2016, ISBN: 9783791355214

edizione con copertina rigida

营口.[Yingkou].: 营口县人民委員会.[Yingkou xian ren min wei yuan hui].. (circa1967).. Three page regulation issued by a county-… Altro …

营口.[Yingkou].: 营口县人民委員会.[Yingkou xian ren min wei yuan hui].. (circa1967).. Three page regulation issued by a county-level government during the Cultural Revolution addressing the local hospitals and centres for epidemics and prevention, Mao's quotation on health care page one. Stapled wrappers, official seal on page three, light tears and chips at edges, good copy. Text in Chinese. Page size varies approximately 27 x 19.4cm. According to the notice, Yingkou County was badly affected by the epidemic meningitis between October 1966 and January 1967, with 40 confirmed cases and 8 deaths. ., .[Yingkou xian ren min wei yuan hui]., 0, Los Angeles: LACMA, 2016. Hardcover. NF/NF. Plum cloth/boards; gilt lettering. Ivory illustrated dj with black lettering and French folds. 668 pp. with color images throughout. Heavy at 8 pounds and will require extra postage. A rare collection of Chinese paintings is magnificently presented in this book, which explores a politically turbulent yet creatively dynamic period in China's history. Comprising 130 paintings from the 17th century, the Tsao Family Collection is singularly comprehensive, including works by nearly all of the most important Chinese painters of the period. This book features 16 works by Dong Qichang, the most protean Chinese painter of the last 500 years; paintings by masters such as Gong Xian, Hongren, Zhu Da, Daoji, Wang Hui, and Wang Yuanqi; and extremely rare works by lesser-known artists, scholars, officials, and Buddhist monks. Divided into sections that encompass both the late Ming Dynasty and the early Qing Dynasty, this volume also includes fascinating essays on a number of themes, such as the function of landscape in Chinese culture, the political uses of painting in 17th-century China, the relationship of Chinese painting to poetry, the flourishing of Buddhist and Daoist studies among late Ming and early Qing literati, and orthodoxy and painting of the era. Rounding out the volume are new and authoritative interpretations of the Tsao Collection written by leading scholars and remarkable new translations by Jonathan Chaves, Ronald Egan, and others, of the Chinese poems and prose texts inscribed on the paintings and calligraphic works in the exhibition., LACMA, 2016, 4<

2016, ISBN: 9783791355214

edizione con copertina flessibile, edizione con copertina rigida

People Post Press, 2015-07-01. paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Language:Chinese.Industrial produc… Altro …

People Post Press, 2015-07-01. paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Language:Chinese.Industrial product design hand-painted markers show tutorial examples Satisfaction guaranteed,or money back., People Post Press, 2015-07-01, 6, Los Angeles: LACMA, 2016. Hardcover. NF/NF. Plum cloth/boards; gilt lettering. Ivory illustrated dj with black lettering and French folds. 668 pp. with color images throughout. Heavy at 8 pounds and will require extra postage. A rare collection of Chinese paintings is magnificently presented in this book, which explores a politically turbulent yet creatively dynamic period in China's history. Comprising 130 paintings from the 17th century, the Tsao Family Collection is singularly comprehensive, including works by nearly all of the most important Chinese painters of the period. This book features 16 works by Dong Qichang, the most protean Chinese painter of the last 500 years; paintings by masters such as Gong Xian, Hongren, Zhu Da, Daoji, Wang Hui, and Wang Yuanqi; and extremely rare works by lesser-known artists, scholars, officials, and Buddhist monks. Divided into sections that encompass both the late Ming Dynasty and the early Qing Dynasty, this volume also includes fascinating essays on a number of themes, such as the function of landscape in Chinese culture, the political uses of painting in 17th-century China, the relationship of Chinese painting to poetry, the flourishing of Buddhist and Daoist studies among late Ming and early Qing literati, and orthodoxy and painting of the era. Rounding out the volume are new and authoritative interpretations of the Tsao Collection written by leading scholars and remarkable new translations by Jonathan Chaves, Ronald Egan, and others, of the Chinese poems and prose texts inscribed on the paintings and calligraphic works in the exhibition., LACMA, 2016, 4<

2016, ISBN: 9783791355214

edizione con copertina rigida

Los Angeles: LACMA, 2016. Hardcover. NF/NF. Plum cloth/boards; gilt lettering. Ivory illustrated dj with black lettering and French folds. 668 pp. with color images throughout. Heavy at… Altro …

Los Angeles: LACMA, 2016. Hardcover. NF/NF. Plum cloth/boards; gilt lettering. Ivory illustrated dj with black lettering and French folds. 668 pp. with color images throughout. Heavy at 8 pounds and will require extra postage. A rare collection of Chinese paintings is magnificently presented in this book, which explores a politically turbulent yet creatively dynamic period in China's history. Comprising 130 paintings from the 17th century, the Tsao Family Collection is singularly comprehensive, including works by nearly all of the most important Chinese painters of the period. This book features 16 works by Dong Qichang, the most protean Chinese painter of the last 500 years; paintings by masters such as Gong Xian, Hongren, Zhu Da, Daoji, Wang Hui, and Wang Yuanqi; and extremely rare works by lesser-known artists, scholars, officials, and Buddhist monks. Divided into sections that encompass both the late Ming Dynasty and the early Qing Dynasty, this volume also includes fascinating essays on a number of themes, such as the function of landscape in Chinese culture, the political uses of painting in 17th-century China, the relationship of Chinese painting to poetry, the flourishing of Buddhist and Daoist studies among late Ming and early Qing literati, and orthodoxy and painting of the era. Rounding out the volume are new and authoritative interpretations of the Tsao Collection written by leading scholars and remarkable new translations by Jonathan Chaves, Ronald Egan, and others, of the Chinese poems and prose texts inscribed on the paintings and calligraphic works in the exhibition., LACMA, 2016, 4<