop his narration skills. He took courses in writing to improve his communication ability. He studied photography for two years. He learned print layout and composition, using a Varitype machine to create his printed text, and laying out all the pages himself.Gene called his project the Nexsus course. Nexus meant, "a connecting link or a connected series". Gene initially sold the course through mail order, taking out ads in magazines like Playboy, Esquire, downbeat, Diner's Club Magazine and True.The Complete Nexus Method Course included 10 records, a 132-page instruction book, a 36-page chord book and three Chord Maps. There was also a Primary Course and an Advanced Course, both based on these materials. In it, Gene taught you how to hold, tune and play the guitar from the basic rudiments to the more intricate chord patterns used in folk, blues, western, pops and ballads. His course centered on the song as the primary way to learning guitar and he often referred to this approach as learning recreational guitar.Tom Scanlan, noted jazz critic for the Army Times and downbeat magazine gave the course a very favorable review, singling out the high quality of the privately produced records and the clarity of Gene's explanations and demonstrations.He quit real estate to work on selling the course full-time, moving to Manhattan Beach, California, and in 1961 he opened Gene Leis Studio, Inc., where he built a recording studio, an office and used the remaining space to store and mail out his courses. The courses proved to be popular; in the first several years, Gene sold over 7,000 courses. Gene received many requests for just the chord book, so he sold the Nexsus Chord Book separately as well.The guitar's popularity soared as it was featured in a variety of popular musical formats: rock and roll groups, folk music artists and the surf music/guitar groups of the late fifties and early sixties. In 1962, with the encouragement and assistance of Jessy Stidham, one of his students, Gene introduced two new albums aimed at a younger market, "Play Guitar: Sounds of Today", designed to teach younger students how to play single string melody without going into a lot of complicated chords. Gene also recorded an album, Beautiful Guitar, playing all the parts himself using a multitrack approach that Les Paul had pioneered earlier. The album included an insert that featured the orchestrations of the 13 songs on the album, for "the guitar player who plays just enough guitar to be dangerous".In 1963 he got his first distributor, in Boston. Within 10 years he had over 30 distributors and was distributing the books himself as well. In 1964, Gene incorporated Gene Leis Distributing with the aim of offering a full range of accessories and instruments. He designed or created a line of guitar amplifiers (which appeared under the names Rodeo Music or Gene Leis), guitars and accessories which were distributed through White Front, Montgomery Ward and other retail stores. He sold over 8,000 amplifiers before leaving the crowded amp market.In 1964 he revised the Chord Book, incorporating many more instructional elements, and called it the "Instructional Chord Book for Guitar". He also created two new books, Teacher's Pet Manuscript and Chord Diagram (Primary and Advanced) for students to write out their own arrangements. By 1965, the Instruction Chord Book had sold over 250,000 copies. In 1966 Gene introduced Guitar for Two, featuring a book and a record that taught learners 16 songs, focusing on teaching single-string melody, and Guitar for Fun, the Guitar for Two package with the Instruction Chord Book.To promote his courses, books and accessories, Gene toured the west coast, making personal appearances where he performed with his sons Larry on drums and Bill on guitar. Their repertoire ranged from rock'n'roll numbers that "resembled a small earthquake" to ballads like "Misty" or "Over the Rainbow". After the mini-concert, while the boys signed autographs and gave out complimentary books, Gene conducted question and answer sessions. These sessions gave Gene valuable insight into what guitar students wanted, and he used these ideas when creating new courses. Gene considered the comments and letters he received from guitar students all over the world his greatest assets.In 1965, Decca Records started a division known as Decca Home Entertainment Products, which for several years imported Japanese acoustic and solid-body electric guitars aimed primarily at the beginner market. Gene acted as an advisor to Decca, who sold over 30,000 of his chord books a year. Similarly, Columbia Record Club, the mail order arm of Columbia Records, bought 50,000 of his courses to pair with a line of guitars that it offered.In 1966, Gene collaborated on the book, A Guitar Manual, with Daniel Mari and Peter Huyn. Published by E&O Mari, the manufacturer of La Bella guitar strings, the book focused on the history, anatomy and use of the guitar. The wood veneer cover design, by George Macias, was unique, and represented the face of a guitar, with the title and author's names visible through a round hole in the center.In 1967, Gene produced two albums for Music Minus One, a company that created recorded courses with one instrumental part missing students could practice soloing against the recorded accompaniment. These two albums included "Let's Duet" (MMO60) and "Learn to Play Guitar" (MMO4018).Also in 1967, Gene became a contributing editor to Bud and Maxine Eastman's fledgling Guitar Player Magazine, serving on the advisory board and contributing articles like Why Don't You Read Music?"By the mid 1970s, Gene had sold over 225,000 of his recorded courses and over 2 million copies of the Instruction Chord Book for Guitar., 3, Giroux : New York, 1998. Paperback. Fine/No Jacket. Margins - A Naturalist Meets Long Island Soundby Mary Parker Buckles Published by North Point Press, a division of Farrar, Straus and Giroux, New York 1998, ISBN#: 0865475326, Soft bound, New/Mint condition. Twenty-four million people live within one hundred miles of Long Island Sound, the 110-mile-long body of water that separates Long Island from Connecticut and New York's mainland. Yet the land, sky, and inter-tidal areas that Mary Parker Buckles explores in Margins, as well as the water itself, have remained virtually uncelebrated until now. While the Sound has been endangered by pollution and development, it is far from dead, as some picture it. Buckles' inspired explorations show that, in fact, it teems with life and is well worth our attention. With a deft touch and a naturalist's keen eye, Buckles introduces herself - and us - to this stimulating environment. Blending hard science with her own often whimsical observations, she discovers the magic of shorebirds on a stopover during their semi-annual migrations and comes to appreciate the temperament of owls, the intricacy of barnacles, the crusty horseshoe crab, and the fragile osprey chick. Buckles explains what the ongoing battle over wetlands is all about and elucidates the complexities of the place she describes as "inherently sacred by virtue of being alive." Raised in inland Mississippi, moving to the Midwest as an adult, Buckles yearned to live by the sea. When, in the late 1980s, she at last "landed" along Long Island Sound, she was "predisposed to like" what she would find there. But "like" is an uncharacteristically hazy word from this talented writer, who in her first book displays an ear for the exact phrase every bit as acute as her eye for the natural phenomena that she details and celebrates. Long Island Sound, which rests on the south along its titular land mass and on the north along the Connecticut shoreline, laps against some highly developed land. Yet Buckles discovers and explores world upon world of natural wonder within suburbia, grouping them sensibly into sections on "Land," "Air," "Water" and "Inter-tidal Zone." The range of wildlife she limns could fill a museum hall, from ospreys to sea squirts to raptors to barnacles, whose "tiny adult, which in some ways resembles a soggy Rice Krispie, is very intricately formed." This book is a first-rate natural history, but more, for Buckles views these creatures and the settings in which they live not only with the rigor of a scientist but with the good humor and passion of one who feels deeply a part of what she surveys. So in myriad anecdotes the text reveals the behavior of the author and her friends as well, as when, one May night, Buckles joins another naturalist to watch horseshoe crabs swim, then returns a few nights later to see them mate.This is a delicate, selective, and deeply personal natural history of Long Island Sound.When Buckles (author of "Mammals of the World") found herself transplanted to the Connecticut shore, she wanted to get to know the environment beyond its problematic reputation as a sewage-laden, pathogenic wasteland, its bounty contaminated. To her the sound was not diseased (indeed, it appeared to be on the mend), but rather "a place inherently sacred by virtue of being alive." So she got down on her hands and knees at the water's edge, or pottered about in her little Boston Whaler, becoming intimate with the land- and waterscapes, knitting together the specialized habitats and communities that could be seen to flow into one another "like watercolors left in the rain." Here she details 14 investigations of things natural that identify the sound for her: its glacial origins and geologic history, its coves and estuaries and its avian abundancebufflehead and old squaw, mergansers, cormorants, ospreys, and many more. She marvels at the return of the oak, hickory, and tulip poplar forests, and pokes about the islands: grand Gardiners, tiny Fish, tern-colonized Falkner. She dredges for oysters, then tips back the catch, and catalogs the curious menagerie that populates a dock. And there is an extended meditation on the unique salt-marsh landscape, with its spartina, fiddlers, and pipers. Buckles' writing is careful and graceful, and she has a facility for investing the mundane with significance (barnacles, for instance) and clarifying obscure biological processes. Buckles tunes in to the habits and rhythms of her home shore and lets them nurture her spirit. "Long Island Sound has a beauty and a vitality that leave me dumbfounded with love. These writings are my love letters." The book is approximately 5 X 8 inches in size and contains 286 pages. The cover price is $13. Another copy of the book is currently offered on the Internet at Warrior Books for $23. Buyer pays minimal shipping - US Post Office Media Mail unless specified otherwise. If you have any questions please send me an email. Thanks for looking!, Giroux, 1998, 5<

1998, ISBN: 9780865475328

edizione con copertina rigida

The Texas Journal of Science., 1992. Journal. Very Good. No Binding. ORIGINAL article, disbound from journal; no covers; in very good condition.., The Texas Journal of Science., 1992, 3, … Altro …

The Texas Journal of Science., 1992. Journal. Very Good. No Binding. ORIGINAL article, disbound from journal; no covers; in very good condition.., The Texas Journal of Science., 1992, 3, Paperback. Very Good., 3, Teachers College Press. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Teachers College Press, 2.5, New York, New York, USA: Houghton Mifflin Company, 1997. BX4 - A hard cover first edition withdrawn ex-library book in good- condition with a dust jacket in very good- condition. A tight, clean, sound copy in black paper covered boards quarter bound in black cloth with silver lettering and a graphic on the spine with very minor overall shelf wear plus there is the usual library stamp and label on the half-title page and dedication page plus the front endpaper has been removed as part of the library's withdrawal process plus the dust jacket endflaps are glued down to the inside surfaces of the boards. The dust jacket shows no visible signs of wear plus it is still in the original library mylar sleeve plus there is the usual library label on the spine plus the endflaps are glued down to the inside surfaces of the boards. A collection of three novellas that explore the themes of escape and exile. In "Saturn Street" a disaffected screenwriter in Los Angeles volunteers to deliver lunches to homebound AIDS patients and finds himself falling in love with one of them. In "The wooden Anniversary" a couple reunite awkwardly at a cooking school in tuscany after a 5 year separation. In "The Term Paper Artist" a writer experiences literary rejuvenation when he agrees to write term papers for UCLA undergraduates in exchange for sex. The author has been a finalist for the National Book Critics' Circle Award and the PEN/Faulkner Prize, and has been short listed for the Los Angeles Times Fiction Prize. He is also a recipient of a Guggenheim foundation fellowship and a fellowship from the National Endowment for the Arts. By the author of "Family Dancing," "The Lost Language of Cranes," "Equal Affections," "A Place I've Never Been," and "While England Sleeps." 198p.. First Edition. Hard Cover. Good/Good. 6"x8.5". Ex-Library., Houghton Mifflin Company, 1997, 2.5, Giroux : New York, 1998. Hardcover. Fine/No Jacket. Margins - A Naturalist Meets Long Island Soundby Mary Parker Buckles Published by North Point Press, a division of Farrar, Straus and Giroux, New York 1998, ISBN#: 0865475326, Soft bound, New/Mint condition. Twenty-four million people live within one hundred miles of Long Island Sound, the 110-mile-long body of water that separates Long Island from Connecticut and New York's mainland. Yet the land, sky, and inter-tidal areas that Mary Parker Buckles explores in Margins, as well as the water itself, have remained virtually uncelebrated until now. While the Sound has been endangered by pollution and development, it is far from dead, as some picture it. Buckles' inspired explorations show that, in fact, it teems with life and is well worth our attention. With a deft touch and a naturalist's keen eye, Buckles introduces herself - and us - to this stimulating environment. Blending hard science with her own often whimsical observations, she discovers the magic of shorebirds on a stopover during their semi-annual migrations and comes to appreciate the temperament of owls, the intricacy of barnacles, the crusty horseshoe crab, and the fragile osprey chick. Buckles explains what the ongoing battle over wetlands is all about and elucidates the complexities of the place she describes as "inherently sacred by virtue of being alive." Raised in inland Mississippi, moving to the Midwest as an adult, Buckles yearned to live by the sea. When, in the late 1980s, she at last "landed" along Long Island Sound, she was "predisposed to like" what she would find there. But "like" is an uncharacteristically hazy word from this talented writer, who in her first book displays an ear for the exact phrase every bit as acute as her eye for the natural phenomena that she details and celebrates. Long Island Sound, which rests on the south along its titular land mass and on the north along the Connecticut shoreline, laps against some highly developed land. Yet Buckles discovers and explores world upon world of natural wonder within suburbia, grouping them sensibly into sections on "Land," "Air," "Water" and "Inter-tidal Zone." The range of wildlife she limns could fill a museum hall, from ospreys to sea squirts to raptors to barnacles, whose "tiny adult, which in some ways resembles a soggy Rice Krispie, is very intricately formed." This book is a first-rate natural history, but more, for Buckles views these creatures and the settings in which they live not only with the rigor of a scientist but with the good humor and passion of one who feels deeply a part of what she surveys. So in myriad anecdotes the text reveals the behavior of the author and her friends as well, as when, one May night, Buckles joins another naturalist to watch horseshoe crabs swim, then returns a few nights later to see them mate.This is a delicate, selective, and deeply personal natural history of Long Island Sound.When Buckles (author of "Mammals of the World") found herself transplanted to the Connecticut shore, she wanted to get to know the environment beyond its problematic reputation as a sewage-laden, pathogenic wasteland, its bounty contaminated. To her the sound was not diseased (indeed, it appeared to be on the mend), but rather "a place inherently sacred by virtue of being alive." So she got down on her hands and knees at the water's edge, or pottered about in her little Boston Whaler, becoming intimate with the land- and waterscapes, knitting together the specialized habitats and communities that could be seen to flow into one another "like watercolors left in the rain." Here she details 14 investigations of things natural that identify the sound for her: its glacial origins and geologic history, its coves and estuaries and its avian abundancebufflehead and old squaw, mergansers, cormorants, ospreys, and many more. She marvels at the return of the oak, hickory, and tulip poplar forests, and pokes about the islands: grand Gardiners, tiny Fish, tern-colonized Falkner. She dredges for oysters, then tips back the catch, and catalogs the curious menagerie that populates a dock. And there is an extended meditation on the unique salt-marsh landscape, with its spartina, fiddlers, and pipers. Buckles' writing is careful and graceful, and she has a facility for investing the mundane with significance (barnacles, for instance) and clarifying obscure biological processes. Buckles tunes in to the habits and rhythms of her home shore and lets them nurture her spirit. "Long Island Sound has a beauty and a vitality that leave me dumbfounded with love. These writings are my love letters." The book is approximately 5 X 8 inches in size and contains 286 pages. The cover price is $13. Another copy of the book is currently offered on the Internet at Warrior Books for $23. Buyer pays minimal shipping - US Post Office Media Mail unless specified otherwise. If you have any questions please send me an email. Thanks for looking!, Giroux, 1998, 5<

1998, ISBN: 9780865475328

edizione con copertina rigida

Giroux : New York, 1998. Hardcover. Fine/No Jacket. Margins - A Naturalist Meets Long Island Soundby Mary Parker Buckles Published by North Point Press, a … Altro …

Giroux : New York, 1998. Hardcover. Fine/No Jacket. Margins - A Naturalist Meets Long Island Soundby Mary Parker Buckles Published by North Point Press, a division of Farrar, Straus and Giroux, New York 1998, ISBN#: 0865475326, Soft bound, New/Mint condition. Twenty-four million people live within one hundred miles of Long Island Sound, the 110-mile-long body of water that separates Long Island from Connecticut and New York's mainland. Yet the land, sky, and inter-tidal areas that Mary Parker Buckles explores in Margins, as well as the water itself, have remained virtually uncelebrated until now. While the Sound has been endangered by pollution and development, it is far from dead, as some picture it. Buckles' inspired explorations show that, in fact, it teems with life and is well worth our attention. With a deft touch and a naturalist's keen eye, Buckles introduces herself - and us - to this stimulating environment. Blending hard science with her own often whimsical observations, she discovers the magic of shorebirds on a stopover during their semi-annual migrations and comes to appreciate the temperament of owls, the intricacy of barnacles, the crusty horseshoe crab, and the fragile osprey chick. Buckles explains what the ongoing battle over wetlands is all about and elucidates the complexities of the place she describes as "inherently sacred by virtue of being alive." Raised in inland Mississippi, moving to the Midwest as an adult, Buckles yearned to live by the sea. When, in the late 1980s, she at last "landed" along Long Island Sound, she was "predisposed to like" what she would find there. But "like" is an uncharacteristically hazy word from this talented writer, who in her first book displays an ear for the exact phrase every bit as acute as her eye for the natural phenomena that she details and celebrates. Long Island Sound, which rests on the south along its titular land mass and on the north along the Connecticut shoreline, laps against some highly developed land. Yet Buckles discovers and explores world upon world of natural wonder within suburbia, grouping them sensibly into sections on "Land," "Air," "Water" and "Inter-tidal Zone." The range of wildlife she limns could fill a museum hall, from ospreys to sea squirts to raptors to barnacles, whose "tiny adult, which in some ways resembles a soggy Rice Krispie, is very intricately formed." This book is a first-rate natural history, but more, for Buckles views these creatures and the settings in which they live not only with the rigor of a scientist but with the good humor and passion of one who feels deeply a part of what she surveys. So in myriad anecdotes the text reveals the behavior of the author and her friends as well, as when, one May night, Buckles joins another naturalist to watch horseshoe crabs swim, then returns a few nights later to see them mate.This is a delicate, selective, and deeply personal natural history of Long Island Sound.When Buckles (author of "Mammals of the World") found herself transplanted to the Connecticut shore, she wanted to get to know the environment beyond its problematic reputation as a sewage-laden, pathogenic wasteland, its bounty contaminated. To her the sound was not diseased (indeed, it appeared to be on the mend), but rather "a place inherently sacred by virtue of being alive." So she got down on her hands and knees at the water's edge, or pottered about in her little Boston Whaler, becoming intimate with the land- and waterscapes, knitting together the specialized habitats and communities that could be seen to flow into one another "like watercolors left in the rain." Here she details 14 investigations of things natural that identify the sound for her: its glacial origins and geologic history, its coves and estuaries and its avian abundancebufflehead and old squaw, mergansers, cormorants, ospreys, and many more. She marvels at the return of the oak, hickory, and tulip poplar forests, and pokes about the islands: grand Gardiners, tiny Fish, tern-colonized Falkner. She dredges for oysters, then tips back the catch, and catalogs the curious menagerie that populates a dock. And there is an extended meditation on the unique salt-marsh landscape, with its spartina, fiddlers, and pipers. Buckles' writing is careful and graceful, and she has a facility for investing the mundane with significance (barnacles, for instance) and clarifying obscure biological processes. Buckles tunes in to the habits and rhythms of her home shore and lets them nurture her spirit. "Long Island Sound has a beauty and a vitality that leave me dumbfounded with love. These writings are my love letters." The book is approximately 5 X 8 inches in size and contains 286 pages. The cover price is $13. Another copy of the book is currently offered on the Internet at Warrior Books for $23. Buyer pays minimal shipping - US Post Office Media Mail unless specified otherwise. If you have any questions please send me an email. Thanks for looking!, Giroux, 1998, 5<

1998, ISBN: 9780865475328

Giroux : New York, 1998. Paperback. Fine/No Jacket. Margins - A Naturalist Meets Long Island Soundby Mary Parker Buckles Published by North Point Press, a … Altro …

Giroux : New York, 1998. Paperback. Fine/No Jacket. Margins - A Naturalist Meets Long Island Soundby Mary Parker Buckles Published by North Point Press, a division of Farrar, Straus and Giroux, New York 1998, ISBN#: 0865475326, Soft bound, New/Mint condition. Twenty-four million people live within one hundred miles of Long Island Sound, the 110-mile-long body of water that separates Long Island from Connecticut and New York's mainland. Yet the land, sky, and inter-tidal areas that Mary Parker Buckles explores in Margins, as well as the water itself, have remained virtually uncelebrated until now. While the Sound has been endangered by pollution and development, it is far from dead, as some picture it. Buckles' inspired explorations show that, in fact, it teems with life and is well worth our attention. With a deft touch and a naturalist's keen eye, Buckles introduces herself - and us - to this stimulating environment. Blending hard science with her own often whimsical observations, she discovers the magic of shorebirds on a stopover during their semi-annual migrations and comes to appreciate the temperament of owls, the intricacy of barnacles, the crusty horseshoe crab, and the fragile osprey chick. Buckles explains what the ongoing battle over wetlands is all about and elucidates the complexities of the place she describes as "inherently sacred by virtue of being alive." Raised in inland Mississippi, moving to the Midwest as an adult, Buckles yearned to live by the sea. When, in the late 1980s, she at last "landed" along Long Island Sound, she was "predisposed to like" what she would find there. But "like" is an uncharacteristically hazy word from this talented writer, who in her first book displays an ear for the exact phrase every bit as acute as her eye for the natural phenomena that she details and celebrates. Long Island Sound, which rests on the south along its titular land mass and on the north along the Connecticut shoreline, laps against some highly developed land. Yet Buckles discovers and explores world upon world of natural wonder within suburbia, grouping them sensibly into sections on "Land," "Air," "Water" and "Inter-tidal Zone." The range of wildlife she limns could fill a museum hall, from ospreys to sea squirts to raptors to barnacles, whose "tiny adult, which in some ways resembles a soggy Rice Krispie, is very intricately formed." This book is a first-rate natural history, but more, for Buckles views these creatures and the settings in which they live not only with the rigor of a scientist but with the good humor and passion of one who feels deeply a part of what she surveys. So in myriad anecdotes the text reveals the behavior of the author and her friends as well, as when, one May night, Buckles joins another naturalist to watch horseshoe crabs swim, then returns a few nights later to see them mate.This is a delicate, selective, and deeply personal natural history of Long Island Sound.When Buckles (author of "Mammals of the World") found herself transplanted to the Connecticut shore, she wanted to get to know the environment beyond its problematic reputation as a sewage-laden, pathogenic wasteland, its bounty contaminated. To her the sound was not diseased (indeed, it appeared to be on the mend), but rather "a place inherently sacred by virtue of being alive." So she got down on her hands and knees at the water's edge, or pottered about in her little Boston Whaler, becoming intimate with the land- and waterscapes, knitting together the specialized habitats and communities that could be seen to flow into one another "like watercolors left in the rain." Here she details 14 investigations of things natural that identify the sound for her: its glacial origins and geologic history, its coves and estuaries and its avian abundancebufflehead and old squaw, mergansers, cormorants, ospreys, and many more. She marvels at the return of the oak, hickory, and tulip poplar forests, and pokes about the islands: grand Gardiners, tiny Fish, tern-colonized Falkner. She dredges for oysters, then tips back the catch, and catalogs the curious menagerie that populates a dock. And there is an extended meditation on the unique salt-marsh landscape, with its spartina, fiddlers, and pipers. Buckles' writing is careful and graceful, and she has a facility for investing the mundane with significance (barnacles, for instance) and clarifying obscure biological processes. Buckles tunes in to the habits and rhythms of her home shore and lets them nurture her spirit. "Long Island Sound has a beauty and a vitality that leave me dumbfounded with love. These writings are my love letters." The book is approximately 5 X 8 inches in size and contains 286 pages. The cover price is $13. Another copy of the book is currently offered on the Internet at Warrior Books for $23. Buyer pays minimal shipping - US Post Office Media Mail unless specified otherwise. If you have any questions please send me an email. Thanks for looking!, Giroux, 1998, 5<