2009, ISBN: 9788862080989
edizione con copertina rigida
Cats remember. Cats communicate. Cats learn. Cats...think? Paul Corey believes they do. And this fascinating book, filled with ancedotes and descriptions of cat behavior from decades of p… Altro …
Cats remember. Cats communicate. Cats learn. Cats...think? Paul Corey believes they do. And this fascinating book, filled with ancedotes and descriptions of cat behavior from decades of personal observation, he points the way to learning more about your cat and perhaps yourself. He also makes a strong case for cat-watching as a delightful, productive hobby in an automated edge. As researchers have pointed out, in many ways cats are surprisingly similar to man. They may even surpass him, Corey believes, in dignity and independence. Without attempting to anthropomorphize, he shares example of intelligent behavior exhibited by cats he and his wife have taken care of over the years. Do cats think? deals with cat communication (from what the author calls the "silent miaow" to what appears to be tears) and learning (such as the "kitten-garten," in which the mother cat trains her young to hunt, play, groom, and observe the rules of the house)., Castle, 1977, 2.5, Great Britain: Oxford at Clarendon Press, 1926. Hardback. Previous owners name neatly written small to inside cover. Slight wear to spine. Edited, With Introduction and Notes by Hereford B. George and A. M. Leigh. In making this collection, which is intended primarily for school use, we have tried to keep three things in view. The poems chosen should exhibit Matthew Arnold's special qualities: they should not, in subject or in treatment, be such as the young could not appreicate; and they should give pupils something to think about in connection with other poetry and other subjects of study. 139 pp.(We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions etc.) . Second Edition. Cloth. Very Good. 12mo - over 6¾" - 7¾" tall. Hardback., Oxford at Clarendon Press, 1926, 3, New York: Berkley Prime Crime, 1994. This is an Advance Reading Copy, or ARC - a publishing state fast becoming an attractive "collectible", as it precedes the First Edition. Leaving behind memories of her late husband, Benni Harper is making a fresh start...Moving to the trendy California town of San Celina, she takes an exciting new job as director of a folk-art museum. While setting up an exhibit of handmade quilts, she stumbles upon the body of a brutally stabbed artist. Hoping to conduct an investigation on her own, she crosses paths with the local police chief, who thinks this short and sassy cowgirl should leave detecting to the cops and join him for dinner. But it's hard to keep a country girl down, and soon Benni uncovers an alarming pattern of family secrets, small-town lies--and the shocking truth about the night her husband died. 237 pages. CONDITION: a bright, tight, square, unmarked, uncreased, likely unread copy with minimal shelf-wear. This handsome, collectible copy is now in a clear, protective polypropylene bag.. ARC. Soft Cover. Near Fine. 8vo - over 7¾" - 9¾" tall. Advance Uncorrected Proofs., Berkley Prime Crime, 1994, 4, St Augustine Pr Inc, February 2003. Paper Back Paper Back. Good. Exhibiting a refreshing degree of honesty and grit, editor Teresa Wagner (a former lobbyist with the National Right to Life Committee) begins by telling us where we stand: ''It would be both untrue and overly dramatic to say that the pro-life movement has lost. But we are not winning. And the sooner we face it, the sooner we change it.'' Wagner, and her veritable list of contributors, is not interested in repudiating the pro-life movement's checkered record of wins and losses, but rather in critically thinking about its history and predicament so that the cause can continue in a new way. Here we find an atheist alongside Catholics, Evangelicals and Muslims. We read Democrats and Republicans, doctors, mothers, scientists, psychologists and rabbis offering tribute and critique from a great variety of viewpoints. If, as Richard John Neuhaus claims in his foreword, ''we are joined by a generation of young people who recognize that this is the great human rights cause of our time and theirs,'' this book could be instrumental in answering the question we all must ask: What now? good/--. Text is free of marks, tight binding. Po's sig. Cover is rubbed due to normal wear and tear. 8vo., St Augustine Pr Inc, 2.5, Concept Publishing Company (P) Ltd., 2009. Hardcover. New. Financial turmoil which surfaced in August 2007 in the US financial system?as a result of defaults of sub-prime mortgage loans?has blown into an unprecedented financial crisis engulfing international money, credit, equity and foreign exchange markets. It was preceded by an extended phase of buoyant world economy characterized by output expansion, burgeoning world trade, favourable financial and economic conditions, liquidity overhang and low interest rates. Economists termed it as a period of Great Moderation. The Great Moderation soon turned into Great Dismay when global financial confusion?simmering since August 2007?began unleashing its full fury in September 2008 with a series of failures of major financial institutions. The crisis has traversed from the financial to the real sector and it now looks like that the recession?which is keeping world governments on tenterhooks?will be deeper and the recovery longer than earlier anticipated. Though adversely affected by global meltdown, Indian economy has shown considerable absorption capacity and resilience. This book is all about current economic crisis, its origin, causes, impact, world response, world economic outlook and lessons to be learnt. The focus of the work, however, is on the impact of global economic crisis on India and the policy response by the Government of India, Reserve Bank of India (RBI), Securities and Exchange Board of India (SEBI) and other agencies. Being topical, the work will interest a cross-section of readers including teachers and students of economics, commerce, management and also political leaders, analysts, academicians and laypersons who are mystified about a subject unrelated yet close to them. CONTENTS CONTENTS 1. Capitalism and Business Cycles: History and Views - Views of Classical Economists; The Great Depression; Keynesian Economics; Modes of State Intervention; Contagious Nature of Business Cycles. 2. Origin, Causes and Impact of the Present Crisis - Period Preceding the Present Crisis; Origin of the Present Crisis; What Triggered Global Financial Crisis?; Intensity of the Crisis; Impact of the Crisis; Contagious Nature of the Crisis and the Rejection of De-coupling Hypothesis; Relative Resilience Exhibited by Developing Countries. 3. World Response to the Crisis - Bailout Packages; G-20 Decisions, April 2009; Country-wise Response to Financial Market Turmoil; Assessment of Damage Control Measures; Summing Up. 4. Impact of Global Crisis on India - Integration of Indian Economy into the World Economy; Transmission Channels of Global Crisis to India; Impact on Financial Markets; Impact on Fiscal Consolidation; Impact on the Real Economy; Reasons for Relative Resilience of the Indian; Economy; Summing Up. 5. Policy Response to Global Crisis by India - Remedial Measures Taken by the Government; Remedial Measures Taken by the Reserve Bank of India (RBI); Measures Taken by Securities and Exchange Board of India (SEBI); Assessment of Policy Response; Summing Up. 6. Outlook for the World - Advanced Economies; Emerging and Developing Economies; World Trade Scenario. 7. Outlook for India - Strengths of the Indian Economy; India?s Robust and Resilient Financial Sector; Challenges Ahead; Summing Up. 8. Summing Up - How it All Started?; Adverse Impact on Global Economy; Collapse of Decoupling Hypothesis; World Level Remedial Measures; India Impacted but Passes the Litmus Test; Policy Response by RBI; Future Scenario. 9. Lessons - As You Sow, So Shall You Reap; World Economies Sink and Swim Together; Globalisation is a Double-edged Sword; Foreign Institutional Investors (FIIs) are Fair-weather Friends; Market Discipline Does Pay at the End of the Day; Moral Suasions Still Call the Shots; Capital Account Liberalisation: Think Twice before You Leap; Bailout/Rescue/Stimul Printed Pages: 204., Concept Publishing Company (P) Ltd., 2009, 6, Bologna: Damiani, 2009. Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Damiani, 2009, 0<
| usa, g.. | Biblio.co.uk Two Kings Books, thelondonbookworm.com, bookarrest, Eighth Day Books, BookVistas, Libro Co. Italia Costi di spedizione: EUR 17.43 Details... |
2011, ISBN: 9788862080989
edizione con copertina rigida
Berkeley: University of California Press, 1989. Softcover. VG- light wear and scuffing to wraps, a bit of foxing on ffep.. Glossy purple and color-illustrated wraps with red, yellow, an… Altro …
Berkeley: University of California Press, 1989. Softcover. VG- light wear and scuffing to wraps, a bit of foxing on ffep.. Glossy purple and color-illustrated wraps with red, yellow, and white lettering. xx, 354 pp. BW and color illustrations. Catalog of an exhibition organized by the Jewish Museum, New York, held in New York, Sept. 13, 1989 to Jan., 1990. "Jews arrived in the Republic of Rome some time in the second or first century B.C.E. They soon formed their own community which absorbed Roman cultural forms but was able to maintain its identity and integrity. For more than twenty centuries, the Italian peninsula has been home to the heirs of this ancient minority community, whose culture is a blend of traditional Jewish content with Roman, then Italian cultural forms. Gardens and Ghettos: The Art of Jewish Life in Italy is the title of an exhibition curated by Vivian B. Mann and Emily Braun for The Jewish Museum, New York (September 1989-January 1990), an exhibition that explores the extraordinarily rich artistic legacy of Italian Jewry. This book, like the exhibition itself, focuses on four time periods: the Empire, the Era of the City States (1300-1550), the Era of the Ghettos (1550-1750), and the period since the Risorgimento. Artifacts and architecture are generously represented along with fine arts. Essays by prominent scholars introduce us to the historical and cultural context of a splendid array of works, from ancient Roman architectural fragments and gold glass to illuminated manuscripts and printed books from the Renaissance, baroque ceremonial textiles and silver, and paintings, graphics, and sculpture of the modern era. The many illustrations illuminate the art and life of a minority community in dynamic tension with dominant society and show the vibrant, ongoing contribution by Jews to the arts of Italy."--from ., University of California Press, 1989, 3, Istituto Poligrafico E Zecca Dello Stato. Near Fine. 1989. Softcover. Light scratching to the covers. Slight wear to lower front cover corner point. ; Color illustrations. Text in English. Catalogue which accompanied an exhibit at the Emory University Museum of Art and Archaeology. ; Oblong 8vo 8" to 9" tall; 61 pp ., Istituto Poligrafico E Zecca Dello Stato, 1989, 4, Ann Arbor, Michigan: University of Michigan, 1973. null Book Good null An exhibition of drawings, March 1973, of the Graeco-Roman World--500 BC to AD 200. 39 pgs, textured paper, stapled at left, 11x11".. Paper. 3. Book., University of Michigan, 1973, 0, Philadelphia, PA: Temple University, 1967. Softcover. VG- (red in on corner of cover. minor soiling and wear). Unpaginated (32 pp), staple bound. 12 bw plates. Text in English and Italian. Exhibition at the Tyler School of Art in Rome and The Philadelphia Museum of Art. Catalogue lists 89 works., Temple University, 1967, 3, Providence, Brown Univeersity Art Department, 2004. Soft Cover. [16] p. 14 illus., 28 cm. Exhibition notes. “Together these rare and beautiful prints and drawings give us an idea of how Roman artists and publishers capitalized on the theatrical nature of Roman feats of architecture and engineering, religious processions and ceremony, and even the disposition of the city’s famous antiquities in the Early Modern period,†Stock# 41,147x. Vg/ paper, Providence, Brown Univeersity Art Department, 2004, 0, University Press, Oxford,. Good. 1963. Paperback., University Press, Oxford, 1963, 2.5, University of Connecticut Foundation. Used - Acceptable. Acceptable condition. Paperback edition. Hinge cracked. Pages loose., University of Connecticut Foundation, 2.5, New Haven, CT: Yale University Press, 2000. Hardbound. VG. Color illustrated boards, red spine with white lettering, xiv, 200 pp., 53 bw photographs. When and why did large-scale exhibitions of Old Master paintings begin, and how have they evolved through the centuries? In this book an eminent art historian examines the intriguing history and significance of these international art exhibitions. Francis Haskell begins by discussing the first 'Old Master' exhibitions in Rome and Florence in the seventeenth century and then moves to eighteenth-century France and the efforts to organize exhibitions of contemporary art that would be an alternative to the official ones held by the Salon. He next describes the role of the British Institution in London and the series of remarkable loan exhibitions of Old Master paintings there. He traces the emergence of such nationalist exhibitions as the Rembrandt exhibition held in Amsterdam in 1898 - the first modern 'blockbuster' show. Demonstrating how the international loan exhibition was a vehicle of foreign and cultural policy after the First World War, he gives a fascinating account of several of these, notably the Italian art exhibition held at Burlington House in London in 1930. He describes the initial reluctance of major museums to send pictures on potentially damaging journeys and explains how this feeling gave way to cautious enthusiasm. Finally, in a polemical chapter, he explores the types of publication associated with exhibitions and the criticism and scholarship that have centred upon them., Yale University Press, 2000, 3, Bologna: Damiani, 2011. English text. Bologna, 2011; hardback, pp. 130, 100 b/w and col. ill., cm 17x24,5. During her university studies where she obtains a degree in Mathematics, Patrizia Bonanzinga discovers her passion for photography. She has worked in several fields including education, training and scientific research. She used to live in Mexico, in Algeria, in USA, in France and in China. It's in Beijing (1995-1998) where she focuses her work in photography, dedicating to this country several projects. Her photos are included in the collections of the National Gallery of Modern Art, the MAXXI National Museum of Arts of XXI century of Rome, the House of Photography of Moscow, the Training and Documentation Centre Ricardo Rangel of Maputo (Mozambique) and also in private collections. May 2003, she's the curator of three exhibitions at the gallery Officina Arte al Borghetto within the framework of the FotoGrafia, 2nd International Festival of Photography, Rome, Italy: Made in China from Rhodri Jones, Shi Ma? from Bertrand Meunier, Chinese collectivities from Gao Brothers, Han Lei, Tie Uing, Zhang Da Li and Xing Danwen., Damiani, 2011, 0, Bologna: Damiani, 2009. Bologna, 2009; br., pp. 112, 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Damiani, 2009, 0<
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2009, ISBN: 8862080980
[EAN: 9788862080989], [SC: 17.0], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new par… Altro …
[EAN: 9788862080989], [SC: 17.0], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Books<
| ZVAB.com Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy [458683] [Calificación: 5 (de 5)] Costi di spedizione: EUR 17.00 Details... |
2009, ISBN: 8862080980
[EAN: 9788862080989], [SC: 17.0], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new par… Altro …
[EAN: 9788862080989], [SC: 17.0], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Books<
| ZVAB.com Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy [458683] [Rating: 5 (von 5)] Costi di spedizione: EUR 17.00 Details... |
2009, ISBN: 8862080980
[EAN: 9788862080989], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., pp. 112, 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parall… Altro …
[EAN: 9788862080989], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., pp. 112, 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Books<
| AbeBooks.de Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy [458683] [Rating: 5 (von 5)] Costi di spedizione: EUR 17.00 Details... |
2009, ISBN: 9788862080989
edizione con copertina rigida
Cats remember. Cats communicate. Cats learn. Cats...think? Paul Corey believes they do. And this fascinating book, filled with ancedotes and descriptions of cat behavior from decades of p… Altro …
Cats remember. Cats communicate. Cats learn. Cats...think? Paul Corey believes they do. And this fascinating book, filled with ancedotes and descriptions of cat behavior from decades of personal observation, he points the way to learning more about your cat and perhaps yourself. He also makes a strong case for cat-watching as a delightful, productive hobby in an automated edge. As researchers have pointed out, in many ways cats are surprisingly similar to man. They may even surpass him, Corey believes, in dignity and independence. Without attempting to anthropomorphize, he shares example of intelligent behavior exhibited by cats he and his wife have taken care of over the years. Do cats think? deals with cat communication (from what the author calls the "silent miaow" to what appears to be tears) and learning (such as the "kitten-garten," in which the mother cat trains her young to hunt, play, groom, and observe the rules of the house)., Castle, 1977, 2.5, Great Britain: Oxford at Clarendon Press, 1926. Hardback. Previous owners name neatly written small to inside cover. Slight wear to spine. Edited, With Introduction and Notes by Hereford B. George and A. M. Leigh. In making this collection, which is intended primarily for school use, we have tried to keep three things in view. The poems chosen should exhibit Matthew Arnold's special qualities: they should not, in subject or in treatment, be such as the young could not appreicate; and they should give pupils something to think about in connection with other poetry and other subjects of study. 139 pp.(We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions etc.) . Second Edition. Cloth. Very Good. 12mo - over 6¾" - 7¾" tall. Hardback., Oxford at Clarendon Press, 1926, 3, New York: Berkley Prime Crime, 1994. This is an Advance Reading Copy, or ARC - a publishing state fast becoming an attractive "collectible", as it precedes the First Edition. Leaving behind memories of her late husband, Benni Harper is making a fresh start...Moving to the trendy California town of San Celina, she takes an exciting new job as director of a folk-art museum. While setting up an exhibit of handmade quilts, she stumbles upon the body of a brutally stabbed artist. Hoping to conduct an investigation on her own, she crosses paths with the local police chief, who thinks this short and sassy cowgirl should leave detecting to the cops and join him for dinner. But it's hard to keep a country girl down, and soon Benni uncovers an alarming pattern of family secrets, small-town lies--and the shocking truth about the night her husband died. 237 pages. CONDITION: a bright, tight, square, unmarked, uncreased, likely unread copy with minimal shelf-wear. This handsome, collectible copy is now in a clear, protective polypropylene bag.. ARC. Soft Cover. Near Fine. 8vo - over 7¾" - 9¾" tall. Advance Uncorrected Proofs., Berkley Prime Crime, 1994, 4, St Augustine Pr Inc, February 2003. Paper Back Paper Back. Good. Exhibiting a refreshing degree of honesty and grit, editor Teresa Wagner (a former lobbyist with the National Right to Life Committee) begins by telling us where we stand: ''It would be both untrue and overly dramatic to say that the pro-life movement has lost. But we are not winning. And the sooner we face it, the sooner we change it.'' Wagner, and her veritable list of contributors, is not interested in repudiating the pro-life movement's checkered record of wins and losses, but rather in critically thinking about its history and predicament so that the cause can continue in a new way. Here we find an atheist alongside Catholics, Evangelicals and Muslims. We read Democrats and Republicans, doctors, mothers, scientists, psychologists and rabbis offering tribute and critique from a great variety of viewpoints. If, as Richard John Neuhaus claims in his foreword, ''we are joined by a generation of young people who recognize that this is the great human rights cause of our time and theirs,'' this book could be instrumental in answering the question we all must ask: What now? good/--. Text is free of marks, tight binding. Po's sig. Cover is rubbed due to normal wear and tear. 8vo., St Augustine Pr Inc, 2.5, Concept Publishing Company (P) Ltd., 2009. Hardcover. New. Financial turmoil which surfaced in August 2007 in the US financial system?as a result of defaults of sub-prime mortgage loans?has blown into an unprecedented financial crisis engulfing international money, credit, equity and foreign exchange markets. It was preceded by an extended phase of buoyant world economy characterized by output expansion, burgeoning world trade, favourable financial and economic conditions, liquidity overhang and low interest rates. Economists termed it as a period of Great Moderation. The Great Moderation soon turned into Great Dismay when global financial confusion?simmering since August 2007?began unleashing its full fury in September 2008 with a series of failures of major financial institutions. The crisis has traversed from the financial to the real sector and it now looks like that the recession?which is keeping world governments on tenterhooks?will be deeper and the recovery longer than earlier anticipated. Though adversely affected by global meltdown, Indian economy has shown considerable absorption capacity and resilience. This book is all about current economic crisis, its origin, causes, impact, world response, world economic outlook and lessons to be learnt. The focus of the work, however, is on the impact of global economic crisis on India and the policy response by the Government of India, Reserve Bank of India (RBI), Securities and Exchange Board of India (SEBI) and other agencies. Being topical, the work will interest a cross-section of readers including teachers and students of economics, commerce, management and also political leaders, analysts, academicians and laypersons who are mystified about a subject unrelated yet close to them. CONTENTS CONTENTS 1. Capitalism and Business Cycles: History and Views - Views of Classical Economists; The Great Depression; Keynesian Economics; Modes of State Intervention; Contagious Nature of Business Cycles. 2. Origin, Causes and Impact of the Present Crisis - Period Preceding the Present Crisis; Origin of the Present Crisis; What Triggered Global Financial Crisis?; Intensity of the Crisis; Impact of the Crisis; Contagious Nature of the Crisis and the Rejection of De-coupling Hypothesis; Relative Resilience Exhibited by Developing Countries. 3. World Response to the Crisis - Bailout Packages; G-20 Decisions, April 2009; Country-wise Response to Financial Market Turmoil; Assessment of Damage Control Measures; Summing Up. 4. Impact of Global Crisis on India - Integration of Indian Economy into the World Economy; Transmission Channels of Global Crisis to India; Impact on Financial Markets; Impact on Fiscal Consolidation; Impact on the Real Economy; Reasons for Relative Resilience of the Indian; Economy; Summing Up. 5. Policy Response to Global Crisis by India - Remedial Measures Taken by the Government; Remedial Measures Taken by the Reserve Bank of India (RBI); Measures Taken by Securities and Exchange Board of India (SEBI); Assessment of Policy Response; Summing Up. 6. Outlook for the World - Advanced Economies; Emerging and Developing Economies; World Trade Scenario. 7. Outlook for India - Strengths of the Indian Economy; India?s Robust and Resilient Financial Sector; Challenges Ahead; Summing Up. 8. Summing Up - How it All Started?; Adverse Impact on Global Economy; Collapse of Decoupling Hypothesis; World Level Remedial Measures; India Impacted but Passes the Litmus Test; Policy Response by RBI; Future Scenario. 9. Lessons - As You Sow, So Shall You Reap; World Economies Sink and Swim Together; Globalisation is a Double-edged Sword; Foreign Institutional Investors (FIIs) are Fair-weather Friends; Market Discipline Does Pay at the End of the Day; Moral Suasions Still Call the Shots; Capital Account Liberalisation: Think Twice before You Leap; Bailout/Rescue/Stimul Printed Pages: 204., Concept Publishing Company (P) Ltd., 2009, 6, Bologna: Damiani, 2009. Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Damiani, 2009, 0<
2011, ISBN: 9788862080989
edizione con copertina rigida
Berkeley: University of California Press, 1989. Softcover. VG- light wear and scuffing to wraps, a bit of foxing on ffep.. Glossy purple and color-illustrated wraps with red, yellow, an… Altro …
Berkeley: University of California Press, 1989. Softcover. VG- light wear and scuffing to wraps, a bit of foxing on ffep.. Glossy purple and color-illustrated wraps with red, yellow, and white lettering. xx, 354 pp. BW and color illustrations. Catalog of an exhibition organized by the Jewish Museum, New York, held in New York, Sept. 13, 1989 to Jan., 1990. "Jews arrived in the Republic of Rome some time in the second or first century B.C.E. They soon formed their own community which absorbed Roman cultural forms but was able to maintain its identity and integrity. For more than twenty centuries, the Italian peninsula has been home to the heirs of this ancient minority community, whose culture is a blend of traditional Jewish content with Roman, then Italian cultural forms. Gardens and Ghettos: The Art of Jewish Life in Italy is the title of an exhibition curated by Vivian B. Mann and Emily Braun for The Jewish Museum, New York (September 1989-January 1990), an exhibition that explores the extraordinarily rich artistic legacy of Italian Jewry. This book, like the exhibition itself, focuses on four time periods: the Empire, the Era of the City States (1300-1550), the Era of the Ghettos (1550-1750), and the period since the Risorgimento. Artifacts and architecture are generously represented along with fine arts. Essays by prominent scholars introduce us to the historical and cultural context of a splendid array of works, from ancient Roman architectural fragments and gold glass to illuminated manuscripts and printed books from the Renaissance, baroque ceremonial textiles and silver, and paintings, graphics, and sculpture of the modern era. The many illustrations illuminate the art and life of a minority community in dynamic tension with dominant society and show the vibrant, ongoing contribution by Jews to the arts of Italy."--from ., University of California Press, 1989, 3, Istituto Poligrafico E Zecca Dello Stato. Near Fine. 1989. Softcover. Light scratching to the covers. Slight wear to lower front cover corner point. ; Color illustrations. Text in English. Catalogue which accompanied an exhibit at the Emory University Museum of Art and Archaeology. ; Oblong 8vo 8" to 9" tall; 61 pp ., Istituto Poligrafico E Zecca Dello Stato, 1989, 4, Ann Arbor, Michigan: University of Michigan, 1973. null Book Good null An exhibition of drawings, March 1973, of the Graeco-Roman World--500 BC to AD 200. 39 pgs, textured paper, stapled at left, 11x11".. Paper. 3. Book., University of Michigan, 1973, 0, Philadelphia, PA: Temple University, 1967. Softcover. VG- (red in on corner of cover. minor soiling and wear). Unpaginated (32 pp), staple bound. 12 bw plates. Text in English and Italian. Exhibition at the Tyler School of Art in Rome and The Philadelphia Museum of Art. Catalogue lists 89 works., Temple University, 1967, 3, Providence, Brown Univeersity Art Department, 2004. Soft Cover. [16] p. 14 illus., 28 cm. Exhibition notes. “Together these rare and beautiful prints and drawings give us an idea of how Roman artists and publishers capitalized on the theatrical nature of Roman feats of architecture and engineering, religious processions and ceremony, and even the disposition of the city’s famous antiquities in the Early Modern period,†Stock# 41,147x. Vg/ paper, Providence, Brown Univeersity Art Department, 2004, 0, University Press, Oxford,. Good. 1963. Paperback., University Press, Oxford, 1963, 2.5, University of Connecticut Foundation. Used - Acceptable. Acceptable condition. Paperback edition. Hinge cracked. Pages loose., University of Connecticut Foundation, 2.5, New Haven, CT: Yale University Press, 2000. Hardbound. VG. Color illustrated boards, red spine with white lettering, xiv, 200 pp., 53 bw photographs. When and why did large-scale exhibitions of Old Master paintings begin, and how have they evolved through the centuries? In this book an eminent art historian examines the intriguing history and significance of these international art exhibitions. Francis Haskell begins by discussing the first 'Old Master' exhibitions in Rome and Florence in the seventeenth century and then moves to eighteenth-century France and the efforts to organize exhibitions of contemporary art that would be an alternative to the official ones held by the Salon. He next describes the role of the British Institution in London and the series of remarkable loan exhibitions of Old Master paintings there. He traces the emergence of such nationalist exhibitions as the Rembrandt exhibition held in Amsterdam in 1898 - the first modern 'blockbuster' show. Demonstrating how the international loan exhibition was a vehicle of foreign and cultural policy after the First World War, he gives a fascinating account of several of these, notably the Italian art exhibition held at Burlington House in London in 1930. He describes the initial reluctance of major museums to send pictures on potentially damaging journeys and explains how this feeling gave way to cautious enthusiasm. Finally, in a polemical chapter, he explores the types of publication associated with exhibitions and the criticism and scholarship that have centred upon them., Yale University Press, 2000, 3, Bologna: Damiani, 2011. English text. Bologna, 2011; hardback, pp. 130, 100 b/w and col. ill., cm 17x24,5. During her university studies where she obtains a degree in Mathematics, Patrizia Bonanzinga discovers her passion for photography. She has worked in several fields including education, training and scientific research. She used to live in Mexico, in Algeria, in USA, in France and in China. It's in Beijing (1995-1998) where she focuses her work in photography, dedicating to this country several projects. Her photos are included in the collections of the National Gallery of Modern Art, the MAXXI National Museum of Arts of XXI century of Rome, the House of Photography of Moscow, the Training and Documentation Centre Ricardo Rangel of Maputo (Mozambique) and also in private collections. May 2003, she's the curator of three exhibitions at the gallery Officina Arte al Borghetto within the framework of the FotoGrafia, 2nd International Festival of Photography, Rome, Italy: Made in China from Rhodri Jones, Shi Ma? from Bertrand Meunier, Chinese collectivities from Gao Brothers, Han Lei, Tie Uing, Zhang Da Li and Xing Danwen., Damiani, 2011, 0, Bologna: Damiani, 2009. Bologna, 2009; br., pp. 112, 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Damiani, 2009, 0<
2009
ISBN: 8862080980
[EAN: 9788862080989], [SC: 17.0], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new par… Altro …
[EAN: 9788862080989], [SC: 17.0], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Books<
2009, ISBN: 8862080980
[EAN: 9788862080989], [SC: 17.0], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new par… Altro …
[EAN: 9788862080989], [SC: 17.0], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Books<
2009, ISBN: 8862080980
[EAN: 9788862080989], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., pp. 112, 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parall… Altro …
[EAN: 9788862080989], [PU: Damiani], DAMIANI BOLOGNA TINTI GABRIELE, Bologna, 2009; br., pp. 112, 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Books<
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Informazioni dettagliate del libro - Legendary hearts
EAN (ISBN-13): 9788862080989
ISBN (ISBN-10): 8862080980
Copertina rigida
Copertina flessibile
Anno di pubblicazione: 2009
Editore: Damiani
Lingua: ita/Italienisch
Libro nella banca dati dal 2011-05-25T09:14:25+02:00 (Zurich)
Pagina di dettaglio ultima modifica in 2021-11-12T12:01:05+01:00 (Zurich)
ISBN/EAN: 9788862080989
ISBN - Stili di scrittura alternativi:
88-6208-098-0, 978-88-6208-098-9
Stili di scrittura alternativi e concetti di ricerca simili:
Autore del libro : tinti
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