2016, ISBN: 9781863357234

edizione con copertina rigida

Cambridge, Mass. ; London : MIT Press, 2010. First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especi… Altro …

Cambridge, Mass. ; London : MIT Press, 2010. First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.. Physical description; xxxiv, 258 p. : ill. ; 24 cm. Summary; A sustained study of Lichtenstein's pop oeuvre, offering new readings of such canonical works as Look Mickey and Happy Tears. In Hall of Mirrors, Graham Bader traces the development of Roy Lichtenstein's art into, through, and beyond his classic pop oeuvre of the 1960s. Bader charts the trajectory of Lichtenstein's practice from his student days in the late 1940s to his mirror paintings of the 1970s, offering new readings of such canonical paintings as Look Mickey and Girl with Ball as well as examinations of lesser-known works across a range of media. Bader's analysis goes beyond the standard critical view of pop as a reaction to the high-culture pieties of abstract expressionism. Instead, Bader sees Lichtenstein's work as motivated by the forces of unoriginal originality-Lichtenstein's discovery that he could make art by borrowing from other images-and disembodied bodies-his use of flattened and schematic forms to reinvigorate figurative painting. Bader argues that 1961's Look Mickey, Lichtenstein's inaugural pop work, established a template for the tension between embodiment and disembodiment that animates much of his 1960s practice: between an evacuation of sensory experience, on the one hand, and a repeated focus on emphatic bodily acts (squeezing, kissing, crying, etc.) on the other. A similar dialectical friction exists between Lichtenstein's process and product: consistently hand-painted canvases that increasingly feign the look of industrial production. Hall of Mirrors moves chronologically, beginning with Lichtenstein's studies at Ohio State University and late-'50s moves toward pop, through his seminal canvases of the early 1960s, to his late-'60s experiments across sculpture, painting, installation, and film. The book ends with an examination of Lichtenstein's Mirror paintings of 1969-72. These little-discussed works, Bader argues, exemplify Lichtenstein's late-'60s shift of focus to the embodied experience of his own viewers-and thus culminate and conclude his practice of the decade. Subjects; Lichtenstein, Roy 1923-1997 — Criticism and interpretation. Mirrors in art. Pop art — United States., Cambridge, Mass. ; London : MIT Press, 2010, 5, London: Routledge, 2004. FIRST EDITION. LONDON : 2004. White and green; colour pictorial covers. No owner name or internal markings. Bright, tight and clean. Minor wear only. VERY GOOD. (xvi), 272 pages. Includes bibliographical references (p. [264]-266). Index. CONTENTS: pt. 1. APPROACHES TO FEMINIST PHILOSOPHY OF RELIGION -- Feminist approaches by Nancy Frankenberry -- A psychoanalytic approach by Grace M. Jantzen -- A post-structuralist approach by Ellen T. Armour -- A post-metaphysical approach by Fionola Meredith -- A theological approach by Harriet A. Harris -- An epistemological - ethical approach by Pamela Sue Anderson -- pt. 2. PHILOSOPHICAL TOPICS IN FEMINIST PHILOSOPHY OF RELIGION -- Topic I: Divinity -- Redeeming Mary: the potential of Marian symbolism for feminist philosophy of religion by Tina Beattie -- Women writing the divine by Heather Walton -- The price of (masculine) freedom and becoming: a Jewish feminist response by Melissa Raphael -- Topic II: Embodiment -- Sacred metaphor: Julia Kristeva and Umberto Eco by Kathleen O'Grady -- Recollecting religion in the realm of the body by Alison Jasper -- Feminism and human mortality by Beverley Clack -- Topic III: Autonomy and spirituality -- Love and attention by Janet Martin Soskice -- Autonomy and female spirituality in a Polish context: divining a self by Dorota Filipczak -- Topic IV: Religious practice -- Practice, belief and feminist philosophy of religion by Amy Hollywood -- Loving paradoxes: a feminist reclamation of the Goddess Kali by Vrinda Dalmiya. SUMMARY: Feminist philosophy of religion has developed in recent years because of the exposure of explicit sexism in much traditional philosophical thinking about religion. The struggle with a discipline shaped almost exclusively by men has led feminist philosophers to redress the problematic biases of gender, race, class and sexual orientation in the traditional subject. Feminist Philosophy of Religion: Critical Readings brings together key new writings in this growing field. Part one of the reader explores important approaches to the feminist philosophy of religion, including psychoanalytic, poststructualist, postmetaphysical and epistemological frameworks. In part two, the contributors survey significant topics including questions of divinity, embodiment, spirituality and religious practice. Supported by explanatory prefaces and an extensive bibliography, Feminist Philosophy of Religion: Critical Readings is an important resource for this new area of study. **Will be well-packed for posting/shipping**. Lg.8vo. [ Rosley Books for Antiquarian books, CHS, Cumberland, Everyman, GKC, Inklings, Keswick, Literature, MacDonald, Rarities, Theology and History. ] . First Edition. Soft Cover. Very Good Plus. Illus. by Alison Jasper, Janet Martin Soskice, Dorota Filipczak, Amy Hollywood, Vrinda Dalmiya. Large Octavo., Routledge, 2004, 3, New India Publishing Agency, 2010. Hardcover. New. The present book embodies 15 chapters viz. Preparation of different liquid and solid media, isolation techniques for soil, air, water and seed borne microbes, micrometry, microbial growth, Ames test, assay of antibiotics, antibiotics sensitivity test, bacterial transformation, IMVIC test, growth curve of coliphage, culture techniques from body fluids, acid and alcoholic fermentation and each of which includes protocol of several microbiological practicals prescribed in the syllabi of graduate and post graduate courses of microbiology, biochemistry and biotechnology. Besides these, the book also contains the methods of qualitative and quantitative analysis of air, soil and water borne pathogenic and non-pathogenic microbes and agriculturally important microbes. Authors have prepared this MS with a view to provide laboratory techniques to all categories of UG and PG students to carryout laboratory assignments prescribed in their syllabi. For the convenience and better understanding, most of the methods have been described with help of flow chart and sketches. Authors are confident that the present book will certainly be very useful to learn and handle different type of microbiological experiments in the laboratory. Contents Chapter 1: Organization of microbiology laboratory. Chapter 2: Preparation of media-liquid and solid for growth of microorganisms. Chapter 3: Isolation techniques and maintenance of microorganisms. Chapter 4: Isolation of pure cultures from soil, air, water and seed surface. Chapter 5: Staining and microscopic examination of microbes. Chapter 6: Micrometry and measurement of spores. Chapter 7: Microbial growth. Chapter 8: Study of mutations by Ames test. Chapter 9: Assay of antibiotics, antibiotics sensitivity of microbes and demonstration of antibiotic resistance. Chapter 10: Bacterial transformation. Chapter 11: Biochemical characterization of enteric bacteria (IMVIC test). Chapter 12: Isolation and one step growth curve of coliphage. Chapter 13: Testing of water quality (bacteriological examination of water). Chapter 14: Culture from body fluids (urine, stool, blood). Chapter 15: Mixed acid and alcoholic fermentation. Printed Pages: 210., New India Publishing Agency, 2010, 6, New India Publishing Agency, 2010. Hardcover. New. The present book embodies 15 chapters viz. Preparation of different liquid and solid media, isolation techniques for soil, air, water and seed borne microbes, micrometry, microbial growth, Ames test, assay of antibiotics, antibiotics sensitivity test, bacterial transformation, IMVIC test, growth curve of coliphage, culture techniques from body fluids, acid and alcoholic fermentation and each of which includes protocol of several microbiological practicals prescribed in the syllabi of graduate and post graduate courses of microbiology, biochemistry and biotechnology. Besides these, the book also contains the methods of qualitative and quantitative analysis of air, soil and water borne pathogenic and non-pathogenic microbes and agriculturally important microbes. Authors have prepared this MS with a view to provide laboratory techniques to all categories of UG and PG students to carryout laboratory assignments prescribed in their syllabi. For the convenience and better understanding, most of the methods have been described with help of flow chart and sketches. Authors are confident that the present book will certainly be very useful to learn and handle different type of microbiological experiments in the laboratory. Contents Chapter 1: Organization of microbiology laboratory. Chapter 2: Preparation of media-liquid and solid for growth of microorganisms. Chapter 3: Isolation techniques and maintenance of microorganisms. Chapter 4: Isolation of pure cultures from soil, air, water and seed surface. Chapter 5: Staining and microscopic examination of microbes. Chapter 6: Micrometry and measurement of spores. Chapter 7: Microbial growth. Chapter 8: Study of mutations by Ames test. Chapter 9: Assay of antibiotics, antibiotics sensitivity of microbes and demonstration of antibiotic resistance. Chapter 10: Bacterial transformation. Chapter 11: Biochemical characterization of enteric bacteria (IMVIC test). Chapter 12: Isolation and one step growth curve of coliphage. Chapter 13: Testing of water quality (bacteriological examination of water). Chapter 14: Culture from body fluids (urine, stool, blood). Chapter 15: Mixed acid and alcoholic fermentation. Printed Pages: 210. NA, New India Publishing Agency, 2010, 6, New India Publishing Agency, 2010. Hardcover. New. The present book embodies 15 chapters viz. Preparation of different liquid and solid media, isolation techniques for soil, air, water and seed borne microbes, micrometry, microbial growth, Ames test, assay of antibiotics, antibiotics sensitivity test, bacterial transformation, IMVIC test, growth curve of coliphage, culture techniques from body fluids, acid and alcoholic fermentation and each of which includes protocol of several microbiological practicals prescribed in the syllabi of graduate and post graduate courses of microbiology, biochemistry and biotechnology. Besides these, the book also contains the methods of qualitative and quantitative analysis of air, soil and water borne pathogenic and non-pathogenic microbes and agriculturally important microbes. Authors have prepared this MS with a view to provide laboratory techniques to all categories of UG and PG students to carryout laboratory assignments prescribed in their syllabi. For the convenience and better understanding, most of the methods have been described with help of flow chart and sketches. Authors are confident that the present book will certainly be very useful to learn and handle different type of microbiological experiments in the laboratory. Contents Chapter 1: Organization of microbiology laboratory. Chapter 2: Preparation of media-liquid and solid for growth of microorganisms. Chapter 3: Isolation techniques and maintenance of microorganisms. Chapter 4: Isolation of pure cultures from soil, air, water and seed surface. Chapter 5: Staining and microscopic examination of microbes. Chapter 6: Micrometry and measurement of spores. Chapter 7: Microbial growth. Chapter 8: Study of mutations by Ames test. Chapter 9: Assay of antibiotics, antibiotics sensitivity of microbes and demonstration of antibiotic resistance. Chapter 10: Bacterial transformation. Chapter 11: Biochemical characterization of enteric bacteria (IMVIC test). Chapter 12: Isolation and one step growth curve of coliphage. Chapter 13: Testing of water quality (bacteriological examination of water). Chapter 14: Culture from body fluids (urine, stool, blood). Chapter 15: Mixed acid and alcoholic fermentation. Printed Pages: 210., New India Publishing Agency, 2010, 6, Manohar Publishers & Distributors, 2009. Hardcover. New. The Religious ideal of Ecstasy is central to the cross-fertilization between Hinduism and Islam in South Asia. That is the basic theme of this volume, which explores how Mysticism associated with rapture, ecstasy, eroticism, longing, and suffering were the human Emotions which held the key to knowing the divine in both Hinduism and Islam. The performing Arts (such as dance, music, Poetry or the abstract concept of performativity) offer a potent lens to examine ecstasy and the ecstatic body. By foregrounding the performing body in religious devotion, the Essays in this volume reorient the discourse of the body as it emerged in scholarly disciplines such as Anthropology and sociology. The essays draw from new theoretical Research into the Nature and importance of performance in imagining the Cultural and religious life of South Asia. From a South Asia perspective, these essays enhance the engagement of performance studies with the intellectual ideal of embodiment. One common thread that ties together these essays is the linked concepts of sringara-rasa (erotic emotion) and Bhakti (loving devotion). All of them draw from new theoretical research into the nature and importance of the body through evidence drawn from architecture, painting, drama, poetry, qawwali singing, dance, yoga, and religious texts. Printed Pages: 256. Performing Ecstasy: The Poetics and Politics of Religion in IndiaPallabi Chakravorly & Scott Kugle (Eds)9788173048142, Manohar Publishers & Distributors, 2009, 6, Manohar Publishers & Distributors, 2009. Hardcover. New. The Religious ideal of Ecstasy is central to the cross-fertilization between Hinduism and Islam in South Asia. That is the basic theme of this volume, which explores how Mysticism associated with rapture, ecstasy, eroticism, longing, and suffering were the human Emotions which held the key to knowing the divine in both Hinduism and Islam. The performing Arts (such as dance, music, Poetry or the abstract concept of performativity) offer a potent lens to examine ecstasy and the ecstatic body. By foregrounding the performing body in religious devotion, the Essays in this volume reorient the discourse of the body as it emerged in scholarly disciplines such as Anthropology and sociology. The essays draw from new theoretical Research into the Nature and importance of performance in imagining the Cultural and religious life of South Asia. From a South Asia perspective, these essays enhance the engagement of performance studies with the intellectual ideal of embodiment. One common thread that ties together these essays is the linked concepts of sringara-rasa (erotic emotion) and Bhakti (loving devotion). All of them draw from new theoretical research into the nature and importance of the body through evidence drawn from architecture, painting, drama, poetry, qawwali singing, dance, yoga, and religious texts. Printed Pages: 256., Manohar Publishers & Distributors, 2009, 6, Manohar Publishers & Distributors, 2009. Hardcover. New. The Religious ideal of Ecstasy is central to the cross-fertilization between Hinduism and Islam in South Asia. That is the basic theme of this volume, which explores how Mysticism associated with rapture, ecstasy, eroticism, longing, and suffering were the human Emotions which held the key to knowing the divine in both Hinduism and Islam. The performing Arts (such as dance, music, Poetry or the abstract concept of performativity) offer a potent lens to examine ecstasy and the ecstatic body. By foregrounding the performing body in religious devotion, the Essays in this volume reorient the discourse of the body as it emerged in scholarly disciplines such as Anthropology and sociology. The essays draw from new theoretical Research into the Nature and importance of performance in imagining the Cultural and religious life of South Asia. From a South Asia perspective, these essays enhance the engagement of performance studies with the intellectual ideal of embodiment. One common thread that ties together these essays is the linked concepts of sringara-rasa (erotic emotion) and Bhakti (loving devotion). All of them draw from new theoretical research into the nature and importance of the body through evidence drawn from architecture, painting, drama, poetry, qawwali singing, dance, yoga, and religious texts. Printed Pages: 256., Manohar Publishers & Distributors, 2009, 6, Ratna Sagar/Primus Books, 2012. Hardcover. New. This volume examines three interrelated aspects of the history of British India: race, the disciplining institution, and attempts by the colonized to imagine states of freedom. They deal with sites as diverse as the prison, the family, the classroom, the playing field and children`s literature. The included essays confront the ideological, social and political ramifications of the fact that even as metropolitan prisons and schools shifted their attention from the body of the inmate to the confined `soul`, colonial disciplinary institutions ensured that race was firmly attached to the body and its habits. Situated within the work on gender, domesticity and the state, they also engage the historiography that has sought to underline the challenges of reconciling Michel Foucault and Edward Said, i.e. studying the making of norms in a world of deviance and difference. They ask whether the liberating possibilities of the racialized-and-embodied `native` self were confined to inversions and rearrangements of given normative hierarchies, or if we can occasionally glimpse radical departures and alternative configurations of power. Printed Pages: 368., Ratna Sagar/Primus Books, 2012, 6, New Delhi, India: Mapin Publishing, 2009. Dr D Dennis Hudson’s path-breaking book presents his extraordinary interpretation of the Vaikunta Perumal Temple in Kanchipuram as a three-dimensional mandala. His insight, based on Tirumangai Alvar’s poetry and a close study of the Bhagavata Purana illumines layers of meaning embodied in the architecture and sculpture of his temple.This volume is a “summary interpretation” for the general reader, or a larger academic work entitled The Body of God, published in the US. It is the inspired response of a scholar who has been passionately involved with his subject for several decades. Printed Pages: 424 with 114 b/w photographs.. Hardcover. New/New., Mapin Publishing, 2009, 6, Mystic CT: Twenty-Third Publications. Very Good in Very Good- dust jacket. 1987. Hardcover. 0896222225; Binding is clean, sound and unworn save for very minor bottom edge rubbing.. Contents are clean and unworn, with very slightly age-darkened margins. DJ's spine has faded from red to brown but the letering is unaffected. Very minor wear on the clean, complete DJ. ; 9-1/4" Tall, XXI + 439pp. Heavily textured bright red boards, bright silver spine lettering, bright silver reproduction of a Christian symbol on the front cover. RELIGION. "By drawing on specialized works in biblical, liturgical, historical, and theological studies, Marthaler has written a scholarly but eminently readable work that explains the traditional formulas of faith in the context of the confessing church. He uses a narrative style that nicely blends historical and cultural backgrounds with theological explanations. The body of the book is a commentary on the contents of the Creed in light of today's questions. It is, in fact, a compendium that attempts to capture not only the meaning but the spirit and life of the Christian community as it has come to be embodied in Catholic tradition. " List of Abbreviation s and Reference Works. Index of Names. Index of Subjects. ., Twenty-Third Publications, 1987, 3, Berkeley. 2004. University Of California Press. 1st Paperback Edition. Very Good in Wrappers. ISBN:0520238230. 331 pages. paperback. FROM THE PUBLISHER - When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity–national, political, personal, and sexual–music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn’s study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference–including that embodied in Germany’s difficult history–rather than to ‘master’ or ‘get past’ it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music’s role in each. The study also examines queer strategies like kitsch and camp and explores the movement’s charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out. inventory #35101 ISBN: 0520238230., 0, Paperback. New. Examines drumming and beating as musical practice (musicological meaning), as the channelling of violence or shock (sociological meaning), and as a subjective, embodied agent (psychoanalytic meaning). This title contributes to the cultural studies, popular and critical musicology, the theorisation of the body, and the sociology of music., 6, Sage Publications, 2009. First edition. Hardcover. New. This book explores the development of a sociology of embodiment in the context of womens lives in contemporary, urban India. Through a critical analysis of gender and class, the author unravels the complexities that are intrinsic to the multi-layered and fluid construction of womans identity in relation to embodiment. Living the Body: Embodiment, Womanhood and Identity in Contemporary India is the first book that unfolds an understanding of womens experience of embodiment by a careful analysis of the facts gathered from an Indian metropolis. The author brings out numerous voices representing multiple subjectivities through interviews of working class slum women, professional upper class women, adolescent young women in secondary schools and in a slum, and the visual and textual representation of women in a womens magazine in English. The book will be a compelling read for academicians and students working in the fields of sociology, womens studies, communication and media studies, anthropology, sexuality and gender studies. It would also interest a wide urban readership, especially NGOs and all those concerned about womens and gender issues. Printed Pages: 216. NA, Sage Publications, 2009, 6, Sage Publications, 2009. First edition. Hardcover. New. This book explores the development of a sociology of embodiment in the context of women’s lives in contemporary, urban India. Through a critical analysis of gender and class, the author unravels the complexities that are intrinsic to the multi-layered and fluid construction of woman’s identity in relation to embodiment. Living the Body: Embodiment, Womanhood and Identity in Contemporary India is the first book that unfolds an understanding of women’s experience of embodiment by a careful analysis of the facts gathered from an Indian metropolis. The author brings out numerous voices representing multiple subjectivities through interviews of working class slum women, professional upper class women, adolescent young women in secondary schools and in a slum, and the visual and textual representation of women in a women’s magazine in English. The book will be a compelling read for academicians and students working in the fields of sociology, women’s studies, communication and media studies, anthropology, sexuality and gender studies. It would also interest a wide urban readership, especially NGOs and all those concerned about women’s and gender issues. Printed Pages: 216., Sage Publications, 2009, 6, Sage Publications, 2009. First edition. Hardcover. New. This book explores the development of a sociology of embodiment in the context of women’s lives in contemporary, urban India. Through a critical analysis of gender and class, the author unravels the complexities that are intrinsic to the multi-layered and fluid construction of woman’s identity in relation to embodiment. Living the Body: Embodiment, Womanhood and Identity in Contemporary India is the first book that unfolds an understanding of women’s experience of embodiment by a careful analysis of the facts gathered from an Indian metropolis. The author brings out numerous voices representing multiple subjectivities through interviews of working class slum women, professional upper class women, adolescent young women in secondary schools and in a slum, and the visual and textual representation of women in a women’s magazine in English. The book will be a compelling read for academicians and students working in the fields of sociology, women’s studies, communication and media studies, anthropology, sexuality and gender studies. It would also interest a wide urban readership, especially NGOs and all those concerned about women’s and gender issues. Printed Pages: 216., Sage Publications, 2009, 6, Northwestern University Press, 2009-08-10. Paperback. Good., Northwestern University Press, 2009-08-10, 2.5, B.R.Publishing Corporation, 2005. Hardcover. New. Ruth Jhabvala`s tryst with India and how it works itself out in her fiction has been a matter of critical concern for long. But barring occasional heretical voices, the established critical canon has always treated her as `an adopted daughter of India` and her work as part of the Indian-English Corpus of writing. Lately, working from the `orientalist` perspective, critics have started exploring her work as a literary embodiment of post-colonial consciousness. They have also begun discovering post-modernist themes and issues hidden underneath her deceptively simple Narrative concerns. This shift of perspective has aroused new interest in Ruth Jhabvala`s fiction. The present work is the first full-length Study of Ruth Jhabvala`s Image of India as embodied in her entire Body of fiction. It analyses Ruth Jhabvalav`s oeuvre from her first Novel To Whom She Will to the last one to date Shards of Memory and traces her image of India as embodied in these novels. The image, as it turns out, has been quite objective and sympathetic in the first flush of Ruth Jhabvala`s romantic tryst with India. But with each succeeding novel, it gets more and more negativity reaches its crescendo in Heat and Dust, Ruth Jhabvala`s tour de force in many respects. In her recent phase of fiction Writing emanating from New York, where she is presently settled, India has ceased to be a palpably visible protagonist but continues to impinge on her consciousness as a brooding metaphor. Though essentially a work of literary criticism, Ruth Jhabvala`s India should be of interest to students of sociology, indology, politics, in fact to all those interested in exploring India and what it stands for. Printed Pages: 300. NA, B.R.Publishing Corporation, 2005, 6, B.R.Publishing Corporation, 2005. Hardcover. New. Ruth Jhabvala`s tryst with India and how it works itself out in her fiction has been a matter of critical concern for long. But barring occasional heretical voices, the established critical canon has always treated her as `an adopted daughter of India` and her work as part of the Indian-English Corpus of writing. Lately, working from the `orientalist` perspective, critics have started exploring her work as a literary embodiment of post-colonial consciousness. They have also begun discovering post-modernist themes and issues hidden underneath her deceptively simple Narrative concerns. This shift of perspective has aroused new interest in Ruth Jhabvala`s fiction. The present work is the first full-length Study of Ruth Jhabvala`s Image of India as embodied in her entire Body of fiction. It analyses Ruth Jhabvalav`s oeuvre from her first Novel To Whom She Will to the last one to date Shards of Memory and traces her image of India as embodied in these novels. The image, as it turns out, has been quite objective and sympathetic in the first flush of Ruth Jhabvala`s romantic tryst with India. But with each succeeding novel, it gets more and more negativity reaches its crescendo in Heat and Dust, Ruth Jhabvala`s tour de force in many respects. In her recent phase of fiction Writing emanating from New York, where she is presently settled, India has ceased to be a palpably visible protagonist but continues to impinge on her consciousness as a brooding metaphor. Though essentially a work of literary criticism, Ruth Jhabvala`s India should be of interest to students of sociology, indology, politics, in fact to all those interested in exploring India and what it stands for. Printed Pages: 300., B.R.Publishing Corporation, 2005, 6, B.R.Publishing Corporation, 2005. Hardcover. New. Ruth Jhabvala`s tryst with India and how it works itself out in her fiction has been a matter of critical concern for long. But barring occasional heretical voices, the established critical canon has always treated her as `an adopted daughter of India` and her work as part of the Indian-English Corpus of writing. Lately, working from the `orientalist` perspective, critics have started exploring her work as a literary embodiment of post-colonial consciousness. They have also begun discovering post-modernist themes and issues hidden underneath her deceptively simple Narrative concerns. This shift of perspective has aroused new interest in Ruth Jhabvala`s fiction. The present work is the first full-length Study of Ruth Jhabvala`s Image of India as embodied in her entire Body of fiction. It analyses Ruth Jhabvalav`s oeuvre from her first Novel To Whom She Will to the last one to date Shards of Memory and traces her image of India as embodied in these novels. The image, as it turns out, has been quite objective and sympathetic in the first flush of Ruth Jhabvala`s romantic tryst with India. But with each succeeding novel, it gets more and more negativity reaches its crescendo in Heat and Dust, Ruth Jhabvala`s tour de force in many respects. In her recent phase of fiction Writing emanating from New York, where she is presently settled, India has ceased to be a palpably visible protagonist but continues to impinge on her consciousness as a brooding metaphor. Though essentially a work of literary criticism, Ruth Jhabvala`s India should be of interest to students of sociology, indology, politics, in fact to all those interested in exploring India and what it stands for. Printed Pages: 300., B.R.Publishing Corporation, 2005, 6, New York: Routledge. Good with no dust jacket. 1995. Hardcover. 0415906318 . Library stamps/marks/labels/pocket, NOTES and UNDERLINING, front hinge creaks, label residue, otherwise light wear. Solid hardcover.; "This book about women's experiences with cosmetic surgery is based on interviews with surgery recipients, physicians, plastic surgeons, and medical inspectors, and on field work in medical settings." Contents: Introduction: Cosmetic Surgery as Feminist Dilemma; 1. The Rise of the Surgical Fix; 2. Beauty and the Female Body; 3. Public Face / Private Suffering; 4. From Objectified Body to Embodied Subject; 5. Decisions and Deliberations; 6. Choice and Informed Consent Revisited; 7. Facing the Dilemma; Notes; Bibliography; Index. ; Ex-Library; viii, 211 pages ., Routledge, 1995, 2.5, Philadelphia : University of Pennsylvania Press, 1994. First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap; 8vo 8 - 9 tall; 172 pages; Description: xii, 172 p. ; 24 cm. Subjects: English literature --18th century --History and criticism --Characters and characteristics in literature --Human body in literature --Sex role in literature. Series: New cultural studies., Philadelphia : University of Pennsylvania Press, 1994, 5, Northwestern University Press, 2009-08-10. 1. Paperback. Used:Good., Northwestern University Press, 2009-08-10, 0, Cambridge, Massachusetts: MIT Press, 2016. First. Hardcover. As New. Slate cloth/boards. Turquoise dj with black line drawing. and white lettering. xi + 255 pp. with bw frontis and bw images, numbered by chapter. Simone Forti's art developed within the overlapping circles of New York City's advanced visual art, dance, and music of the early 1960s. Her "dance constructions" and related works of the 1960s were important for both visual art and dance of the era. Artists Robert Morris and Yvonne Rainer have both acknowledged her influence. Forti seems to have kept one foot inside visual art's frames of meaning and the other outside them. In Soft Is Fast, Meredith Morse adopts a new way to understand Forti's work, based in art historical analysis but drawing upon dance history and cultural studies and the history of American social thought. Morse argues that Forti introduced a form of direct encounter that departed radically from the spectatorship proposed by Minimalism, and prefigured the participatory art of recent decades. Morse shows that Forti's work negotiated John Cage's ideas of sound, score, and theater through the unique approach to movement, essentially improvisational and grounded in anatomical exploration, that she learned from performer and teacher Ann (later Anna) Halprin. Attentive to Robert Whitman's and La Monte Young's responses to Cage, Forti reshaped Cage's concepts into models that could accommodate Halprin's charged spaces and imagined, interpenetrative understanding of other bodies. Morse considers Forti's use of sound and her affective use of materials as central to her work; examines Forti's text pieces, little discussed in art historical literature; analyzes Huddle, considered one of Forti's signature works; and explicates Forti's later improvisational practice. Forti has been relatively overlooked by art historians, perhaps because of her work's central concern with modes of feeling and embodiment, unlike other art of the 1960s, which was characterized by strategies of depersonalization and affectlessness. Soft Is Fast corrects this critical oversight., MIT Press, 2016, 5, Brand New. Book Condition New, U.S. EDITION. We Do not Ship APO FPO AND PO BOX. Printing in English language. Quick delivery by USPS/UPS/DHL/FEDEX/ARAMEX ,Customer satisfaction guaranteed. We may ship the books from Asian regions for inventory purpose, 6, Paperback. New. A study that considers the placement of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. It has emphasis on the human body as an breathing body coupled with a fresh engagement with continental philosophy, Post-Structuralist Film Theory, and Contemporary Western Cinema., 6, SAGE Publications Ltd, 1997-08-18. Paperback. Good., SAGE Publications Ltd, 1997-08-18, 2.5, Hardback. As New. A study that considers the placement of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. The author shapes her engagement with film by the foregrounding of the human body in the filmic diegesis and the viewing experience., 5, Hardback. New. A study that considers the placement of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. The author shapes her engagement with film by the foregrounding of the human body in the filmic diegesis and the viewing experience., 6, London, Published quarterly by the Royal Anthropological Institute of Great Britain and Ireland, 1996. First edition. Library Binding. Ex-Library. 790 pages. With illustrations. With library stamps & labels. Library buckram with new endpapers. Slight wear to spine, covers & corners. Volume 2 N.S. 1996MARCH- SIMON CHARSLEY ‘Untouchable’: what is in a name? - MARIANNE Gullestad. From obedience to negotiation: dilemmas in the transmission of values between the generations in Norway - MARY BOUQUET. Family trees and their affinities: the visual imperative of the genealogical diagram- EVE DANZIGER Parts and their counterparts: spatial and social relationships in Mopan Maya - PASCAL Boyer. What makes anthropomorphism natural: intuitive ontology and cultural representations - Harvey Whitehouse Jungles and computers: neuronal group selection and the epidemiology of representations - GREGORY Starrett. The margins of print: children’s religious literature in Egypt - MONlCA Minnegal. A necessary unity: the articulation of social and ecological explanations of behaviour JUNE- ANNE Christine Taylor. The soul’s body and its states: an Amazonian perspective on the nature of being human- Bernard Formoso. Hsiu-Kou-Ku: the ritual refining of restless ghosts among the Chinese of Thailand - AZAM TORAB. Piety as gendered agency: a study of jalaseh ritual discourse in an urban neighbourhood in Iran - SIGNE HOWELL. Many contexts, many meanings? Gendered values among the northern Lio of Flores, Indonesia - ANDREW BEATTY. Adam and Eve and Vishnu: syncretism in the Javanese slametan - SIDNEY W Mintz. Enduring substances, trying theories: the Caribbean region as oikoumene - KEVIN A. YELVINGTON. Flirting in the factory - PER HAGE, Frank Harary & BOJKA MlLICIC. Tattooing, gender and social stratification in Micro-Polynesia Comment- Science, pseudo-science and interpretation. MANTON HIRST; STEPHEN P. Reyna SEPTEMBER- PHYLLIS Morrow. Yup’ik Eskimo agents and American legal agencies: perspectives on compliance and resistance- Jennifer W Nourse. The voice of the winds versus the masters of cure: contested notions of spirit possession among the Lauje of Sulawesi- FRANCES PINE. Naming the house and naming the land: kinship and social groups in highland Poland - DAVID Mosse. South Indian Christians, purity/impurity, and the caste system: death ritual in a Tamil Roman Catholic community - MAIA GREEN. Medicines and the embodiment of substances among Pogoro Catholics, Southern Tanzania - JOHN MONAGHAN. Fiesta finance in Mesoamerica and the origins of a gift exchange system- MARILYN STRATHERN. Cutting the network DECEMBER- A.F. Robertson The development of meaning: ontogeny and culture - DAVID Hicks Making the king divine: a case study in ritual regicide from Timor - ALAN G. Fix. Gene frequency dines in Europe: demic diffusion or natural selection? - PAUL B. ROSCOE. War and society in Sepik New Guinea - J. GOODY. A kernel of doubt - JEAN-GUY A. GOULET. The ‘berdache’/‘Two-Spirit’: a comparison of anthropological and native constructions of gendered identities among the Northern Athapaskans - HARVEY Whitehouse. Rites of terror: emotion, metaphor and memory in melanesian initiation cults Comment- Anthropomorphism and the evolution of cognition. STEPHEN MITHEN; PASCAL BOYER - Segmentary models in Morocco. David M. Hart  Quantity Available: 1. Category: Anthropology & Archaeology; Magazines & Periodicals; Social & Cultural History; Pictures of this item not already displayed here available upon request. Inventory No: 010713. ., London, 1996, 2.5, Paperback / softback. New. Disability and the Posthuman is the first study to analyse culturalrepresentations and deployments of disability as they interact withposthumanist theories of technology and embodiment., 6, Pittsburgh / Louvain: Duquesne University Press / Editions E. Nauwelaerts, 1965. Scholarly study of Merleau-Ponty's thought "with regard to man's relation to himself, to the world and to others, as directly linked with the fact that man is an embodied spirit revealing himself through his corporeal being." The author, educated at Fordham and in Europe, was a professor of Philosophy at Seton Hall. Hardcover in jacket, as pictured. Light wear to book, small faint stain on free endsheet, light fioxing/spotting to top edge; jacket shows light wear, minor creasing, small stains & minor damage along spine. Text clean; xi, blank, 297 pages; indexes, bibliography, appendixes.. First Edition. Hard Cover. Very Good/Good. Octavo., Duquesne University Press / Editions E. Nauwelaerts, 1965, 2.75, Common Ground Publishing, 2010-06-04. Paperback. Good., Common Ground Publishing, 2010-06-04, 2.5<

2016, ISBN: 9781863357234

edizione con copertina rigida

Cambridge, Mass. ; London : MIT Press, 2010. First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especi… Altro …

Cambridge, Mass. ; London : MIT Press, 2010. First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.. Physical description; xxxiv, 258 p. : ill. ; 24 cm. Summary; A sustained study of Lichtenstein's pop oeuvre, offering new readings of such canonical works as Look Mickey and Happy Tears. In Hall of Mirrors, Graham Bader traces the development of Roy Lichtenstein's art into, through, and beyond his classic pop oeuvre of the 1960s. Bader charts the trajectory of Lichtenstein's practice from his student days in the late 1940s to his mirror paintings of the 1970s, offering new readings of such canonical paintings as Look Mickey and Girl with Ball as well as examinations of lesser-known works across a range of media. Bader's analysis goes beyond the standard critical view of pop as a reaction to the high-culture pieties of abstract expressionism. Instead, Bader sees Lichtenstein's work as motivated by the forces of unoriginal originality-Lichtenstein's discovery that he could make art by borrowing from other images-and disembodied bodies-his use of flattened and schematic forms to reinvigorate figurative painting. Bader argues that 1961's Look Mickey, Lichtenstein's inaugural pop work, established a template for the tension between embodiment and disembodiment that animates much of his 1960s practice: between an evacuation of sensory experience, on the one hand, and a repeated focus on emphatic bodily acts (squeezing, kissing, crying, etc.) on the other. A similar dialectical friction exists between Lichtenstein's process and product: consistently hand-painted canvases that increasingly feign the look of industrial production. Hall of Mirrors moves chronologically, beginning with Lichtenstein's studies at Ohio State University and late-'50s moves toward pop, through his seminal canvases of the early 1960s, to his late-'60s experiments across sculpture, painting, installation, and film. The book ends with an examination of Lichtenstein's Mirror paintings of 1969-72. These little-discussed works, Bader argues, exemplify Lichtenstein's late-'60s shift of focus to the embodied experience of his own viewers-and thus culminate and conclude his practice of the decade. Subjects; Lichtenstein, Roy 1923-1997 — Criticism and interpretation. Mirrors in art. Pop art — United States., Cambridge, Mass. ; London : MIT Press, 2010, 5, London: Routledge, 2004. FIRST EDITION. LONDON : 2004. White and green; colour pictorial covers. No owner name or internal markings. Bright, tight and clean. Minor wear only. VERY GOOD. (xvi), 272 pages. Includes bibliographical references (p. [264]-266). Index. CONTENTS: pt. 1. APPROACHES TO FEMINIST PHILOSOPHY OF RELIGION -- Feminist approaches by Nancy Frankenberry -- A psychoanalytic approach by Grace M. Jantzen -- A post-structuralist approach by Ellen T. Armour -- A post-metaphysical approach by Fionola Meredith -- A theological approach by Harriet A. Harris -- An epistemological - ethical approach by Pamela Sue Anderson -- pt. 2. PHILOSOPHICAL TOPICS IN FEMINIST PHILOSOPHY OF RELIGION -- Topic I: Divinity -- Redeeming Mary: the potential of Marian symbolism for feminist philosophy of religion by Tina Beattie -- Women writing the divine by Heather Walton -- The price of (masculine) freedom and becoming: a Jewish feminist response by Melissa Raphael -- Topic II: Embodiment -- Sacred metaphor: Julia Kristeva and Umberto Eco by Kathleen O'Grady -- Recollecting religion in the realm of the body by Alison Jasper -- Feminism and human mortality by Beverley Clack -- Topic III: Autonomy and spirituality -- Love and attention by Janet Martin Soskice -- Autonomy and female spirituality in a Polish context: divining a self by Dorota Filipczak -- Topic IV: Religious practice -- Practice, belief and feminist philosophy of religion by Amy Hollywood -- Loving paradoxes: a feminist reclamation of the Goddess Kali by Vrinda Dalmiya. SUMMARY: Feminist philosophy of religion has developed in recent years because of the exposure of explicit sexism in much traditional philosophical thinking about religion. The struggle with a discipline shaped almost exclusively by men has led feminist philosophers to redress the problematic biases of gender, race, class and sexual orientation in the traditional subject. Feminist Philosophy of Religion: Critical Readings brings together key new writings in this growing field. Part one of the reader explores important approaches to the feminist philosophy of religion, including psychoanalytic, poststructualist, postmetaphysical and epistemological frameworks. In part two, the contributors survey significant topics including questions of divinity, embodiment, spirituality and religious practice. Supported by explanatory prefaces and an extensive bibliography, Feminist Philosophy of Religion: Critical Readings is an important resource for this new area of study. **Will be well-packed for posting/shipping**. Lg.8vo. [ Rosley Books for Antiquarian books, CHS, Cumberland, Everyman, GKC, Inklings, Keswick, Literature, MacDonald, Rarities, Theology and History. ] . First Edition. Soft Cover. Very Good Plus. Illus. by Alison Jasper, Janet Martin Soskice, Dorota Filipczak, Amy Hollywood, Vrinda Dalmiya. Large Octavo., Routledge, 2004, 3, New India Publishing Agency, 2010. Hardcover. New. The present book embodies 15 chapters viz. Preparation of different liquid and solid media, isolation techniques for soil, air, water and seed borne microbes, micrometry, microbial growth, Ames test, assay of antibiotics, antibiotics sensitivity test, bacterial transformation, IMVIC test, growth curve of coliphage, culture techniques from body fluids, acid and alcoholic fermentation and each of which includes protocol of several microbiological practicals prescribed in the syllabi of graduate and post graduate courses of microbiology, biochemistry and biotechnology. Besides these, the book also contains the methods of qualitative and quantitative analysis of air, soil and water borne pathogenic and non-pathogenic microbes and agriculturally important microbes. Authors have prepared this MS with a view to provide laboratory techniques to all categories of UG and PG students to carryout laboratory assignments prescribed in their syllabi. For the convenience and better understanding, most of the methods have been described with help of flow chart and sketches. Authors are confident that the present book will certainly be very useful to learn and handle different type of microbiological experiments in the laboratory. Contents Chapter 1: Organization of microbiology laboratory. Chapter 2: Preparation of media-liquid and solid for growth of microorganisms. Chapter 3: Isolation techniques and maintenance of microorganisms. Chapter 4: Isolation of pure cultures from soil, air, water and seed surface. Chapter 5: Staining and microscopic examination of microbes. Chapter 6: Micrometry and measurement of spores. Chapter 7: Microbial growth. Chapter 8: Study of mutations by Ames test. Chapter 9: Assay of antibiotics, antibiotics sensitivity of microbes and demonstration of antibiotic resistance. Chapter 10: Bacterial transformation. Chapter 11: Biochemical characterization of enteric bacteria (IMVIC test). Chapter 12: Isolation and one step growth curve of coliphage. Chapter 13: Testing of water quality (bacteriological examination of water). Chapter 14: Culture from body fluids (urine, stool, blood). Chapter 15: Mixed acid and alcoholic fermentation. Printed Pages: 210., New India Publishing Agency, 2010, 6, New India Publishing Agency, 2010. Hardcover. New. The present book embodies 15 chapters viz. Preparation of different liquid and solid media, isolation techniques for soil, air, water and seed borne microbes, micrometry, microbial growth, Ames test, assay of antibiotics, antibiotics sensitivity test, bacterial transformation, IMVIC test, growth curve of coliphage, culture techniques from body fluids, acid and alcoholic fermentation and each of which includes protocol of several microbiological practicals prescribed in the syllabi of graduate and post graduate courses of microbiology, biochemistry and biotechnology. Besides these, the book also contains the methods of qualitative and quantitative analysis of air, soil and water borne pathogenic and non-pathogenic microbes and agriculturally important microbes. Authors have prepared this MS with a view to provide laboratory techniques to all categories of UG and PG students to carryout laboratory assignments prescribed in their syllabi. For the convenience and better understanding, most of the methods have been described with help of flow chart and sketches. Authors are confident that the present book will certainly be very useful to learn and handle different type of microbiological experiments in the laboratory. Contents Chapter 1: Organization of microbiology laboratory. Chapter 2: Preparation of media-liquid and solid for growth of microorganisms. Chapter 3: Isolation techniques and maintenance of microorganisms. Chapter 4: Isolation of pure cultures from soil, air, water and seed surface. Chapter 5: Staining and microscopic examination of microbes. Chapter 6: Micrometry and measurement of spores. Chapter 7: Microbial growth. Chapter 8: Study of mutations by Ames test. Chapter 9: Assay of antibiotics, antibiotics sensitivity of microbes and demonstration of antibiotic resistance. Chapter 10: Bacterial transformation. Chapter 11: Biochemical characterization of enteric bacteria (IMVIC test). Chapter 12: Isolation and one step growth curve of coliphage. Chapter 13: Testing of water quality (bacteriological examination of water). Chapter 14: Culture from body fluids (urine, stool, blood). Chapter 15: Mixed acid and alcoholic fermentation. Printed Pages: 210. NA, New India Publishing Agency, 2010, 6, New India Publishing Agency, 2010. Hardcover. New. The present book embodies 15 chapters viz. Preparation of different liquid and solid media, isolation techniques for soil, air, water and seed borne microbes, micrometry, microbial growth, Ames test, assay of antibiotics, antibiotics sensitivity test, bacterial transformation, IMVIC test, growth curve of coliphage, culture techniques from body fluids, acid and alcoholic fermentation and each of which includes protocol of several microbiological practicals prescribed in the syllabi of graduate and post graduate courses of microbiology, biochemistry and biotechnology. Besides these, the book also contains the methods of qualitative and quantitative analysis of air, soil and water borne pathogenic and non-pathogenic microbes and agriculturally important microbes. Authors have prepared this MS with a view to provide laboratory techniques to all categories of UG and PG students to carryout laboratory assignments prescribed in their syllabi. For the convenience and better understanding, most of the methods have been described with help of flow chart and sketches. Authors are confident that the present book will certainly be very useful to learn and handle different type of microbiological experiments in the laboratory. Contents Chapter 1: Organization of microbiology laboratory. Chapter 2: Preparation of media-liquid and solid for growth of microorganisms. Chapter 3: Isolation techniques and maintenance of microorganisms. Chapter 4: Isolation of pure cultures from soil, air, water and seed surface. Chapter 5: Staining and microscopic examination of microbes. Chapter 6: Micrometry and measurement of spores. Chapter 7: Microbial growth. Chapter 8: Study of mutations by Ames test. Chapter 9: Assay of antibiotics, antibiotics sensitivity of microbes and demonstration of antibiotic resistance. Chapter 10: Bacterial transformation. Chapter 11: Biochemical characterization of enteric bacteria (IMVIC test). Chapter 12: Isolation and one step growth curve of coliphage. Chapter 13: Testing of water quality (bacteriological examination of water). Chapter 14: Culture from body fluids (urine, stool, blood). Chapter 15: Mixed acid and alcoholic fermentation. Printed Pages: 210., New India Publishing Agency, 2010, 6, Manohar Publishers & Distributors, 2009. Hardcover. New. The Religious ideal of Ecstasy is central to the cross-fertilization between Hinduism and Islam in South Asia. That is the basic theme of this volume, which explores how Mysticism associated with rapture, ecstasy, eroticism, longing, and suffering were the human Emotions which held the key to knowing the divine in both Hinduism and Islam. The performing Arts (such as dance, music, Poetry or the abstract concept of performativity) offer a potent lens to examine ecstasy and the ecstatic body. By foregrounding the performing body in religious devotion, the Essays in this volume reorient the discourse of the body as it emerged in scholarly disciplines such as Anthropology and sociology. The essays draw from new theoretical Research into the Nature and importance of performance in imagining the Cultural and religious life of South Asia. From a South Asia perspective, these essays enhance the engagement of performance studies with the intellectual ideal of embodiment. One common thread that ties together these essays is the linked concepts of sringara-rasa (erotic emotion) and Bhakti (loving devotion). All of them draw from new theoretical research into the nature and importance of the body through evidence drawn from architecture, painting, drama, poetry, qawwali singing, dance, yoga, and religious texts. Printed Pages: 256. Performing Ecstasy: The Poetics and Politics of Religion in IndiaPallabi Chakravorly & Scott Kugle (Eds)9788173048142, Manohar Publishers & Distributors, 2009, 6, Manohar Publishers & Distributors, 2009. Hardcover. New. The Religious ideal of Ecstasy is central to the cross-fertilization between Hinduism and Islam in South Asia. That is the basic theme of this volume, which explores how Mysticism associated with rapture, ecstasy, eroticism, longing, and suffering were the human Emotions which held the key to knowing the divine in both Hinduism and Islam. The performing Arts (such as dance, music, Poetry or the abstract concept of performativity) offer a potent lens to examine ecstasy and the ecstatic body. By foregrounding the performing body in religious devotion, the Essays in this volume reorient the discourse of the body as it emerged in scholarly disciplines such as Anthropology and sociology. The essays draw from new theoretical Research into the Nature and importance of performance in imagining the Cultural and religious life of South Asia. From a South Asia perspective, these essays enhance the engagement of performance studies with the intellectual ideal of embodiment. One common thread that ties together these essays is the linked concepts of sringara-rasa (erotic emotion) and Bhakti (loving devotion). All of them draw from new theoretical research into the nature and importance of the body through evidence drawn from architecture, painting, drama, poetry, qawwali singing, dance, yoga, and religious texts. Printed Pages: 256., Manohar Publishers & Distributors, 2009, 6, Manohar Publishers & Distributors, 2009. Hardcover. New. The Religious ideal of Ecstasy is central to the cross-fertilization between Hinduism and Islam in South Asia. That is the basic theme of this volume, which explores how Mysticism associated with rapture, ecstasy, eroticism, longing, and suffering were the human Emotions which held the key to knowing the divine in both Hinduism and Islam. The performing Arts (such as dance, music, Poetry or the abstract concept of performativity) offer a potent lens to examine ecstasy and the ecstatic body. By foregrounding the performing body in religious devotion, the Essays in this volume reorient the discourse of the body as it emerged in scholarly disciplines such as Anthropology and sociology. The essays draw from new theoretical Research into the Nature and importance of performance in imagining the Cultural and religious life of South Asia. From a South Asia perspective, these essays enhance the engagement of performance studies with the intellectual ideal of embodiment. One common thread that ties together these essays is the linked concepts of sringara-rasa (erotic emotion) and Bhakti (loving devotion). All of them draw from new theoretical research into the nature and importance of the body through evidence drawn from architecture, painting, drama, poetry, qawwali singing, dance, yoga, and religious texts. Printed Pages: 256., Manohar Publishers & Distributors, 2009, 6, Ratna Sagar/Primus Books, 2012. Hardcover. New. This volume examines three interrelated aspects of the history of British India: race, the disciplining institution, and attempts by the colonized to imagine states of freedom. They deal with sites as diverse as the prison, the family, the classroom, the playing field and children`s literature. The included essays confront the ideological, social and political ramifications of the fact that even as metropolitan prisons and schools shifted their attention from the body of the inmate to the confined `soul`, colonial disciplinary institutions ensured that race was firmly attached to the body and its habits. Situated within the work on gender, domesticity and the state, they also engage the historiography that has sought to underline the challenges of reconciling Michel Foucault and Edward Said, i.e. studying the making of norms in a world of deviance and difference. They ask whether the liberating possibilities of the racialized-and-embodied `native` self were confined to inversions and rearrangements of given normative hierarchies, or if we can occasionally glimpse radical departures and alternative configurations of power. Printed Pages: 368., Ratna Sagar/Primus Books, 2012, 6, New Delhi, India: Mapin Publishing, 2009. Dr D Dennis Hudson’s path-breaking book presents his extraordinary interpretation of the Vaikunta Perumal Temple in Kanchipuram as a three-dimensional mandala. His insight, based on Tirumangai Alvar’s poetry and a close study of the Bhagavata Purana illumines layers of meaning embodied in the architecture and sculpture of his temple.This volume is a “summary interpretation” for the general reader, or a larger academic work entitled The Body of God, published in the US. It is the inspired response of a scholar who has been passionately involved with his subject for several decades. Printed Pages: 424 with 114 b/w photographs.. Hardcover. New/New., Mapin Publishing, 2009, 6, Mystic CT: Twenty-Third Publications. Very Good in Very Good- dust jacket. 1987. Hardcover. 0896222225; Binding is clean, sound and unworn save for very minor bottom edge rubbing.. Contents are clean and unworn, with very slightly age-darkened margins. DJ's spine has faded from red to brown but the letering is unaffected. Very minor wear on the clean, complete DJ. ; 9-1/4" Tall, XXI + 439pp. Heavily textured bright red boards, bright silver spine lettering, bright silver reproduction of a Christian symbol on the front cover. RELIGION. "By drawing on specialized works in biblical, liturgical, historical, and theological studies, Marthaler has written a scholarly but eminently readable work that explains the traditional formulas of faith in the context of the confessing church. He uses a narrative style that nicely blends historical and cultural backgrounds with theological explanations. The body of the book is a commentary on the contents of the Creed in light of today's questions. It is, in fact, a compendium that attempts to capture not only the meaning but the spirit and life of the Christian community as it has come to be embodied in Catholic tradition. " List of Abbreviation s and Reference Works. Index of Names. Index of Subjects. ., Twenty-Third Publications, 1987, 3, Berkeley. 2004. University Of California Press. 1st Paperback Edition. Very Good in Wrappers. ISBN:0520238230. 331 pages. paperback. FROM THE PUBLISHER - When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity–national, political, personal, and sexual–music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn’s study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference–including that embodied in Germany’s difficult history–rather than to ‘master’ or ‘get past’ it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music’s role in each. The study also examines queer strategies like kitsch and camp and explores the movement’s charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out. inventory #35101 ISBN: 0520238230., 0, Paperback. New. Examines drumming and beating as musical practice (musicological meaning), as the channelling of violence or shock (sociological meaning), and as a subjective, embodied agent (psychoanalytic meaning). This title contributes to the cultural studies, popular and critical musicology, the theorisation of the body, and the sociology of music., 6, Sage Publications, 2009. First edition. Hardcover. New. This book explores the development of a sociology of embodiment in the context of womens lives in contemporary, urban India. Through a critical analysis of gender and class, the author unravels the complexities that are intrinsic to the multi-layered and fluid construction of womans identity in relation to embodiment. Living the Body: Embodiment, Womanhood and Identity in Contemporary India is the first book that unfolds an understanding of womens experience of embodiment by a careful analysis of the facts gathered from an Indian metropolis. The author brings out numerous voices representing multiple subjectivities through interviews of working class slum women, professional upper class women, adolescent young women in secondary schools and in a slum, and the visual and textual representation of women in a womens magazine in English. The book will be a compelling read for academicians and students working in the fields of sociology, womens studies, communication and media studies, anthropology, sexuality and gender studies. It would also interest a wide urban readership, especially NGOs and all those concerned about womens and gender issues. Printed Pages: 216. NA, Sage Publications, 2009, 6, Sage Publications, 2009. First edition. Hardcover. New. This book explores the development of a sociology of embodiment in the context of women’s lives in contemporary, urban India. Through a critical analysis of gender and class, the author unravels the complexities that are intrinsic to the multi-layered and fluid construction of woman’s identity in relation to embodiment. Living the Body: Embodiment, Womanhood and Identity in Contemporary India is the first book that unfolds an understanding of women’s experience of embodiment by a careful analysis of the facts gathered from an Indian metropolis. The author brings out numerous voices representing multiple subjectivities through interviews of working class slum women, professional upper class women, adolescent young women in secondary schools and in a slum, and the visual and textual representation of women in a women’s magazine in English. The book will be a compelling read for academicians and students working in the fields of sociology, women’s studies, communication and media studies, anthropology, sexuality and gender studies. It would also interest a wide urban readership, especially NGOs and all those concerned about women’s and gender issues. Printed Pages: 216., Sage Publications, 2009, 6, Sage Publications, 2009. First edition. Hardcover. New. This book explores the development of a sociology of embodiment in the context of women’s lives in contemporary, urban India. Through a critical analysis of gender and class, the author unravels the complexities that are intrinsic to the multi-layered and fluid construction of woman’s identity in relation to embodiment. Living the Body: Embodiment, Womanhood and Identity in Contemporary India is the first book that unfolds an understanding of women’s experience of embodiment by a careful analysis of the facts gathered from an Indian metropolis. The author brings out numerous voices representing multiple subjectivities through interviews of working class slum women, professional upper class women, adolescent young women in secondary schools and in a slum, and the visual and textual representation of women in a women’s magazine in English. The book will be a compelling read for academicians and students working in the fields of sociology, women’s studies, communication and media studies, anthropology, sexuality and gender studies. It would also interest a wide urban readership, especially NGOs and all those concerned about women’s and gender issues. Printed Pages: 216., Sage Publications, 2009, 6, Northwestern University Press, 2009-08-10. Paperback. Good., Northwestern University Press, 2009-08-10, 2.5, B.R.Publishing Corporation, 2005. Hardcover. New. Ruth Jhabvala`s tryst with India and how it works itself out in her fiction has been a matter of critical concern for long. But barring occasional heretical voices, the established critical canon has always treated her as `an adopted daughter of India` and her work as part of the Indian-English Corpus of writing. Lately, working from the `orientalist` perspective, critics have started exploring her work as a literary embodiment of post-colonial consciousness. They have also begun discovering post-modernist themes and issues hidden underneath her deceptively simple Narrative concerns. This shift of perspective has aroused new interest in Ruth Jhabvala`s fiction. The present work is the first full-length Study of Ruth Jhabvala`s Image of India as embodied in her entire Body of fiction. It analyses Ruth Jhabvalav`s oeuvre from her first Novel To Whom She Will to the last one to date Shards of Memory and traces her image of India as embodied in these novels. The image, as it turns out, has been quite objective and sympathetic in the first flush of Ruth Jhabvala`s romantic tryst with India. But with each succeeding novel, it gets more and more negativity reaches its crescendo in Heat and Dust, Ruth Jhabvala`s tour de force in many respects. In her recent phase of fiction Writing emanating from New York, where she is presently settled, India has ceased to be a palpably visible protagonist but continues to impinge on her consciousness as a brooding metaphor. Though essentially a work of literary criticism, Ruth Jhabvala`s India should be of interest to students of sociology, indology, politics, in fact to all those interested in exploring India and what it stands for. Printed Pages: 300. NA, B.R.Publishing Corporation, 2005, 6, B.R.Publishing Corporation, 2005. Hardcover. New. Ruth Jhabvala`s tryst with India and how it works itself out in her fiction has been a matter of critical concern for long. But barring occasional heretical voices, the established critical canon has always treated her as `an adopted daughter of India` and her work as part of the Indian-English Corpus of writing. Lately, working from the `orientalist` perspective, critics have started exploring her work as a literary embodiment of post-colonial consciousness. They have also begun discovering post-modernist themes and issues hidden underneath her deceptively simple Narrative concerns. This shift of perspective has aroused new interest in Ruth Jhabvala`s fiction. The present work is the first full-length Study of Ruth Jhabvala`s Image of India as embodied in her entire Body of fiction. It analyses Ruth Jhabvalav`s oeuvre from her first Novel To Whom She Will to the last one to date Shards of Memory and traces her image of India as embodied in these novels. The image, as it turns out, has been quite objective and sympathetic in the first flush of Ruth Jhabvala`s romantic tryst with India. But with each succeeding novel, it gets more and more negativity reaches its crescendo in Heat and Dust, Ruth Jhabvala`s tour de force in many respects. In her recent phase of fiction Writing emanating from New York, where she is presently settled, India has ceased to be a palpably visible protagonist but continues to impinge on her consciousness as a brooding metaphor. Though essentially a work of literary criticism, Ruth Jhabvala`s India should be of interest to students of sociology, indology, politics, in fact to all those interested in exploring India and what it stands for. Printed Pages: 300., B.R.Publishing Corporation, 2005, 6, B.R.Publishing Corporation, 2005. Hardcover. New. Ruth Jhabvala`s tryst with India and how it works itself out in her fiction has been a matter of critical concern for long. But barring occasional heretical voices, the established critical canon has always treated her as `an adopted daughter of India` and her work as part of the Indian-English Corpus of writing. Lately, working from the `orientalist` perspective, critics have started exploring her work as a literary embodiment of post-colonial consciousness. They have also begun discovering post-modernist themes and issues hidden underneath her deceptively simple Narrative concerns. This shift of perspective has aroused new interest in Ruth Jhabvala`s fiction. The present work is the first full-length Study of Ruth Jhabvala`s Image of India as embodied in her entire Body of fiction. It analyses Ruth Jhabvalav`s oeuvre from her first Novel To Whom She Will to the last one to date Shards of Memory and traces her image of India as embodied in these novels. The image, as it turns out, has been quite objective and sympathetic in the first flush of Ruth Jhabvala`s romantic tryst with India. But with each succeeding novel, it gets more and more negativity reaches its crescendo in Heat and Dust, Ruth Jhabvala`s tour de force in many respects. In her recent phase of fiction Writing emanating from New York, where she is presently settled, India has ceased to be a palpably visible protagonist but continues to impinge on her consciousness as a brooding metaphor. Though essentially a work of literary criticism, Ruth Jhabvala`s India should be of interest to students of sociology, indology, politics, in fact to all those interested in exploring India and what it stands for. Printed Pages: 300., B.R.Publishing Corporation, 2005, 6, New York: Routledge. Good with no dust jacket. 1995. Hardcover. 0415906318 . Library stamps/marks/labels/pocket, NOTES and UNDERLINING, front hinge creaks, label residue, otherwise light wear. Solid hardcover.; "This book about women's experiences with cosmetic surgery is based on interviews with surgery recipients, physicians, plastic surgeons, and medical inspectors, and on field work in medical settings." Contents: Introduction: Cosmetic Surgery as Feminist Dilemma; 1. The Rise of the Surgical Fix; 2. Beauty and the Female Body; 3. Public Face / Private Suffering; 4. From Objectified Body to Embodied Subject; 5. Decisions and Deliberations; 6. Choice and Informed Consent Revisited; 7. Facing the Dilemma; Notes; Bibliography; Index. ; Ex-Library; viii, 211 pages ., Routledge, 1995, 2.5, Philadelphia : University of Pennsylvania Press, 1994. First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap; 8vo 8 - 9 tall; 172 pages; Description: xii, 172 p. ; 24 cm. Subjects: English literature --18th century --History and criticism --Characters and characteristics in literature --Human body in literature --Sex role in literature. Series: New cultural studies., Philadelphia : University of Pennsylvania Press, 1994, 5, Northwestern University Press, 2009-08-10. 1. Paperback. Used:Good., Northwestern University Press, 2009-08-10, 0, Cambridge, Massachusetts: MIT Press, 2016. First. Hardcover. As New. Slate cloth/boards. Turquoise dj with black line drawing. and white lettering. xi + 255 pp. with bw frontis and bw images, numbered by chapter. Simone Forti's art developed within the overlapping circles of New York City's advanced visual art, dance, and music of the early 1960s. Her "dance constructions" and related works of the 1960s were important for both visual art and dance of the era. Artists Robert Morris and Yvonne Rainer have both acknowledged her influence. Forti seems to have kept one foot inside visual art's frames of meaning and the other outside them. In Soft Is Fast, Meredith Morse adopts a new way to understand Forti's work, based in art historical analysis but drawing upon dance history and cultural studies and the history of American social thought. Morse argues that Forti introduced a form of direct encounter that departed radically from the spectatorship proposed by Minimalism, and prefigured the participatory art of recent decades. Morse shows that Forti's work negotiated John Cage's ideas of sound, score, and theater through the unique approach to movement, essentially improvisational and grounded in anatomical exploration, that she learned from performer and teacher Ann (later Anna) Halprin. Attentive to Robert Whitman's and La Monte Young's responses to Cage, Forti reshaped Cage's concepts into models that could accommodate Halprin's charged spaces and imagined, interpenetrative understanding of other bodies. Morse considers Forti's use of sound and her affective use of materials as central to her work; examines Forti's text pieces, little discussed in art historical literature; analyzes Huddle, considered one of Forti's signature works; and explicates Forti's later improvisational practice. Forti has been relatively overlooked by art historians, perhaps because of her work's central concern with modes of feeling and embodiment, unlike other art of the 1960s, which was characterized by strategies of depersonalization and affectlessness. Soft Is Fast corrects this critical oversight., MIT Press, 2016, 5, Brand New. Book Condition New, U.S. EDITION. We Do not Ship APO FPO AND PO BOX. Printing in English language. Quick delivery by USPS/UPS/DHL/FEDEX/ARAMEX ,Customer satisfaction guaranteed. We may ship the books from Asian regions for inventory purpose, 6, Paperback. New. A study that considers the placement of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. It has emphasis on the human body as an breathing body coupled with a fresh engagement with continental philosophy, Post-Structuralist Film Theory, and Contemporary Western Cinema., 6, SAGE Publications Ltd, 1997-08-18. Paperback. Good., SAGE Publications Ltd, 1997-08-18, 2.5, Hardback. As New. A study that considers the placement of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. The author shapes her engagement with film by the foregrounding of the human body in the filmic diegesis and the viewing experience., 5, Hardback. New. A study that considers the placement of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. The author shapes her engagement with film by the foregrounding of the human body in the filmic diegesis and the viewing experience., 6, London, Published quarterly by the Royal Anthropological Institute of Great Britain and Ireland, 1996. First edition. Library Binding. Ex-Library. 790 pages. With illustrations. With library stamps & labels. Library buckram with new endpapers. Slight wear to spine, covers & corners. Volume 2 N.S. 1996MARCH- SIMON CHARSLEY ‘Untouchable’: what is in a name? - MARIANNE Gullestad. From obedience to negotiation: dilemmas in the transmission of values between the generations in Norway - MARY BOUQUET. Family trees and their affinities: the visual imperative of the genealogical diagram- EVE DANZIGER Parts and their counterparts: spatial and social relationships in Mopan Maya - PASCAL Boyer. What makes anthropomorphism natural: intuitive ontology and cultural representations - Harvey Whitehouse Jungles and computers: neuronal group selection and the epidemiology of representations - GREGORY Starrett. The margins of print: children’s religious literature in Egypt - MONlCA Minnegal. A necessary unity: the articulation of social and ecological explanations of behaviour JUNE- ANNE Christine Taylor. The soul’s body and its states: an Amazonian perspective on the nature of being human- Bernard Formoso. Hsiu-Kou-Ku: the ritual refining of restless ghosts among the Chinese of Thailand - AZAM TORAB. Piety as gendered agency: a study of jalaseh ritual discourse in an urban neighbourhood in Iran - SIGNE HOWELL. Many contexts, many meanings? Gendered values among the northern Lio of Flores, Indonesia - ANDREW BEATTY. Adam and Eve and Vishnu: syncretism in the Javanese slametan - SIDNEY W Mintz. Enduring substances, trying theories: the Caribbean region as oikoumene - KEVIN A. YELVINGTON. Flirting in the factory - PER HAGE, Frank Harary & BOJKA MlLICIC. Tattooing, gender and social stratification in Micro-Polynesia Comment- Science, pseudo-science and interpretation. MANTON HIRST; STEPHEN P. Reyna SEPTEMBER- PHYLLIS Morrow. Yup’ik Eskimo agents and American legal agencies: perspectives on compliance and resistance- Jennifer W Nourse. The voice of the winds versus the masters of cure: contested notions of spirit possession among the Lauje of Sulawesi- FRANCES PINE. Naming the house and naming the land: kinship and social groups in highland Poland - DAVID Mosse. South Indian Christians, purity/impurity, and the caste system: death ritual in a Tamil Roman Catholic community - MAIA GREEN. Medicines and the embodiment of substances among Pogoro Catholics, Southern Tanzania - JOHN MONAGHAN. Fiesta finance in Mesoamerica and the origins of a gift exchange system- MARILYN STRATHERN. Cutting the network DECEMBER- A.F. Robertson The development of meaning: ontogeny and culture - DAVID Hicks Making the king divine: a case study in ritual regicide from Timor - ALAN G. Fix. Gene frequency dines in Europe: demic diffusion or natural selection? - PAUL B. ROSCOE. War and society in Sepik New Guinea - J. GOODY. A kernel of doubt - JEAN-GUY A. GOULET. The ‘berdache’/‘Two-Spirit’: a comparison of anthropological and native constructions of gendered identities among the Northern Athapaskans - HARVEY Whitehouse. Rites of terror: emotion, metaphor and memory in melanesian initiation cults Comment- Anthropomorphism and the evolution of cognition. STEPHEN MITHEN; PASCAL BOYER - Segmentary models in Morocco. David M. Hart  Quantity Available: 1. Category: Anthropology & Archaeology; Magazines & Periodicals; Social & Cultural History; Pictures of this item not already displayed here available upon request. Inventory No: 010713. ., London, 1996, 2.5, Paperback / softback. New. Disability and the Posthuman is the first study to analyse culturalrepresentations and deployments of disability as they interact withposthumanist theories of technology and embodiment., 6, Pittsburgh / Louvain: Duquesne University Press / Editions E. Nauwelaerts, 1965. Scholarly study of Merleau-Ponty's thought "with regard to man's relation to himself, to the world and to others, as directly linked with the fact that man is an embodied spirit revealing himself through his corporeal being." The author, educated at Fordham and in Europe, was a professor of Philosophy at Seton Hall. Hardcover in jacket, as pictured. Light wear to book, small faint stain on free endsheet, light fioxing/spotting to top edge; jacket shows light wear, minor creasing, small stains & minor damage along spine. Text clean; xi, blank, 297 pages; indexes, bibliography, appendixes.. First Edition. Hard Cover. Very Good/Good. Octavo., Duquesne University Press / Editions E. Nauwelaerts, 1965, 2.75, Common Ground Publishing, 2010-06-04. Paperback. Good., Common Ground Publishing, 2010-06-04, 2.5<

2010, ISBN: 9781863357234

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[PU: COMMON GROUND PUB], 370 Seiten Taschenbuch, Größe: 15.6 x 1.9 x 23.4 cm Gepflegter, sauberer Zustand. 8302296/2 Altersfreigabe FSK ab 0 Jahre, DE, [SC: 0.00], gebraucht; sehr gut, gewerbliches Angebot, Banküberweisung, PayPal, Klarna-Sofortüberweisung, Internationaler Versand<