2000, ISBN: 9780826406538

Lucerne: C.J. Bucher S.A., , 1981. Brossura (wrappers). Ottimo (Fine). Sommaire: Au lieu d?une introduction (par Allan Porter); Deborah Turbeville; Bruno Stevens; Accent Paris; Victor F… Altro …

Lucerne: C.J. Bucher S.A., , 1981. Brossura (wrappers). Ottimo (Fine). Sommaire: Au lieu d?une introduction (par Allan Porter); Deborah Turbeville; Bruno Stevens; Accent Paris; Victor Flores Olea; Pham Viet Si; Claude Batho; Vladimir Sichov. Un document intenational sur la photographie du XIX et du XX siècle. Avec photographies en noir et blanc. 4to. pp. 48. Ottimo (Fine). ., C.J. Bucher S.A., 1981, 0, Lucerne: C.J. Bucher S.A., , 1981. Brossura (wrappers). Molto buono (Very Good). Sommaire: Los Angeles, projet documentaire 1981 (par Allan Porter); Anneé 200: vues nouvelles de Los Angeles (par Alan Jutzi). Un document intenational sur la photographie du XIX et du XX siècle. Avec photographies en noir et blanc (Joe Deal, John Humble, Robbret Flick, Susan Ressler, Douglas Hill, Max Yavno, Gusmano Cesaretti, Bill Owens). 4to. pp. 48. Molto buono (Very Good). ., C.J. Bucher S.A., 1981, 2.5, Lucerne: C.J. Bucher S.A., , 1981. Brossura (wrappers). Molto buono (Very Good). Sommaire: Composit (par Allan Porter); Fritz Kempe: une autobiographie; Reinhart Wolf: New York; Ulrich Mack: Pellworm; August Sander. Un document intenational sur la photographie du XIX et du XX siècle. Avec photographies en noir et blanc. 4to. pp. 48. Molto buono (Very Good). ., C.J. Bucher S.A., 1981, 2.5, L'Illustrazione Italiana Rivista originale del 31 Gennaio 1926 Anno 53 - N. 5 Rarità per appassionati e collezionisti Segue sotto solamente un saggio del ricco contenuto presente Illustrato in copertina (segue foto): La visita del conte Volpi alla base navale di Portsmouth Illustrazione presente nelle pagine interne (segue foto): Il XXV anniversario della morte di Giuseppe Verdi Altra Illustrazione presente nelle pagine interne (segue foto): Perugia: il portale dello storico salone dei notari Tra gli argomenti trattati e le notizie contenute: La morte del cardinale Desiderato Mercier Il leone di San Marco del forte Veneto di San Nicolò di Sebenico Una carovana di turisti in Tripolitania Santa Margherita Ligure e il golfo Tigullio sotto la neve La morte di Camillo Golgi Le grandi bonifiche dell'opera nazionale dei combattenti La gelleria di Parma e la camera di San Paolo L'arte grafica sui metalli in Italia ...e tanto altro ancora! NB: PRESENTI ALONI DI UMIDITA' IN ALCUNE PAGINE Qualora vogliate maggiori delucidazioni contattateci. In questo negozio troverai un'intera categoria dedicata alla collezione dell'Illustrazione Italiana , ne inseriamo diverse giornalmente. Sotto il link diretto a tutta la collezione: Riviste disponibili Cliccaci sopra, troverai di certo ciò che cerchi! L'illustrazione Italiana è stata una rivista settimanale italiana con sede a Milano, pubblicata ininterrottamente dal 1873 al 1962 per un totale di quasi 5 000 numeri. Fondata a Milano con la testata «Nuova illustrazione universale», fu edita dalla casa editrice Fratelli Treves, fondata da Emilio Treves, il quale fu anche il primo direttore della rivista. L'illustrazione italiana comincia ad avere un'ampia diffusione negli ambienti della medio-alta borghesia, grazie alla qualità degli articoli e soprattutto delle illustrazioni, spesso affidate ad artisti di primo piano come Achille Beltrame, Pietro Scoppetta, Luigi Bompard, Giuseppe Cosenza ed Ettore Ximenes (il quale svolgeva anche le funzioni di vicedirettore), tale qualità fu mantenuta poi nel tempo anche in seguito all'avvento della fotografia, tecnica che vide rappresentati sulle pagine dell'«Illustrazione» alcuni tra i migliori fotogiornalisti nazionali: Armando Bruni, Mario Crimella, Giulio Parisio ed Emilio Sommariva. Per i testi il periodico si avvalse della collaborazione, in qualità di articolisti, di alcuni dei nomi più importanti della letteratura italiana, fra cui ricordiamo Giosuè Carducci, Grazia Deledda e Luigi Pirandello (premi Nobel per la letteratura), lo scrittore verista Giovanni Verga, il poeta Gabriele D'Annunzio, il critico letterario e favolista Luigi Capuana ed Edmondo De Amicis, autore del celeberrimo romanzo ""Cuore"", capolavoro della letteratura per ragazzi. La grande fortuna dell'Illustrazione Italiana durò fino alla morte di Emilio Treves (1916), dopo la quale, pur avendo ancora tra i propri collaboratori scrittori del calibro di Eugenio Montale, Elio Vittorini, Salvatore Quasimodo, Riccardo Bacchelli, Italo Pietra, Niccolò Giani e Sergio Solmi, la rivista cominciò a mostrare i segni di un lento declino. La promulgazione delle leggi razziali fasciste accelerò il processo in atto: nel 1939 la Treves dovette cedere l'azienda alla Garzanti. Verso la metà del 1942, in seguito agli eventi della seconda guerra mondiale, L'illustrazione rallentò le sue uscite, fino ad essere trasformata in mensile nel 1951 da Livio Garzanti. Gli anni cinquanta videro la crescita vertiginosa dei rotocalchi, settimanali popolari di attualità. «L'Illustrazione Italiana» vide ridursi progressivamente il suo spazio, finché Garzanti la chiuse nel 1962. L'editore Guanda riprese la testata alla fine del 1981 e la ripubblicò con periodicità bimestrale. Il tentativo non incontrò sufficiente fortuna e la rivista fu chiusa nel 1996. Paypal Carta di credito Bonifico bancario Spedizione con posta ordinaria o raccomandata scelta dall'Acquirente nel momento del pagamento, 0, Lucerne: C.J. Bucher S.A., , 1981. Brossura (wrappers). Ottimo (Fine). Sommaire: Fondation pour la Photographie Suisse (par Allan Porter); Historique et Buts (par Nicolas Bouvier); A propos de l?exposition de la collection de la Fondation pour la Photographie (par Walter Binder); Dix ans d?expositions de la Fondation pour la Photographie (par Rosellina Burri Bischof). Un document intenational sur la photographie du XIX et du XX siècle. Avec photographies en noir et blanc. 4to. pp. 48. Ottimo (Fine). ., C.J. Bucher S.A., 1981, 0, L'Illustrazione Italiana Rivista originale del 4 Dicembre 1938 Anno 65 - N. 49 Rarità per appassionati e collezionisti Segue sotto solamente un saggio del ricco contenuto presente Illustrato in copertina (segue foto): L'aspetto dei banchi di Governo e dei settori della Camera fascista durante la seduta del 30 novembre Illustrazione presente nelle pagine interne (segue foto): Pacchianerie e tradimenti americani Altra Illustrazione presente nelle pagine interne (segue foto): Pavia attraverso i secoli Tra gli argomenti trattati e le notizie contenute: Il duce nel discorso del conte Ciano Il sommo Pontefice ristabilito torna alle consuete cure Osterie, bische, bar e tabarini di 2000 anni addietro a Pompei Protagonisti: Primo Conti Documenti della presa di Hankou La fedeltà letteraria di Gabriele d'Annunzio alla terra d'Abruzzo La situazione militare in Spagna dopo la battaglia dell'Ebro Bruno Cicognani Il collegio reale delle fanciulle L'arte vetraria e i suoi maestri lombardi ...e tanto altro ancora! Qualora vogliate maggiori delucidazioni contattateci. In questo negozio troverai un'intera categoria dedicata alla collezione dell'Illustrazione Italiana , ne inseriamo diverse giornalmente. Sotto il link diretto a tutta la collezione: Riviste disponibili Cliccaci sopra, troverai di certo ciò che cerchi! L'illustrazione Italiana è stata una rivista settimanale italiana con sede a Milano, pubblicata ininterrottamente dal 1873 al 1962 per un totale di quasi 5 000 numeri. Fondata a Milano con la testata «Nuova illustrazione universale», fu edita dalla casa editrice Fratelli Treves, fondata da Emilio Treves, il quale fu anche il primo direttore della rivista. L'illustrazione italiana comincia ad avere un'ampia diffusione negli ambienti della medio-alta borghesia, grazie alla qualità degli articoli e soprattutto delle illustrazioni, spesso affidate ad artisti di primo piano come Achille Beltrame, Pietro Scoppetta, Luigi Bompard, Giuseppe Cosenza ed Ettore Ximenes (il quale svolgeva anche le funzioni di vicedirettore), tale qualità fu mantenuta poi nel tempo anche in seguito all'avvento della fotografia, tecnica che vide rappresentati sulle pagine dell'«Illustrazione» alcuni tra i migliori fotogiornalisti nazionali: Armando Bruni, Mario Crimella, Giulio Parisio ed Emilio Sommariva. Per i testi il periodico si avvalse della collaborazione, in qualità di articolisti, di alcuni dei nomi più importanti della letteratura italiana, fra cui ricordiamo Giosuè Carducci, Grazia Deledda e Luigi Pirandello (premi Nobel per la letteratura), lo scrittore verista Giovanni Verga, il poeta Gabriele D'Annunzio, il critico letterario e favolista Luigi Capuana ed Edmondo De Amicis, autore del celeberrimo romanzo ""Cuore"", capolavoro della letteratura per ragazzi. La grande fortuna dell'Illustrazione Italiana durò fino alla morte di Emilio Treves (1916), dopo la quale, pur avendo ancora tra i propri collaboratori scrittori del calibro di Eugenio Montale, Elio Vittorini, Salvatore Quasimodo, Riccardo Bacchelli, Italo Pietra, Niccolò Giani e Sergio Solmi, la rivista cominciò a mostrare i segni di un lento declino. La promulgazione delle leggi razziali fasciste accelerò il processo in atto: nel 1939 la Treves dovette cedere l'azienda alla Garzanti. Verso la metà del 1942, in seguito agli eventi della seconda guerra mondiale, L'illustrazione rallentò le sue uscite, fino ad essere trasformata in mensile nel 1951 da Livio Garzanti. Gli anni cinquanta videro la crescita vertiginosa dei rotocalchi, settimanali popolari di attualità. «L'Illustrazione Italiana» vide ridursi progressivamente il suo spazio, finché Garzanti la chiuse nel 1962. L'editore Guanda riprese la testata alla fine del 1981 e la ripubblicò con periodicità bimestrale. Il tentativo non incontrò sufficiente fortuna e la rivista fu chiusa nel 1996. Paypal Carta di credito Bonifico bancario Spedizione con posta ordinaria o raccomandata scelta dall'Acquirente nel momento del pagamento Clicca qui per accedere al nostro Store ed al suo sterminato archivio, 0, München.: Herring-Verlag., 1981.. Orig.Heft.. Illustr. Gut erhalten., Herring-Verlag., 1981., 0, New York: Continuum, 1994. 255 pages, colour illustrations; 23 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "The world of the arts has been devastated by AIDS. Few performing or visual artists have escaped the epidemic's impingement upon either their own lives or those of close friends and mentors. But beyond this obvious impact, AIDS has had - and is having - an ultimately more far-reaching effect: it has changed the very form and content of contemporary art. As artists struggle to understand, interpret, and express the complex emotions and politics arising from the epidemic, a new art, perhaps even a new aesthetic, is now emerging. Over the past ten years, AIDS has become an increasingly prevalent theme in drama, dance, music, film, television, painting, photography, and theater. Many artists have encapsulated their rage, grief, and resistance - and even, occasionally, a kind of transformational acceptance of fate - by channeling that experience into their art. Together, they have produced a remarkably rich body of work. The panoply of the art of AIDS is as rich as the range of the artists who are responding to the epidemic. In The Art of AIDS, Rob Baker examines this new aesthetic, revealing not just the expected themes of death and dying, disease and disability, but also the issues of spirituality and healing, political and social action, sexuality and responsibility, isolation and community, racism and heterosexism. AIDS increasingly affects everyone, but the response of the gay community, which was devastated first and which rallied so valiantly, is central to this study. Perhaps it is only through the risks taken by AIDS-affected artists that stigma can be turned into conscience, denial into consciousness, and grief into renewal." - Publisher. CONTENTS: The art of AIDS: An overview; Film. Being in Philadelphia; Interlude: Another Philadelphia Story; Hollywood silence vs. independent voices; Three inconoclasts: Derek Jarman, Cyril Collard & John Greyson; Interlude: Halloween 1981; Television & Video. Bringing the message home: And the Band Played On & A Time of AIDS; From An Early Frost to today: Dramatizing AIDS on TV; Common threads & other AIDS documents; Rock & Roll television; Interlude: Pete's Mix; Music & Dance. Anthems & Mourning songs; Dance: At the vanishing point; Music: Of rage & remembrance; Interlude: Quilts; Art. The NAMES project AIDS memorial quilt; Confrontations & critical agendas; Interlude: Critics & Spectators; What the camera saw: Mapplethorpe & other photographic responses; Frank Moore: Canvases from an epidemic; Days without art; Theatre. Interlude: Cereal Box Marionettes & Adventure Games; Early stage: Larry Kramer, William M. Hoffman & Robert Chesley; Further confrontations across the proscenium arch; Allowing laughter: Jeffrey & Pterodactyls; Alchemy & Angels in America.. 1st. Hardcover. Fine/Fine. 8vo. Collectible., Continuum, 1994, 5<

2011, ISBN: 9780826406538

edizione con copertina rigida

Milwaukee, WI: Hal Leonard, 2011. Softcover. Very Good. 0x0x0. [MUSIC]. O'Brien, Colin. "Play Banjo Today! (Beginner's Pack)." Milwaukee, WI: Hal Leonard, 2011. Englis… Altro …

Milwaukee, WI: Hal Leonard, 2011. Softcover. Very Good. 0x0x0. [MUSIC]. O'Brien, Colin. "Play Banjo Today! (Beginner's Pack)." Milwaukee, WI: Hal Leonard, 2011. English language. Softcover. Text with musical notation. Only the book. No CD, no DVD. 12 x 9 x 0.25 in. 30 x 23 x 1 cm. 12 oz. 93 pp. With code. Text clean. Last page missing. Very Good. ISBN: 9781540045799. "Play Today! is the ULTIMATE self-teaching method, designed to offer quality instruction and terrific songs., Milwaukee, WI: Hal Leonard, 2011, 3, Michael Joseph. First edition-5th printing. Hardcover. Fine/Fine. Mint condition.Michael Joseph,2005.First edition-5th printing.Blue hardback(gilt lettering to the spine,small nick on the back cover) with Dj(some nicks,crease and scratch on the Dj cover),both in mint condition.Illustrated with colour,b/w photos.The book is new with light shelf wear.Price un-clipped.340pp. This is another paragraph Product Description: This is the story of one woman. But it's not just one woman's story. It's about family. And it's a story that could belong to any one of us at any time. Caron was 41 when she died, leaving behind two sons, Gabriel and Charlie. A few weeks after Gabriel was born - and her own father died - Caron found a lump in her breast. Gloria knew at that moment, that all their lives would change for ever. The next seven years of Caron's life, and her family's, became a quest for recovery that ultimately took them across the world. They became experts in the illness and its treatment, both conventional and alternative. All the while Caron was living in the public eye and keeping her own, devastating secret. The loss of a loved one is the most terrible thing to contemplate. And all of us will have to face it at some point in our lives. Although Caron lost her battle with cancer, this isn't a sad book. Told by Gloria, with extracts from Caron's own diaries, it's an inspirational and honest account of how Caron, Gloria and the whole family faced and coped with illness; it's a celebration of an unbreakable mother - daughter relationship and how that relationship withstood the strain of Caron's illness. And above all it's a book to commemorate a spirited, magical woman. A woman who loved life and fought to hold onto it. n nAbout the Author nGloria Hunniford was the first woman to have her own daily radio show on BBC Radio 2 which she presented for thirteen years until 1995. She has appeared on and presented numerous shows including Gloria Live, Wogan, Holiday, Songs of Praise and Open House with Gloria which gave Channel Five its highest ever ratings. She has won several prestigious awards including TV Personality of the Year, Radio Personality of the Year and a Lifetime Achievement Award., Michael Joseph, 5, New York: Continuum, 1994. 255 pages, colour illustrations; 23 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "The world of the arts has been devastated by AIDS. Few performing or visual artists have escaped the epidemic's impingement upon either their own lives or those of close friends and mentors. But beyond this obvious impact, AIDS has had - and is having - an ultimately more far-reaching effect: it has changed the very form and content of contemporary art. As artists struggle to understand, interpret, and express the complex emotions and politics arising from the epidemic, a new art, perhaps even a new aesthetic, is now emerging. Over the past ten years, AIDS has become an increasingly prevalent theme in drama, dance, music, film, television, painting, photography, and theater. Many artists have encapsulated their rage, grief, and resistance - and even, occasionally, a kind of transformational acceptance of fate - by channeling that experience into their art. Together, they have produced a remarkably rich body of work. The panoply of the art of AIDS is as rich as the range of the artists who are responding to the epidemic. In The Art of AIDS, Rob Baker examines this new aesthetic, revealing not just the expected themes of death and dying, disease and disability, but also the issues of spirituality and healing, political and social action, sexuality and responsibility, isolation and community, racism and heterosexism. AIDS increasingly affects everyone, but the response of the gay community, which was devastated first and which rallied so valiantly, is central to this study. Perhaps it is only through the risks taken by AIDS-affected artists that stigma can be turned into conscience, denial into consciousness, and grief into renewal." - Publisher. CONTENTS: The art of AIDS: An overview; Film. Being in Philadelphia; Interlude: Another Philadelphia Story; Hollywood silence vs. independent voices; Three inconoclasts: Derek Jarman, Cyril Collard & John Greyson; Interlude: Halloween 1981; Television & Video. Bringing the message home: And the Band Played On & A Time of AIDS; From An Early Frost to today: Dramatizing AIDS on TV; Common threads & other AIDS documents; Rock & Roll television; Interlude: Pete's Mix; Music & Dance. Anthems & Mourning songs; Dance: At the vanishing point; Music: Of rage & remembrance; Interlude: Quilts; Art. The NAMES project AIDS memorial quilt; Confrontations & critical agendas; Interlude: Critics & Spectators; What the camera saw: Mapplethorpe & other photographic responses; Frank Moore: Canvases from an epidemic; Days without art; Theatre. Interlude: Cereal Box Marionettes & Adventure Games; Early stage: Larry Kramer, William M. Hoffman & Robert Chesley; Further confrontations across the proscenium arch; Allowing laughter: Jeffrey & Pterodactyls; Alchemy & Angels in America. . 1st. Hardcover. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Collectible., Continuum, 1994, 5<

2001, ISBN: 9780826406538

edizione con copertina rigida

Prosveta USA, 1988. Book. Very Good. Mass Market Paperback. Revised. 191pp, tight copy.., Prosveta USA, 1988, 3, Harmony, 2001. Hardcover w dj. Used: Very good. Prompt shipment, with … Altro …

Prosveta USA, 1988. Book. Very Good. Mass Market Paperback. Revised. 191pp, tight copy.., Prosveta USA, 1988, 3, Harmony, 2001. Hardcover w dj. Used: Very good. Prompt shipment, with tracking. we ship in CLEAN SECURE NEW boxes Buddhist Books: VERY good or Better hardcover with VERY good dust jacket., Harmony, 2001, 3, New York: Continuum, 1994. 255 pages, colour illustrations; 23 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "The world of the arts has been devastated by AIDS. Few performing or visual artists have escaped the epidemic's impingement upon either their own lives or those of close friends and mentors. But beyond this obvious impact, AIDS has had - and is having - an ultimately more far-reaching effect: it has changed the very form and content of contemporary art. As artists struggle to understand, interpret, and express the complex emotions and politics arising from the epidemic, a new art, perhaps even a new aesthetic, is now emerging. Over the past ten years, AIDS has become an increasingly prevalent theme in drama, dance, music, film, television, painting, photography, and theater. Many artists have encapsulated their rage, grief, and resistance - and even, occasionally, a kind of transformational acceptance of fate - by channeling that experience into their art. Together, they have produced a remarkably rich body of work. The panoply of the art of AIDS is as rich as the range of the artists who are responding to the epidemic. In The Art of AIDS, Rob Baker examines this new aesthetic, revealing not just the expected themes of death and dying, disease and disability, but also the issues of spirituality and healing, political and social action, sexuality and responsibility, isolation and community, racism and heterosexism. AIDS increasingly affects everyone, but the response of the gay community, which was devastated first and which rallied so valiantly, is central to this study. Perhaps it is only through the risks taken by AIDS-affected artists that stigma can be turned into conscience, denial into consciousness, and grief into renewal." - Publisher. CONTENTS: The art of AIDS: An overview; Film. Being in Philadelphia; Interlude: Another Philadelphia Story; Hollywood silence vs. independent voices; Three inconoclasts: Derek Jarman, Cyril Collard & John Greyson; Interlude: Halloween 1981; Television & Video. Bringing the message home: And the Band Played On & A Time of AIDS; From An Early Frost to today: Dramatizing AIDS on TV; Common threads & other AIDS documents; Rock & Roll television; Interlude: Pete's Mix; Music & Dance. Anthems & Mourning songs; Dance: At the vanishing point; Music: Of rage & remembrance; Interlude: Quilts; Art. The NAMES project AIDS memorial quilt; Confrontations & critical agendas; Interlude: Critics & Spectators; What the camera saw: Mapplethorpe & other photographic responses; Frank Moore: Canvases from an epidemic; Days without art; Theatre. Interlude: Cereal Box Marionettes & Adventure Games; Early stage: Larry Kramer, William M. Hoffman & Robert Chesley; Further confrontations across the proscenium arch; Allowing laughter: Jeffrey & Pterodactyls; Alchemy & Angels in America.. 1st. Hardcover. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Collectible., Continuum, 1994, 5<

1994, ISBN: 9780826406538

New York: Continuum, 1994. 255 pages, colour illustrations; 23 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "The world of the arts has been devastated by AIDS.… Altro …

New York: Continuum, 1994. 255 pages, colour illustrations; 23 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "The world of the arts has been devastated by AIDS. Few performing or visual artists have escaped the epidemic's impingement upon either their own lives or those of close friends and mentors. But beyond this obvious impact, AIDS has had - and is having - an ultimately more far-reaching effect: it has changed the very form and content of contemporary art. As artists struggle to understand, interpret, and express the complex emotions and politics arising from the epidemic, a new art, perhaps even a new aesthetic, is now emerging. Over the past ten years, AIDS has become an increasingly prevalent theme in drama, dance, music, film, television, painting, photography, and theater. Many artists have encapsulated their rage, grief, and resistance - and even, occasionally, a kind of transformational acceptance of fate - by channeling that experience into their art. Together, they have produced a remarkably rich body of work. The panoply of the art of AIDS is as rich as the range of the artists who are responding to the epidemic. In The Art of AIDS, Rob Baker examines this new aesthetic, revealing not just the expected themes of death and dying, disease and disability, but also the issues of spirituality and healing, political and social action, sexuality and responsibility, isolation and community, racism and heterosexism. AIDS increasingly affects everyone, but the response of the gay community, which was devastated first and which rallied so valiantly, is central to this study. Perhaps it is only through the risks taken by AIDS-affected artists that stigma can be turned into conscience, denial into consciousness, and grief into renewal." - Publisher. CONTENTS: The art of AIDS: An overview; Film. Being in Philadelphia; Interlude: Another Philadelphia Story; Hollywood silence vs. independent voices; Three inconoclasts: Derek Jarman, Cyril Collard & John Greyson; Interlude: Halloween 1981; Television & Video. Bringing the message home: And the Band Played On & A Time of AIDS; From An Early Frost to today: Dramatizing AIDS on TV; Common threads & other AIDS documents; Rock & Roll television; Interlude: Pete's Mix; Music & Dance. Anthems & Mourning songs; Dance: At the vanishing point; Music: Of rage & remembrance; Interlude: Quilts; Art. The NAMES project AIDS memorial quilt; Confrontations & critical agendas; Interlude: Critics & Spectators; What the camera saw: Mapplethorpe & other photographic responses; Frank Moore: Canvases from an epidemic; Days without art; Theatre. Interlude: Cereal Box Marionettes & Adventure Games; Early stage: Larry Kramer, William M. Hoffman & Robert Chesley; Further confrontations across the proscenium arch; Allowing laughter: Jeffrey & Pterodactyls; Alchemy & Angels in America.. 1st. Hardcover. Fine/Fine. 8vo. Collectible., Continuum, 1994, 5<

1994, ISBN: 082640653X

edizione con copertina rigida

[EAN: 9780826406538], Gebraucht, guter Zustand, [PU: Continuum, New York], COLLECTIBLE, Jacket, 255 pages, colour illustrations; 23 cm. Tight, clean copy. Dust jacket protected in a mylar… Altro …

[EAN: 9780826406538], Gebraucht, guter Zustand, [PU: Continuum, New York], COLLECTIBLE, Jacket, 255 pages, colour illustrations; 23 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "The world of the arts has been devastated by AIDS. Few performing or visual artists have escaped the epidemic's impingement upon either their own lives or those of close friends and mentors. But beyond this obvious impact, AIDS has had - and is having - an ultimately more far-reaching effect: it has changed the very form and content of contemporary art. As artists struggle to understand, interpret, and express the complex emotions and politics arising from the epidemic, a new art, perhaps even a new aesthetic, is now emerging. Over the past ten years, AIDS has become an increasingly prevalent theme in drama, dance, music, film, television, painting, photography, and theater. Many artists have encapsulated their rage, grief, and resistance - and even, occasionally, a kind of transformational acceptance of fate - by channeling that experience into their art. Together, they have produced a remarkably rich body of work. The panoply of the art of AIDS is as rich as the range of the artists who are responding to the epidemic. In The Art of AIDS, Rob Baker examines this new aesthetic, revealing not just the expected themes of death and dying, disease and disability, but also the issues of spirituality and healing, political and social action, sexuality and responsibility, isolation and community, racism and heterosexism. AIDS increasingly affects everyone, but the response of the gay community, which was devastated first and which rallied so valiantly, is central to this study. Perhaps it is only through the risks taken by AIDS-affected artists that stigma can be turned into conscience, denial into consciousness, and grief into renewal." - Publisher. CONTENTS: The art of AIDS: An overview; Film. Being in Philadelphia; Interlude: Another Philadelphia Story; Hollywood silence vs. independent voices; Three inconoclasts: Derek Jarman, Cyril Collard & John Greyson; Interlude: Halloween 1981; Television & Video. Bringing the message home: And the Band Played On & A Time of AIDS; From An Early Frost to today: Dramatizing AIDS on TV; Common threads & other AIDS documents; Rock & Roll television; Interlude: Pete's Mix; Music & Dance. Anthems & Mourning songs; Dance: At the vanishing point; Music: Of rage & remembrance; Interlude: Quilts; Art. The NAMES project AIDS memorial quilt; Confrontations & critical agendas; Interlude: Critics & Spectators; What the camera saw: Mapplethorpe & other photographic responses; Frank Moore: Canvases from an epidemic; Days without art; Theatre. Interlude: Cereal Box Marionettes & Adventure Games; Early stage: Larry Kramer, William M. Hoffman & Robert Chesley; Further confrontations across the proscenium arch; Allowing laughter: Jeffrey & Pterodactyls; Alchemy & Angels in America. Size: 8vo, Books<