Waller, Robert James:Old Songs in a New Cafe: Selected Essays
- copia autografata 1994, ISBN: 9780446517980
edizione con copertina rigida
Gene Leis Guitar brochure/advertisement13.6 x 13.4 inches, 2 pagesGene Leis (April 19, 1920 March 15, 1993) was an American jazz guitarist, teacher, bandleader, composer, producer and en… Altro …
Gene Leis Guitar brochure/advertisement13.6 x 13.4 inches, 2 pagesGene Leis (April 19, 1920 March 15, 1993) was an American jazz guitarist, teacher, bandleader, composer, producer and entrepreneur. He was known primarily for his publications and recorded guitar courses in the 1960s.Leis was born into a musical family in Sedgwick, Kansas, near Witchita. His parents had a family band and played at local dances, weddings, and other events. When he was nine, he joined the family group on mandolin, an instrument whose neck was small enough for him to play comfortably. In his early teens he took up tenor guitar and began playing with other small groups. His father wanted him to play cello, and Leis negotiated a series of banjo lessons in exchange.During the late 1930s Leis listened to the swing bands of Goodman and to guitarists Charlie Christian and Django Reinhardt. The introduction of the electric guitar changed the nature of the guitar player in dance bands so that they could play loud enough to be heard over the other instruments. He decided to focus on guitar.In early 1941, this 21-year-old musician enlisted in the U.S. Army Air Corps in Galveston, Texas, and was sent to Muroc Army Air Field, in the desert north of Lancaster, California. Later this airfield would become known as Edwards Air Force Base, but in 1941 it was an airfield used to train bombing and gunnery maneuvers.While at the base, Gene took lessons from Dave Saunders, a student of George M. Smith, a studio and performing guitarist and author of "George M. Smith Modern Guitar Method". These lessons formed the core of Gene's later teaching system. Smith's method focused on teaching players the chord techniques necessary for rhythm playing and improvising in contemporary jazz. His focus was on thoroughly knowing and using chords as the basis for rhythm and chord improvising. Gene would later say, "If you don't know your chords you'll never play enough guitar to be dangerous".Promoted to Staff Sergeant, Gene formed a band, "Gene and his Jive Bombers", composed of GIs and civilians and toured the area for the next three years. Typically, Gene arranged, directed, produced and emceed at these appearances.Later, Gene was sent to India to organize entertainment for various airbases in the China-Burma-India Theater of the war, playing in many different kinds of bands and at one time touring camps for several months with popular movie star and singer Tony Martin. Discharged in December 1945, Technical Sergeant Leis moved to Lancaster, California and started a dance band that played around the local area.At night he worked on a project a teach-yourself guitar course on records.Using records to teach and selling them via mail order was a new idea the old 78's were so brittle they would break when shipped, and they were heavy, which made shipping costly. The new vinyl records were much more forgiving, and the 12" version could hold a lot of play time. In 1955 Columbia Records created the Columbia Record Club, a new division of Columbia Records whose purpose was to test the idea of marketing music through the mail. The public's response proved that mail-order record distribution was an effective way to market music. By the end of 1955, the Columbia Record Club boasted 128,000 members who purchased 700,000 records. This proved to Gene that his idea, teaching guitar to students using recorded courses, could work.As Gene began developing his recorded guitar course, he worked hard to develop certain skills in order to create the kind of quality course he knew students would need. He enrolled in a school of broadcasting to learn to develop his narration skills. He took courses in writing to improve his communication ability. He studied photography for two years. He learned print layout and composition, using a Varitype machine to create his printed text, and laying out all the pages himself.Gene called his project the Nexsus course. Nexus meant, "a connecting link or a connected series". Gene initially sold the course through mail order, taking out ads in magazines like Playboy, Esquire, downbeat, Diner's Club Magazine and True.The Complete Nexus Method Course included 10 records, a 132-page instruction book, a 36-page chord book and three Chord Maps. There was also a Primary Course and an Advanced Course, both based on these materials. In it, Gene taught you how to hold, tune and play the guitar from the basic rudiments to the more intricate chord patterns used in folk, blues, western, pops and ballads. His course centered on the song as the primary way to learning guitar and he often referred to this approach as learning recreational guitar.Tom Scanlan, noted jazz critic for the Army Times and downbeat magazine gave the course a very favorable review, singling out the high quality of the privately produced records and the clarity of Gene's explanations and demonstrations.He quit real estate to work on selling the course full-time, moving to Manhattan Beach, California, and in 1961 he opened Gene Leis Studio, Inc., where he built a recording studio, an office and used the remaining space to store and mail out his courses. The courses proved to be popular; in the first several years, Gene sold over 7,000 courses. Gene received many requests for just the chord book, so he sold the Nexsus Chord Book separately as well.The guitar's popularity soared as it was featured in a variety of popular musical formats: rock and roll groups, folk music artists and the surf music/guitar groups of the late fifties and early sixties. In 1962, with the encouragement and assistance of Jessy Stidham, one of his students, Gene introduced two new albums aimed at a younger market, "Play Guitar: Sounds of Today", designed to teach younger students how to play single string melody without going into a lot of complicated chords. Gene also recorded an album, Beautiful Guitar, playing all the parts himself using a multitrack approach that Les Paul had pioneered earlier. The album included an insert that featured the orchestrations of the 13 songs on the album, for "the guitar player who plays just enough guitar to be dangerous".In 1963 he got his first distributor, in Boston. Within 10 years he had over 30 distributors and was distributing the books himself as well. In 1964, Gene incorporated Gene Leis Distributing with the aim of offering a full range of accessories and instruments. He designed or created a line of guitar amplifiers (which appeared under the names Rodeo Music or Gene Leis), guitars and accessories which were distributed through White Front, Montgomery Ward and other retail stores. He sold over 8,000 amplifiers before leaving the crowded amp market.In 1964 he revised the Chord Book, incorporating many more instructional elements, and called it the "Instructional Chord Book for Guitar". He also created two new books, Teacher's Pet Manuscript and Chord Diagram (Primary and Advanced) for students to write out their own arrangements. By 1965, the Instruction Chord Book had sold over 250,000 copies. In 1966 Gene introduced Guitar for Two, featuring a book and a record that taught learners 16 songs, focusing on teaching single-string melody, and Guitar for Fun, the Guitar for Two package with the Instruction Chord Book.To promote his courses, books and accessories, Gene toured the west coast, making personal appearances where he performed with his sons Larry on drums and Bill on guitar. Their repertoire ranged from rock'n'roll numbers that "resembled a small earthquake" to ballads like "Misty" or "Over the Rainbow". After the mini-concert, while the boys signed autographs and gave out complimentary books, Gene conducted question and answer sessions. These sessions gave Gene valuable insight into what guitar students wanted, and he used these ideas when creating new courses. Gene considered the comments and letters he received from guitar students all over the world his greatest assets.In 1965, Decca Records started a division known as Decca Home Entertainment Products, which for several years imported Japanese acoustic and solid-body electric guitars aimed primarily at the beginner market. Gene acted as an advisor to Decca, who sold over 30,000 of his chord books a year. Similarly, Columbia Record Club, the mail order arm of Columbia Records, bought 50,000 of his courses to pair with a line of guitars that it offered.In 1966, Gene collaborated on the book, A Guitar Manual, with Daniel Mari and Peter Huyn. Published by E&O Mari, the manufacturer of La Bella guitar strings, the book focused on the history, anatomy and use of the guitar. The wood veneer cover design, by George Macias, was unique, and represented the face of a guitar, with the title and author's names visible through a round hole in the center.In 1967, Gene produced two albums for Music Minus One, a company that created recorded courses with one instrumental part missing students could practice soloing against the recorded accompaniment. These two albums included "Let's Duet" (MMO60) and "Learn to Play Guitar" (MMO4018).Also in 1967, Gene became a contributing editor to Bud and Maxine Eastman's fledgling Guitar Player Magazine, serving on the advisory board and contributing articles like Why Don't You Read Music?"By the mid 1970s, Gene had sold over 225,000 of his recorded courses and over 2 million copies of the Instruction Chord Book for Guitar., 3, New York: Grand Central Publishing, 1994-04-12. First Edition. Hardcover. Very Good/Very Good. No Stock Photos! We photograph every item. light edge wear to dust jacket; Robert James Waller began the pieces in this book on a warm, green morning in the summer of 1983. He hadn't set out to be a writer. He just needed to record his feelings about people and animals and things he cared about. His first story, ''Ridin' Along in Safety with Kennedy and Kuralt,'' told about being young and a musician, and how playing ''The Wabash Cannonball'' one day in a roadside bar changed the rest of his life. The Des Moines Register printed the essay, and people began asking for more. The result is Old Songs in a New Cafe. A work of nonfiction, it takes you inside Robert James Waller's mind and world...revealing insightful experiences from his own life and, with his special magic, illuminating those poignant moments most of us share. Few writers possess the power to move us. Even fewer become legends in their own time. Robert James Waller has done both. Just as you have loved his best-selling novels, you will love..., Grand Central Publishing, 1994-04-12, 3<
