Beevor, Antony:Paris After the Liberation 1944-1949 : Revised Edition
- edizione con copertina flessibile 2017, ISBN: 9780142437926
UK,slim Qrto HB,no dw/dj,as issued,illustrated 1st edn. FINE. No owner inscrptn.Bright,crisp,clean,glossy laminated,sharp-cornered glazed boards with colour pictorial artwork by Alan Aldr… Altro …
UK,slim Qrto HB,no dw/dj,as issued,illustrated 1st edn. FINE. No owner inscrptn.Bright,crisp,clean,glossy laminated,sharp-cornered glazed boards with colour pictorial artwork by Alan Aldredge,illustrated front board with capitalised title,capitalised illustrator+author names; a white spine/backstrip with capitalised,yellow-lettered title, capitalised,blue-lettered illustrator+author surnames,a thumbnail colour illustrattion detail fron endpaper illustration at head of same and publisher's black illustrated colophon to foot of same,rear board plain navy blue with no illustration - both boards almost scoring/ indent-free.Negligible shelf-wear and creases to edges and corners - no nicks,tears or splits present and immaculate dark blue background endpapers with a thumbnail repeated pale blue cat illustration.Top+fore-edges bright and clean; contents bright,tight,clean,solid and sound,no cracked hinges and virtually pristine - no dog-ear reading creases to any pages' corner tips - appears unread,apart from my own collation.UK,slim Qrto HB,no dw/dj - as issued,illustrated 1st edn,32pp [unpaginated and excluding endpapers] with text in verse,13 full-page,full-colour illustrations by Alan Aldridge. Visually the exterior appearance is exceptional and particularly internally,is also in an exceptional condition/ state of preservation and presentation,for a book of its 45+ year-old age and nature, i.e. a child's book.It really is an exceptional copy for its cleanliness, brightness and lack of detracting faults. A twenty-six verse tale wriiten by Adam Richards and illustrated in collaboration by Alan Aldridge and Harry Willock,of the ship's cat adventures and braave deeds on the Spanish Maine,together with 'The Most Lamentable Loss of the Alcestis & Triumphant Firing of the Port of Chagres'. Alan Aldridge,born in Aylesbury, Buckinghamshire,and active from c.1967. Attended Romford Technical College but left at 15 and supported himself with an assortment of jobs including insurance clerk,repertory actor,dock hand and barrow boy.In 1963,he took a short evening course in commercial graphics.Soon he had achieved spectacular success with designs for posters,book covers,record sleeves,car furniture and body painting,as well as magazine and book illustration.In 1966,he was appointed art director of Penguin Books,but left in 1968 to set up his own studio,Ink, which received commissions from many of the leading pop groups and glossy magazines of the day,including the Beatle's ill-fated Apple Corps.As Aldridge's career embodied many of the aspirations of the 'swinging sixties',so his drawings epitomised the graphic idiom of the decade. His use of brilliant 'psychedelic' colours in combination with ebulliently decorative draughtsmanship gave his work the vigorous popular appeal of fairground art;but he used this apparently unsophisticated language to convey ideas of almost surrealistic complexity,abounding in visual ambiguities, allusions and jokes. Stylistically his most influential innovation was his use of the airbrush for fine colour gradation and shading over much of the picture surface,giving the illusion of undulating movement within the crisp contours.As his draughtsmanship developed,he increasingly incorporated graphic references to cultural traditions as diverse as oriental painting and pre-Columbian art,while his imagery continued to invite closer and more intense scrutiny.After disbanding Ink,Aldridge continued to work freelance, finding a regular publisher in Jonathan Cape.In 1974,he won the Children's Book of the Year Award with 'Butterfly Ball',following up with sequels 'The Peacock's Party' and The Lion's Cavalcade'; and latterly he had designed animated films.He has also illustrated periodicals as diverse as 'Nova', 'Harper's','The Queen','The Sunday Times', 'Vogue' and 'Woman's Mirror'.Died 17th February, 2017. Please contact seller,because of the lighter weight of this item,for correct shipping/P+p quotes - particularly ALL overseas buyers - BEFORE ordering through the order page! N.B. ALL buyers please note,stocks' actual shipping/P+p costs are adjusted and any difference is refunded,after order's receipt and before the order's despatch,especially if the item(s) are offered either P+p included/FREE. ** N.B. US/Canada customers please be aware: Standard AIRMAIL postage from UK to these destinations can now cost more than the price of the book! If speed is not of the essence,then Economy rate is recommended - at approx. anything from a 1/3rd to 1/2 of the standard US AIR quote/rate - sometimes arriving sooner than the 42 days - but not always. **, LONDON.JONATHAN CAPE,1977., 5, UK,slim Qrto HB,no dw/dj as issued,illustrated 1st edn. FINE.No owner inscrptn.Bright,crisp,clean,glossy laminated, sharp-cornered,glazed boards with colour pictorial artwork by Alan Aldridge,illustrated front board with capitalised title,capitalised illustrator+author names; a white spine/ backstrip with capitalised,yellow-lettered title,capitalised, blue-lettered illustrator+author surnames,a thumbnail colour illustrattion detail from endpaper illustration at head of same and publisher's black illustrated colophon to foot of same,rear board plain navy blue with no illustration - front board with minimal,superficial scoring/indents. Negligible shelf-wear and creases to edges and corners - no nicks,tears or splits present and immaculate dark blue background endpapers with a thumbnail repeated pale blue cat illustration.Top+fore-edges bright and clean; contents bright,tight,clean, solid and sound,no cracked hinges and virtually pristine - no dog-ear reading creases to any pages' corner tips - appears unread,apart from my own collation.UK,slim Qrto HB,no dw/dj - as issued, illustrated 1st edn,32pp [unpaginated and excluding endpapers] with text in verse,13 full-page,full-colour illustrations by Alan Aldridge and Harry Willock.Visually the exterior appearance is exceptional and particularly internally,is also in an exceptional condition/ state of preservation and presentation,for a book of its 45+ year-old age and nature, i.e. a child's book.It really is an exceptional copy for its cleanliness,brightness and lack of detracting faults. A twenty-six verse tale written by Adam Richards and illustrated in collaboration by Alan Aldridge and Harry Willock,of the ship's cat adventures and brave deeds on the Spanish Maine,together with 'The Most Lamentable Loss of the Alcestis & Triumphant Firing of the Port of Chagres'. Alan Aldridge,born in Aylesbury,Buckinghamshire,and active from c.1967.Attended Romford Technical College but left at 15 and supported himself with an assortment of jobs including insurance clerk,repertory actor,dock hand and barrow boy.In 1963,he took a short evening course in commercial graphics.Soon he had achieved spectacular success with designs for posters,book covers,record sleeves,car furniture and body painting,as well as magazine and book illustration.In 1966,he was appointed art director of Penguin Books,but left in 1968 to set up his own studio,Ink,which received commissions from many of the leading pop groups and glossy magazines of the day,including the Beatle's ill-fated Apple Corps.As Aldridge's career embodied many of the aspirations of the 'swinging sixties',so his drawings epitomised the graphic idiom of the decade.His use of brilliant 'psychedelic' colours in combination with ebulliently decorative draughtsmanship gave his work the vigorous popular appeal of fairground art; but he used this apparently unsophisticated language to convey ideas of almost surrealistic complexity,abounding in visual ambiguities, allusions and jokes. Stylistically his most influential innovation was his use of the airbrush for fine colour gradation and shading over much of the picture surface, giving the illusion of undulating movement within the crisp contours.As his draughtsmanship developed,he increasingly incorporated graphic references to cultural traditions as diverse as oriental painting and pre-Columbian art,while his imagery continued to invite closer and more intense scrutiny.After disbanding Ink,Aldridge continued to work freelance,finding a regular publisher in Jonathan Cape.In 1974,he won the Children's Book of the Year Award with 'Butterfly Ball' and followed it up with the sequels 'The Peacock's Party' and 'The Lion's Cavalcade'; latterly he had designed animated films.He has also illustrated periodicals as diverse as Harper's, Nova, The Queen, The Sunday Times, Vogue and Woman's Mirror.Died 17th February,2017.Please contact seller,because of the lighter weight and the value of this item,for correct shipping/P+p quotes - particularly ALL overseas buyers - BEFORE ordering through the order page!N.B. ALL buyers please note,stocks' actual shipping/P+p costs are adjusted and any difference is refunded,after order's receipt and before the order's despatch,especially if the item(s) are offered either P+p included/FREE. ** N.B. US/Canada customers please be aware: Standard AIRMAIL postage from UK to these destinations can now cost more than the price of the book! If speed is not of the essence,then Economy rate is recommended - at approx. anything from a 1/3rd to 1/2 of the standard US AIR quote/rate - sometimes arriving sooner than the 42 days - but not always. **, LONDON.CAPE,1977., 5, UK,slim Qrto HB,no dw/dj as issued,illustrated 1st edn. FINE.No owner inscrptn.Bright,crisp,clean,glossy laminated,sharp-cornered with exception front's lower corner tip minisculely bumped,glazed boards with colour pictorial artwork by Alan Aldridge,illustrated front board with capitalised title,capitalised illustrator+author names; a white spine/backstrip with capitalised,yellow-lettered title,capitalised,blue-lettered illustrator+author surnames,a thumbnail colour illustrattion detail fron endpaper illustration at head of same and publisher's black illustrated colophon to foot of same,rear board plain navy blue with no illustration - front board with minimal, superficial scoring/indents.Negligible shelf-wear and creases to edges and corners - no nicks,tears or splits present and immaculate dark blue background endpapers with a thumbnail repeated pale blue cat illustration.Top+ fore-edges bright and clean; contents bright,tight, clean,solid and sound,no cracked hinges and virtually pristine - no dog-ear reading creases to any pages' corner tips - appears unread,apart from my own collation.UK,slim Qrto HB,no dw/dj - as issued,illustrated 1st edn,32pp [unpaginated and excluding endpapers] with text in verse, 13 full-page,full-colour illustrations by Alan Aldridge. A twenty-six verse tale wriiten by Adam Richards and illustrated in collaboration by Alan Aldridge and Harry Willock,of the ship's cat adventures and braave deeds on the Spanish Maine,together with 'The Most Lamentable Loss of the Alcestis & Triumphant Firing of the Port of Chagres'. Visually the exterior appearance is exceptional and particularly internally,is also in an exceptional condition/ state of preservation and presentation,for a book of its 45+ year-old age and nature, i.e. a child's book.It really is an exceptional copy for its cleanliness, brightness and lack of detracting faults. Alan Aldridge,born in Aylesbury,Buckinghamshire,and active from c.1967. Attended Romford Technical College but left at 15 and supported himself with an assortment of jobs including insurance clerk,repertory actor,dock hand and barrow boy.In 1963,he took a short evening course in commercial graphics.Soon he had achieved spectacular success with designs for posters,book covers,record sleeves,car furniture and body painting,as well as magazine and book illustration.In 1966,he was appointed art director of Penguin Books,but left in 1968 to set up his own studio,Ink,which received commissions from many of the leading pop groups and glossy magazines of the day, including the Beatle's ill-fated Apple Corps.As Aldridge's career embodied many of the aspirations of the 'swinging sixties',so his drawings epitomised the graphic idiom of the decade. His use of brilliant 'psychedelic' colours in combination with ebulliently decorative draughtsmanship gave his work the vigorous popular appeal of fairground art;but he used this apparently unsophisticated language to convey ideas of almost surrealistic complexity, abounding in visual ambiguities,allusions and jokes. Stylistically his most influential innovation was his use of the airbrush for fine colour gradation and shading over much of the picture surface,giving the illusion of undulating movement within the crisp contours.As his draughtsmanship developed,he increasingly incorporated graphic references to cultural traditions as diverse as oriental painting and pre-Columbian art,while his imagery continued to invite closer and more intense scrutiny.After disbanding Ink, Aldridge continued to work freelance, finding a regular publisher in Jonathan Cape.In 1974,he won the Children's Book of the Year Award with 'Butterfly Ball',following up with sequels 'The Peacock's Party' and The Lion's Cavalcade'; and latterly he had designed animated films.He has also illustrated periodicals as diverse as 'Nova', 'Harper's','The Queen','The Sunday Times', 'Vogue' and 'Woman's Mirror'.Died 17th February, 2017. Please contact seller,because of the lighter weight of this item,for correct shipping/P+p quotes - particularly ALL overseas buyers - BEFORE ordering through the order page! N.B. ALL buyers please note,stocks' actual shipping/P+p costs are adjusted and any difference is refunded,after order's receipt and before the order's despatch,especially if the item(s) are offered either P+p included/FREE. ** N.B. US/Canada customers please be aware: Standard AIRMAIL postage from UK to these destinations can now cost more than the price of the book! If speed is not of the essence,then Economy rate is recommended - at approx. anything from a 1/3rd to 1/2 of the standard US AIR quote/rate - sometimes arriving sooner than the 42 days - but not always. **, LONDON.JONATHAN CAPE,1977., 5, Penguin Putnam Inc, 2004. Trade paperbac. Used: Good. Prompt shipment, with tracking. we ship in CLEAN SECURE NEW boxes European History; GOOD TRADE PAPERBACK, PROMPT SHIPPING WITH TRACKING"A rich and intriguing story whcih the authors disentangle with great skill."--Sunday TelegraphFrom Antony Beevor, the internationally bestselling author of D-Day and The Battle of ArnhemIn this brilliant synthesis of social, political, and cultural history, Antony Beevor and Artemis Cooper present a vivid and compelling portrayal of the City of Lights after its liberation. Paris became the diplomatic battleground in the opening stages of the Cold War. Against this volatile political backdrop, every aspect of life is portrayed: scores were settled in a rough and uneven justice, black marketers grew rich on the misery of the population, and a growing number of intellectual luminaries and artists including Hemingway, Beckett, Camus, Sartre, de Beauvoir, Cocteau, and Picassocontributed new ideas and a renewed vitality to this extraordinary moment in time., Penguin Putnam Inc, 2004, 2.5<