Newman, John Kevin and Frances Stickney Newman:Pindar's Art. Its Tradition and Aims. Newman, John Kevin and Frances Stickney Ne
- libri usati 2001, ISBN: 3615000056
Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, … Altro …
Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - altersgemäß sehr guter Zustand / very good condition for age - PREFACE -- Pindaric studies confront the enquirer in our day with a paradox. Influential voices declare that no good is to be had from the Pindaric scholarship of the German Enlightenment and its Idealist afterglow. Yet on the other hand the critical principles, such as the formal analysis of poetry as a literary construct taking its place within a tradition, which are supposed to replace the outmoded views of that period are themselves often derived from it. Even T. S. Pindar's Art. Its Tradition and Aims. von Newman, John Kevin and Frances Stickney Newman:Autor(en) Newman, John Kevin and Frances Stickney Newman:Verlag / Jahr Hildesheim: Weidmann., 01.12.1984.Format / Einband Originalleinen. XIV, 300 Seiten / p.Sprache EnglischGewicht ca. 472 gISBN 3615000056EAN 9783615000054Bestell-Nr 1179031Bemerkungen Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - altersgemäß sehr guter Zustand / very good condition for age - PREFACE -- Pindaric studies confront the enquirer in our day with a paradox. Influential voices declare that no good is to be had from the Pindaric scholarship of the German Enlightenment and its Idealist afterglow. Yet on the other hand the critical principles, such as the formal analysis of poetry as a literary construct taking its place within a tradition, which are supposed to replace the outmoded views of that period are themselves often derived from it. Even T. S. Eliot, after all, wrote his Harvard dissertation about the leading British disciple of Hegel, F. H. Bradley. -- This book asserts in ks first chapter that the problem of understanding Pindar was posed correctly by the age of Boeckh and Dissen. By giving an account of the attack made on Boeckh by the Danish scholar A. B. Drachmann at the end of the nineteenth century it aims both to revive that debate and to set it in ajuster perspective. Boeckh’s “objective unity,” interpreted as the poet’s apprehension of his matter, and his “subjective unity,” what he did with his matter to make a poem, are in fact useful tools for grasping the totality of what the poet achieved. Schleiermacher’s doctrine of the Keimentschluss, the seminal moment when fancy takes on form, is another important concept of this period. So is his theory of the unity of symbol and play in great art. And Schleiermacher was Boeckh’s teacher. -- These and other stimulating suggestions have in our view been unfairly neglected. The classical scholar who overlooks them runs the risk of overlooking some of the most fruitful criticism of his modern colleagues, who have not been so inattentive to the history of ideas. ISBN 9783615000054 Unser Preis EUR 33,00(inkl. MwSt.)Versandkostenfrei innerhalb DeutschlandsSelbstverständlich können Sie den Titel auch bei uns abholen. Unsere Bestände befinden sich in Berlin-Tiergarten. Bitte senden Sie uns eine kurze Nachricht!Aufgenommen mit whBOOKSicheres Bestellen - Order-Control geprüft!Artikel eingestellt mit dem w+h GmbH eBay-Service Daten und Bilder powered by Buchfreund (2023-07-30), Festpreisangebot, [LT: FixedPrice], Sprache: Englisch, Genre: Klassische Philologie, EAN: 9783615000054, Hildesheim: Weidmann, 01.12.1984<
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Newman, John Kevin and Frances Stickney Newman:Pindar's Art. Its Tradition and Aims.
- libri usati 2001, ISBN: 9783615000054
[PU: Hildesheim: Weidmann.], XIV, 300 Seiten / p. Originalleinen.
Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Class… Altro …
[PU: Hildesheim: Weidmann.], XIV, 300 Seiten / p. Originalleinen.
Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - altersgemäß sehr guter Zustand / very good condition for age - PREFACE -- Pindaric studies confront the enquirer in our day with a paradox. Influential voices declare that no good is to be had from the Pindaric scholarship of the German Enlightenment and its Idealist afterglow. Yet on the other hand the critical principles, such as the formal analysis of poetry as a literary construct taking its place within a tradition, which are supposed to replace the outmoded views of that period are themselves often derived from it. Even T. S. Eliot, after all, wrote his Harvard dissertation about the leading British disciple of Hegel, F. H. Bradley. -- This book asserts in ks first chapter that the problem of understanding Pindar was posed correctly by the age of Boeckh and Dissen. By giving an account of the attack made on Boeckh by the Danish scholar A. B. Drachmann at the end of the nineteenth century it aims both to revive that debate and to set it in ajuster perspective. Boeckh’s “objective unity,” interpreted as the poet’s apprehension of his matter, and his “subjective unity,” what he did with his matter to make a poem, are in fact useful tools for grasping the totality of what the poet achieved. Schleiermacher’s doctrine of the Keimentschluss, the seminal moment when fancy takes on form, is another important concept of this period. So is his theory of the unity of symbol and play in great art. And Schleiermacher was Boeckh’s teacher. -- These and other stimulating suggestions have in our view been unfairly neglected. The classical scholar who overlooks them runs the risk of overlooking some of the most fruitful criticism of his modern colleagues, who have not been so inattentive to the history, DE, [SC: 4.50], gebraucht; gut, gewerbliches Angebot, [GW: 472g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<
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Newman, John Kevin and Frances Stickney Newman:Pindar's Art. Its Tradition and Aims.
- edizione con copertina flessibile 1984, ISBN: 3615000056
[EAN: 9783615000054], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: Hildesheim: Weidmann. 01.12.1984.], XIV, 300 Seiten / p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Her… Altro …
[EAN: 9783615000054], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: Hildesheim: Weidmann. 01.12.1984.], XIV, 300 Seiten / p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - altersgemäß sehr guter Zustand / very good condition for age - PREFACE -- Pindaric studies confront the enquirer in our day with a paradox. Influential voices declare that no good is to be had from the Pindaric scholarship of the German Enlightenment and its Idealist afterglow. Yet on the other hand the critical principles, such as the formal analysis of poetry as a literary construct taking its place within a tradition, which are supposed to replace the outmoded views of that period are themselves often derived from it. Even T. S. Eliot, after all, wrote his Harvard dissertation about the leading British disciple of Hegel, F. H. Bradley. -- This book asserts in ks first chapter that the problem of understanding Pindar was posed correctly by the age of Boeckh and Dissen. By giving an account of the attack made on Boeckh by the Danish scholar A. B. Drachmann at the end of the nineteenth century it aims both to revive that debate and to set it in ajuster perspective. Boeckh’s "objective unity," interpreted as the poet’s apprehension of his matter, and his "subjective unity," what he did with his matter to make a poem, are in fact useful tools for grasping the totality of what the poet achieved. Schleiermacher’s doctrine of the Keimentschluss, the seminal moment when fancy takes on form, is another important concept of this period. So is his theory of the unity of symbol and play in great art. And Schleiermacher was Boeckh’s teacher. -- These and other stimulating suggestions have in our view been unfairly neglected. The classical scholar who overlooks them runs the risk of overlooking some of the most fruitful criticism of his modern colleagues, who have not been so inattentive to the history of ideas. ISBN 9783615000054 Sprache: Englisch Gewicht in Gramm: 472, Books<
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Newman, John Kevin and Frances Stickney Newman:Pindar's Art. Its Tradition and Aims.
- libri usati 1984, ISBN: 9783615000054
Hildesheim, Weidmann., 01.12, XIV, 300 Seiten / p. Originalleinen. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Clas… Altro …
Hildesheim, Weidmann., 01.12, XIV, 300 Seiten / p. Originalleinen. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - altersgemäß sehr guter Zustand / very good condition for age - PREFACE -- Pindaric studies confront the enquirer in our day with a paradox. Influential voices declare that no good is to be had from the Pindaric scholarship of the German Enlightenment and its Idealist afterglow. Yet on the other hand the critical principles, such as the formal analysis of poetry as a literary construct taking its place within a tradition, which are supposed to replace the outmoded views of that period are themselves often derived from it. Even T. S. Eliot, after all, wrote his Harvard dissertation about the leading British disciple of Hegel, F. H. Bradley. -- This book asserts in ks first chapter that the problem of understanding Pindar was posed correctly by the age of Boeckh and Dissen. By giving an account of the attack made on Boeckh by the Danish scholar A. B. Drachmann at the end of the nineteenth century it aims both to revive that debate and to set it in ajuster perspective. Boeckh?s ?objective unity,? interpreted as the poet?s apprehension of his matter, and his ?subjective unity,? what he did with his matter to make a poem, are in fact useful tools for grasping the totality of what the poet achieved. Schleiermacher?s doctrine of the Keimentschluss, the seminal moment when fancy takes on form, is another important concept of this period. So is his theory of the unity of symbol and play in great art. And Schleiermacher was Boeckh?s teacher. -- These and other stimulating suggestions have in our view been unfairly neglected. The classical scholar who overlooks them runs the risk of overlooking some of the most fruitful criticism of his modern colleagues, who have not been so inattentive to the history of ideas. ISBN 9783615000054Klassische Philologie 1984, [PU: Weidmann, Hildesheim]<
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ESEMPIO
Newman, John Kevin / Newman Stickney, Frances:Pindar´s Art: It´s Tradition and Aims
- libri usati 1984, ISBN: 3615000056
Unbekannter Einband Weidmann, Hildesheim, 1984. XIV/300 S., Leinen - Neuwertig, original verlagsfrisch verpackt - 12, [PU: Weidmann, Hildesheim]
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