What do James Frey’s A Million Little Pieces, Margaret B. Jones’ Love and Consequence and Wanda Koolmatrie’s My Own Sweet Time have in common? None of these popular book… Altro …
What do James Frey’s A Million Little Pieces, Margaret B. Jones’ Love and Consequence and Wanda Koolmatrie’s My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey’s fraudulent drug addiction “memoir” was really a semi-fictional novel, Jones’ chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial—and can be difficult when a book’s authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem. Digital Content>E-books>Reference>Practical & How-To Gdes>Prac,How-To Gdes, McFarland & Company, Incorporated Publishers Digital >16<
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What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they ap… Altro …
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey's fraudulent drug addiction memoir was really a semi-fictional novel, Jones' chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial--and can be difficult when a book's authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem. Digital Content>E-books>Reference>Practical & How-To Gdes>Prac,How-To Gdes, McFarland & Company, Incorporated Publishers Digital >16<
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new in stock. Costi di spedizione:zzgl. Versandkosten., Costi di spedizione aggiuntivi Details...
(*) Libro esaurito significa che il libro non è attualmente disponibile in una qualsiasi delle piattaforme associate che di ricerca.
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they ap… Altro …
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey's fraudulent drug addiction memoir was really a semi-fictional novel, Jones' chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial--and can be difficult when a book's authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem. Digital Content>E-books>Reference>Practical & How-To Gdes>Prac,How-To Gdes, McFarland & Company, Incorporated Publishers Digital >16<
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What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they ap… Altro …
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey's fraudulent drug addiction "memoir" was really a semi-fictional novel, Jones' chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial--and can be difficult when a book's authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem. REFERENCE,Bibliographies & Indexes, eBooks.com<
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What do James Frey’s A Million Little Pieces, Margaret B. Jones’ Love and Consequence and Wanda Koolmatrie’s My Own Sweet Time have in common? None of these popular book… Altro …
What do James Frey’s A Million Little Pieces, Margaret B. Jones’ Love and Consequence and Wanda Koolmatrie’s My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey’s fraudulent drug addiction “memoir” was really a semi-fictional novel, Jones’ chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial—and can be difficult when a book’s authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem. Digital Content>E-books>Reference>Practical & How-To Gdes>Prac,How-To Gdes, McFarland & Company, Incorporated Publishers Digital >16<
new in stock. Costi di spedizione:zzgl. Versandkosten., Costi di spedizione aggiuntivi
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they ap… Altro …
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey's fraudulent drug addiction memoir was really a semi-fictional novel, Jones' chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial--and can be difficult when a book's authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem. Digital Content>E-books>Reference>Practical & How-To Gdes>Prac,How-To Gdes, McFarland & Company, Incorporated Publishers Digital >16<
new in stock. Costi di spedizione:zzgl. Versandkosten., Costi di spedizione aggiuntivi
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they ap… Altro …
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey's fraudulent drug addiction memoir was really a semi-fictional novel, Jones' chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial--and can be difficult when a book's authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem. Digital Content>E-books>Reference>Practical & How-To Gdes>Prac,How-To Gdes, McFarland & Company, Incorporated Publishers Digital >16<
new in stock. Costi di spedizione:zzgl. Versandkosten., Costi di spedizione aggiuntivi
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they ap… Altro …
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey's fraudulent drug addiction "memoir" was really a semi-fictional novel, Jones' chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial--and can be difficult when a book's authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem. REFERENCE,Bibliographies & Indexes, eBooks.com<
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Informazioni dettagliate del libro - Text, Lies and Cataloging: Ethical Treatment of Deceptive Works in the Library Jana Brubaker Author
EAN (ISBN-13): 9781476632568 Anno di pubblicazione: 2007 Editore: McFarland & Company, Incorporated Publishers Digital >16
Libro nella banca dati dal 2019-07-03T17:35:48+02:00 (Zurich) Pagina di dettaglio ultima modifica in 2023-10-25T15:29:29+02:00 (Zurich) ISBN/EAN: 9781476632568
ISBN - Stili di scrittura alternativi: 978-1-4766-3256-8 Stili di scrittura alternativi e concetti di ricerca simili: Autore del libro : jana frey, jana leon, brubaker
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