Tinti Gabriele:Legendary Hearts
- edizione con copertina flessibile 2011, ISBN: 9788862080989
edizione con copertina rigida
Berkeley: University of California Press, 1989. Softcover. VG- light wear and scuffing to wraps, a bit of foxing on ffep.. Glossy purple and color-illustrated wraps with red, yellow, an… Altro …
Berkeley: University of California Press, 1989. Softcover. VG- light wear and scuffing to wraps, a bit of foxing on ffep.. Glossy purple and color-illustrated wraps with red, yellow, and white lettering. xx, 354 pp. BW and color illustrations. Catalog of an exhibition organized by the Jewish Museum, New York, held in New York, Sept. 13, 1989 to Jan., 1990. "Jews arrived in the Republic of Rome some time in the second or first century B.C.E. They soon formed their own community which absorbed Roman cultural forms but was able to maintain its identity and integrity. For more than twenty centuries, the Italian peninsula has been home to the heirs of this ancient minority community, whose culture is a blend of traditional Jewish content with Roman, then Italian cultural forms. Gardens and Ghettos: The Art of Jewish Life in Italy is the title of an exhibition curated by Vivian B. Mann and Emily Braun for The Jewish Museum, New York (September 1989-January 1990), an exhibition that explores the extraordinarily rich artistic legacy of Italian Jewry. This book, like the exhibition itself, focuses on four time periods: the Empire, the Era of the City States (1300-1550), the Era of the Ghettos (1550-1750), and the period since the Risorgimento. Artifacts and architecture are generously represented along with fine arts. Essays by prominent scholars introduce us to the historical and cultural context of a splendid array of works, from ancient Roman architectural fragments and gold glass to illuminated manuscripts and printed books from the Renaissance, baroque ceremonial textiles and silver, and paintings, graphics, and sculpture of the modern era. The many illustrations illuminate the art and life of a minority community in dynamic tension with dominant society and show the vibrant, ongoing contribution by Jews to the arts of Italy."--from ., University of California Press, 1989, 3, Istituto Poligrafico E Zecca Dello Stato. Near Fine. 1989. Softcover. Light scratching to the covers. Slight wear to lower front cover corner point. ; Color illustrations. Text in English. Catalogue which accompanied an exhibit at the Emory University Museum of Art and Archaeology. ; Oblong 8vo 8" to 9" tall; 61 pp ., Istituto Poligrafico E Zecca Dello Stato, 1989, 4, Ann Arbor, Michigan: University of Michigan, 1973. null Book Good null An exhibition of drawings, March 1973, of the Graeco-Roman World--500 BC to AD 200. 39 pgs, textured paper, stapled at left, 11x11".. Paper. 3. Book., University of Michigan, 1973, 0, Philadelphia, PA: Temple University, 1967. Softcover. VG- (red in on corner of cover. minor soiling and wear). Unpaginated (32 pp), staple bound. 12 bw plates. Text in English and Italian. Exhibition at the Tyler School of Art in Rome and The Philadelphia Museum of Art. Catalogue lists 89 works., Temple University, 1967, 3, Providence, Brown Univeersity Art Department, 2004. Soft Cover. [16] p. 14 illus., 28 cm. Exhibition notes. ââ¬ÅTogether these rare and beautiful prints and drawings give us an idea of how Roman artists and publishers capitalized on the theatrical nature of Roman feats of architecture and engineering, religious processions and ceremony, and even the disposition of the cityââ¬â¢s famous antiquities in the Early Modern period,ââ¬Â Stock# 41,147x. Vg/ paper, Providence, Brown Univeersity Art Department, 2004, 0, University Press, Oxford,. Good. 1963. Paperback., University Press, Oxford, 1963, 2.5, University of Connecticut Foundation. Used - Acceptable. Acceptable condition. Paperback edition. Hinge cracked. Pages loose., University of Connecticut Foundation, 2.5, New Haven, CT: Yale University Press, 2000. Hardbound. VG. Color illustrated boards, red spine with white lettering, xiv, 200 pp., 53 bw photographs. When and why did large-scale exhibitions of Old Master paintings begin, and how have they evolved through the centuries? In this book an eminent art historian examines the intriguing history and significance of these international art exhibitions. Francis Haskell begins by discussing the first 'Old Master' exhibitions in Rome and Florence in the seventeenth century and then moves to eighteenth-century France and the efforts to organize exhibitions of contemporary art that would be an alternative to the official ones held by the Salon. He next describes the role of the British Institution in London and the series of remarkable loan exhibitions of Old Master paintings there. He traces the emergence of such nationalist exhibitions as the Rembrandt exhibition held in Amsterdam in 1898 - the first modern 'blockbuster' show. Demonstrating how the international loan exhibition was a vehicle of foreign and cultural policy after the First World War, he gives a fascinating account of several of these, notably the Italian art exhibition held at Burlington House in London in 1930. He describes the initial reluctance of major museums to send pictures on potentially damaging journeys and explains how this feeling gave way to cautious enthusiasm. Finally, in a polemical chapter, he explores the types of publication associated with exhibitions and the criticism and scholarship that have centred upon them., Yale University Press, 2000, 3, Bologna: Damiani, 2011. English text. Bologna, 2011; hardback, pp. 130, 100 b/w and col. ill., cm 17x24,5. During her university studies where she obtains a degree in Mathematics, Patrizia Bonanzinga discovers her passion for photography. She has worked in several fields including education, training and scientific research. She used to live in Mexico, in Algeria, in USA, in France and in China. It's in Beijing (1995-1998) where she focuses her work in photography, dedicating to this country several projects. Her photos are included in the collections of the National Gallery of Modern Art, the MAXXI National Museum of Arts of XXI century of Rome, the House of Photography of Moscow, the Training and Documentation Centre Ricardo Rangel of Maputo (Mozambique) and also in private collections. May 2003, she's the curator of three exhibitions at the gallery Officina Arte al Borghetto within the framework of the FotoGrafia, 2nd International Festival of Photography, Rome, Italy: Made in China from Rhodri Jones, Shi Ma? from Bertrand Meunier, Chinese collectivities from Gao Brothers, Han Lei, Tie Uing, Zhang Da Li and Xing Danwen., Damiani, 2011, 0, Bologna: Damiani, 2009. Bologna, 2009; br., pp. 112, 10 ill. b/n e col., cm 16x23. The project means to propose an inconvenient and new parallelism between art and the practice of boxing, defining boxing as one of the places of the myth's production just as literature and arts. Gabriele Tinti curated "Universal Embassy", "Art Mama" and "Memorial" for the fifth, sixth and seventh editions respectively of the Festival Internazionale della Fotografia di Roma. Long obsessed with boxing, he started thinking about all the implications between art and sport with the "All Muscles" project, a series of interviews and investigations for major art, literature and sports magazines. Integral parts of the project were the book "Legendary Hearts" (published by Damiani in 2009, preface by Nino Benvenuti and pictures by Franko B), the recent reading on Arthur Cravan (early twentieth-century poet and boxer) at the Festival della Poesia in Modena, the Box(e) exhibition at the Jerome Zodo Contemporary, for which Tinti took fighting inside an art gallery, and "New York Shots" a collaboration with Howard Schatz and Michael Imperioli for MACRO, Rome., Damiani, 2009, 0<