2004, ISBN: 3865210651

edizione con copertina rigida

[EAN: 9783865210654], [SC: 31.26], [PU: Steidl, Göttingen], ARTISTIC PHOTOGRAPHY, NATURAL ENVIRONMENT, LEXINGTON, KENTUCKY, Small quarto (9-3/4" x 9"). 299, (1)pp. Bibliography. Gray line… Altro …

[EAN: 9783865210654], [SC: 31.26], [PU: Steidl, Göttingen], ARTISTIC PHOTOGRAPHY, NATURAL ENVIRONMENT, LEXINGTON, KENTUCKY, Small quarto (9-3/4" x 9"). 299, (1)pp. Bibliography. Gray linen lettered in black, photo mounted on front cover. Profusely illustrated with photographic plates. "Published in conjunction with the exhibition Ralph Eugene Meatyard, organized by the International Center of Photography. Exhibition Dates: December 10, 2004 through February 27, 2005"--Colophon An earlier printing of Meatyard's work was done as An Aperture Monograph" in 1974. The photographs of Ralph Eugene Meatyard (1925-1972) defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely reference social, political, and cultural issues. A key subject in Meatyard's work is the natural environment, which is featured in his Light on Water series, in which long exposures seem to create calligraphic texts, and his No-Focus series, in which he deliberately photographed stems and twigs out of focus. In one of his last series titled Motion-Sound, the pictures were made by moving the camera gently, creating multiple exposures of the woodland scenes that suggest abstract sound patterns. The book accompanies an exhibition organized by ICP Assistant Curator Cynthia Young with acclaimed writer and Meatyard friend, Guy Davenport, who also wrote the text. Also included are the exhibition history, chronology, and bibliography. (OCLC) Contents: Ralph Eugene Meatyard / Guy Davenport -- Interview with Guy Davenport / Cynthia Young -- My aims / Ralph Eugene Meatyard -- Early work -- Georgetown Street -- Sculptures -- No-focus -- Abstractions -- Light on water -- Zen twigs -- Romances -- Motion-sound -- Portraits -- The family album of Lucybelle Crater -- Self-portraits. (OCLC)., Books<

2004, ISBN: 3865210651

edizione con copertina rigida

[EAN: 9783865210654], [PU: International Center of Photography/Steidl, New York/Göttingen], PHOTOGRAPHY, MEATYARD ;, Illustrated Ivory cloth covers. 299 pages : chiefly illustrations, The… Altro …

[EAN: 9783865210654], [PU: International Center of Photography/Steidl, New York/Göttingen], PHOTOGRAPHY, MEATYARD ;, Illustrated Ivory cloth covers. 299 pages : chiefly illustrations, The photographs of Ralph Eugene Meatyard defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely reference social, political, and cultural issues. A key subject in Meatyard's work is the natural environment, which is featured in his Light on Water series, in which long exposures seem to create calligraphic texts, and his No-Focus series, in which he deliberately photographed stems and twigs out of focus. In one of his last series titled Motion-Sound, the pictures were made by moving the camera gently, creating multiple exposures of the woodland scenes that suggest abstract sound patterns. The book accompanies an exhibition organized by ICP Assistant Curator Cynthia Young with acclaimed writer and Meatyard friend, Guy Davenport, who also wrote the text. Also included are the exhibition history, chronology, and bibliography. Contents as follows: Ralph Eugene Meatyard / Guy Davenport -- Interview with Guy Davenport / Cynthia Young -- My aims / Ralph Eugene Meatyard -- Early work -- Georgetown Street -- Sculptures -- No-focus -- Abstractions -- Light on water -- Zen twigs -- Romances -- Motion-sound -- Portraits -- The family album of Lucybelle Crater -- Self-portraits., Books<