2011, ISBN: 9781853991332

edizione con copertina flessibile, edizione con copertina rigida

8vo, pp. [iv], 75, [1] blank; slight dustsoiling to title-page, but otherwise clean and fresh throughout; in later calf-backed marbled boards, spine gilt with black morocco label, marbled… Altro …

8vo, pp. [iv], 75, [1] blank; slight dustsoiling to title-page, but otherwise clean and fresh throughout; in later calf-backed marbled boards, spine gilt with black morocco label, marbled edges; some light wear, but still a good copy.First and only edition of this collection of summaries of five standard works of classical literature, designed for students at the short-lived Ecole Royale Dramatique in Paris, a forerunner, along with the similarly newly established Ecole royale de chant, of the Paris Conservatoire.A familiarity with at least the bare bones of Homeric and Virgilian plots was essential for anyone with aspirations in the French theatre in the late eighteenth century, and this selection of précis is designed to give students a crash course in the classics, covering the Iliad and Odyssey, the Aeneid, Ovid's Metamorphoses, and, in the same vein, Fénélon's Télémaque. The preface sets out the purpose of the work:'These five works, well-known, shed the best light on pagan theology; mythology; the habits of the ancients both in war and peacetime; their arms, both offensive and defensive; their dress; their ways of dealing with neighbours, friends, and enemies; their public games; their religious ceremonies; their sacrifices; their funerals, and so on. Such knowledge is indispensable for every subject destined for the theatre; to aid the memory and facilitate research, we have decided to print, in this little volume, the plots of each book of these five poems. We invite students to make themselves familiar with them, to the point that they will be able to show, 'in the field' if a story cited to them is really taken from one of them, and which book any poem is from'.The Ecole royale dramatique was established two years previously, in 1786, in response to the dwindling supply of actors to furnish the Comédie française, and lasted in that form only until the Revolution. A later manuscript note on the front free endpaper says 'Ce livre fait pour les élèves qui se destinent au théâtre, est devenu très rare'.OCLC records copies at Princeton and the Vlaamse Erfgoedbibliotheken., De limprimerie de Pierre-Robert-Christophe Ballard, 1788, 0, 1783. First Dublin Edition. In Three Volumes (complete set). Dublin, Printed for Messrs. Whitestone, Colles, Burnet, Moncrieffe etc., 1783. Large Octavo (13,5 cm x 21 cm). Pagination: Volume I: 429 pages / Volume II: 444 pages / Volume III: 389 pages plus 34 unnumbered pages of an Index. Hardcover / Original full leather. Original Trinity College Dublin price-binding with supralibros on all boards (some in gilt) and three beautiful price-bookplates from Trinity College, awarded to Ricardo Meade, on the pastedowns. Some old wormhole-damage. Still overall very good condition with only minor signs of wear. From the library of Richard Meade (Ballymartle), with his Exlibris / Bookplate to pastedown. This important landmark - publication on composition and style by Hugh Blair, the important member of the Scottish Enlightenment, includes for example chapters like: Volume I: Taste / Criticism / Genius - Pleasure of Taste / Sublimity in Onjects / The Sublime in Writing / Beauty and other Pleasures of Taste / Rise and Progress of Language / Rise and Progress of Language and of Writing / Structure of Language - English Tongue / Style - Perspicuity and Precision / Structure of Sentences / Structure of Sentences - Harmony / Origin and Nature of Figurative Language / Metaphor / Hyperbole - Personification - Apostrophe / Comparison, Antithesis, Interrogation, Exclamation and other Figures of Speech / Volume II: Figurative Language / General Characters of Style, Diffuse, concise, feeble, nervous - Dry, Plain, Neat, Elegant, Flowery / Critical Examination of the Style of Mr.Addison in No.411 of the Spectator / Critical Examination of the Style in a Passage of Dean [Jonathan] Swift's writing / Eloquence or Public Speaking - History of Eloquence / Grecian Eloquence / Demosthenes / History of Eloquence continued - Roman Eloquence - Cicero Modern Eloquence / Different Kinds of Public Speaking - Eloquence of Popular Assemblies / Extracts from Demosthenes / Eloquence of the Bar / Analysis of Cicero's Oration for Cluentis / Eloquence of the Pulpit / Critical Examination of a Sermon of Bishop Atterbury's / etc. Volume III: Means of Improving in Eloquence / Comparative of the Ancients and the Moderns - Historical Writing / Philosophical Writing - Dialogue - Epistolary Writing - Fictitious History / Nature of Poetry - Its Origin and Progress - Pastoral Poetry - Lyric Poetry / Didactic Poetry / Descriptive Poetry / The Poetry of the Hebrews / Epic Poetry / Homer's Iliad and Odyssey - Virgil's Aeneid / Lucan's Pharsalia / Tasso's Jerusalem / Camoen's Lusiad / Fenelon's Telemachus / Voltaire's Henriade / Milton's Paradise Lost / Dramatic Poetry - Tragedy / Tragedy: Greek - French - English Tragedy / Comedy: Greek and Roman - French - English Comedy // Hugh Blair FRSE (7 April 1718 – 27 December 1800) was a Scottish minister of religion, author and rhetorician, considered one of the first great theorists of written discourse. As a minister of the Church of Scotland, and occupant of the Chair of Rhetoric and Belles Lettres at the University of Edinburgh, Blair's teachings had a great impact in both the spiritual and the secular realms. Best known for Sermons, a five volume endorsement of practical Christian morality, and Lectures on Rhetoric and Belles Lettres, a prescriptive guide on composition, Blair was a valuable part of the Scottish Enlightenment. Blair was born in Edinburgh into an educated Presbyterian family. His father was John Blair, an Edinburgh merchant. He was great great grandson of Rev Robert Blair of St Andrews and great nephew of Very Rev David Blair the Moderator of the General Assembly in 1700. From an early age it was clear that Blair, a weakly child, should be educated for a life in the church. Schooled at the High School, Blair studied moral philosophy and literature at the University of Edinburgh, where he graduated M.A. at the age of twenty-one. His thesis, "Dissertatio Philosophica Inauguralis de fundamentis et obligatione legis naturae", serves as a precursor to the later published Sermons in its discussion of the principles of morality and virtue. In 1741, two years after the publication of his thesis, Blair received his license as a Presbyterian preacher. Shortly thereafter, the Earl of Leven heard of Blair's popularity and presented him to the Parish Church of Collessie in Fife, as their minister. By 1743 Blair was elected as the second charge of the Canongate Kirk, under Rev James Walker in first charge. Although some records say he reached "first charge" this is not the case. Blair was appointed to the sole charge of Lady Yester's Kirk in 1754, and four years later in 1758 was translated to the second charge of the High Kirk of St Giles under Rev Robert Walker as "first charge". They became very close friends. Despite being "second charge" this was nevertheless one of the highest positions that a clergyman could achieve in Scotland. Blair maintained this position for many years, during which time he published a five volume series of his addresses entitled Sermons. Having attained ultimate success in the church, Blair turned to matters of education. In 1757 he was presented with an honorary degree of Doctor of Divinity by the University of St Andrews and began to lecture in Rhetoric and Belles Lettres for the University of Edinburgh in 1759. At first Blair taught without remuneration from the university and was paid direct by his students, but the popularity of his course led to the institution of a permanent class and Blair was made Professor Rhetoric and Belles Lettres at the university in 1762. a position ratified by King George III. He retained this position until his retirement in 1783. After retirement, Blair published several of his lectures in Lectures on Rhetoric and Belles Lettres. In 1773 Blair was living at Argyle Square on the south side of Edinburgh's Old Town. The property was demolished in the mid-19th century to create Chambers Street. In 1777, at the point of its creation, he was appointed Chaplain to the 71st Regiment of Foot, initially based at Edinburgh Castle. In 1783 Blair was one of the founder members of the Royal Society of Edinburgh. He served as its Literary President from 1789 to 1796. Blair's life was very full in both the public and the private spheres. As a central figure in the Scottish Enlightenment, he surrounded himself with other scholars in the movement. Hume, Carlyle, Adam Smith, Ferguson, and Lord Kames were among those Blair considered friends. He had a summer residence in the small village of Restalrig north-east of Edinburgh. He died at home in Argyle Square on 27 December 1800. Blair is buried near his home, in Greyfriars Churchyard in Edinburgh. The grave was originally unmarked, but a memorial was erected on the south-west section of Greyfriars Kirk to commemorate him, lying between tablets to Allan Ramsay and Colin MacLaurin. It is inscribed in Latin therefore gives his name as Hugo Blair. He was succeeded in his chair at Edinburgh University by Andrew Brown (1763-1834). His position as second charge of St Giles was filled by Rev George Husband Baird. Lectures on Rhetoric and Belles Lettres After retiring from his position as Chair of Rhetoric and Belles Lettres at the University of Edinburgh in 1783, Blair published his lectures for the first time, deeming it necessary because unauthorised copies of his work threatened the legacy of his teachings. The result is arguably Blair's most important work: Lectures on Rhetoric and Belles Lettres. Lectures, a compilation of 47 of Blair's lectures given to students at the University of Edinburgh, serves as a practical guide for youth on composition and language, a guide that makes Blair the first great theorist of written discourse. Lectures is important not because it presents radical new theories. In fact, Blair himself admits that the work is a suffusion of his understanding of classical and modern theories of language. Lectures draws on the classic works of theorists such as Quintilian and Cicero combined with the modern works of Addison, Burke, and Lord Kames to become one of the first whole language guides. As one of the first works to focus on written discourse, rather than solely on oral discourse, Blair's Lectures is a comprehensive, accessible prescriptive composition guide that combines centuries of theory in a cohesive form. The intention of Lectures is to provide youth with a simple, organised guide on the value of rhetoric and belles lettres in the quest for upward mobility and social success. Blair believed that social cultivation, and most importantly the proper use of polite literature and effective writing, was the key to social success. For him, an education in literature was socially useful, both in its ability to elevate one's social status and its ability to promote virtue and morality. Blair also acknowledged that a person must have virtue and personal character, as well as knowledge of literature to be an effective speaker or writer. While his lectures certainly provide ideas on how to compose texts, the focus increasing becomes the proper response to written literature. He supplies sample writings from contemporary literature to illustrate the qualities of writings so that students would identify, analyze, and imbibe those qualities. The anticipated result is that students will cultivate a proper taste, and will be able to appreciate the aesthetic qualities in fine language. Blair's concept of taste involved two distinctive aspects of the human mind- a person's senses and a person's thought processing. Through exercise of the five senses, a person can have their taste refined and perfected. Through a person's reasoning abilities, a person can determine what produces genuine pleasure and what produces something inauthentic. When combining exercise and reason, the critic develops taste-delicacy and correctness of taste. Taste delicacy ties into a critic's senses, making them stronger and more accurate when it comes to sense of sight, sound, smell, taste etc. Correctness of taste ties into a critic's logic process, giving the critic the ability to make a judgment and appraise the merit of something. This also makes it easier to recognize specifically what is good and genuine and what isn't pure or legitimate. While Blair's outline of the requirements for an excellent speaker or writer is an important aspect of Lectures, the work covers a very broad scope of issues relating to composition. Blair's primary considerations are the issues of taste, language, style, and eloquence or public speaking. As well, Blair provides a critical examination of what he calls "the most distinguished species of composition, both in prose and verse". As an adherer to Scottish common sense realism, Blair's theories are founded in the belief that the principles of rhetoric evolve from the principles of nature. Blair's definition of taste reflects this sentiment: "The power of receiving pleasure from the beauties of nature and art". His analysis of the nature of taste is one of his most important contributions to compositional theories because taste, according to Blair, is foundational to rhetoric and necessary for successful written and spoken discourse. While Blair's work is generally a safe composite of multiple theories, it contains many valuable insights, such as the aforementioned analysis of taste. Blair's discussion of the history of written discourse is another important contribution to composition theory because this history was previously neglected. As well, Blair's naming and defining of four generic categories of writing: historical writing, philosophical writing, fictitious history, and poetry, and his analysis of the different parts of discourse plays an important role in the development of later compositional theories. One of Blair's more radical ideas is the rejection of Aristotelian figures of speech such as tropes. Blair argues that invention is the result of knowledge and cannot be aided by devices of invention as outlined by classic theorists. Though Blair rejects this traditional method of discourse, his work is still prescriptive in nature. Blair's Lectures on Rhetoric and Belles Lettres combines the fundamental principles of belletristic rhetoric and literary theory in a concise, accessible form. Drawing on classic and modern theories, Blair's work is the most comprehensive prescriptive guide on composition in the 18th century. It enjoyed tremendous success for nearly a century, as 130 editions were published in numerous European languages. This work proved a best seller in Europe, for instance in Italy went through at least a dozen different editions, but the best remains that by Giambattista Bodoni in 1801. It was known in Italy as Ugone Blair. (Wikipedia), 1783, 0, "As you and I have both expressed friendly sentiments towards the citizens of the Flowery Kingdom, we may hope to be in high favor should we live till that time." DAVID DIXON PORTER.Autograph Letter Signed, to "Reverend Dr. Newman." Washington, D.C., March 14, 1879. 3 pp., 5 x 8 in.Partial Transcript "Not long since I read in the 'Herald' a very interesting report of a lecture by you on the subject of the Chinese and our treatment of them. Your utterances coincided so nearly with my own opinions that I was particularly pleased with the article. By today's mail I send you a copy of the 'United Service Quarterly Aeneio' [Aeneid?] containing an article on Chinese contributed by me. The article was written some two months ago about the time when the Californians began to get excited on the subject of the Chinese Question. The article I send may serve to amuse you and perhaps make you a little uneasy about the future prospect of the establishment of a Mongolian dynasty in Washington. As you and I have both expressed friendly sentiments towards the citizens of the Flowery Kingdom, we may hope to be in high favor should we live till that time, but should neither of us live as long as Methuselah, we certainly may expect at least a present of a box of tea from his Excellency Chin Lan Pin." Historical BackgroundIn 1879, the slogan of the Workingmen's Party of California was "The Chinese Must Go!," and the anti-Chinese hysteria was reaching a widespread volume across the state, a sentiment that both Porter and his compatriot Newman seemed to have sided with: "The article was written some two months ago about the time when the Californians began to get excited on the subject of the Chinese Question. The article I send may serve to amuse you and perhaps make you a little uneasy about the future prospect of the establishment of a Mongolian dynasty in Washington." This rise of hostility was followed by the 1882 Chinese Exclusion Act, which would make history as the first measure restricting emigration to the United States based on race.ConditionVery good. Two horizontal mailing folds, one passing through the signature. Light creasing, mild separation to the bottom of central hinge, repaired complete tear through the closing sentiment., 1879, 3, London, The Folio Society, 2011 Limited Numbered Edition 114/1000.. The gorgeous facsimiles are bound in 3 volumes : Each volume is bound in stunning white Nigerian goat skin blocked with a gilt design on cover and spine that is seductively sensuous to the touch. The volumes are housed on a sliding tray in a maroon toile vendome silk covered wooden case (31.8x23.6x20.6cm.), that is lined with maroon cloth. All three volumes are identically bound and gilt embossed except for the book number on the spine. Presented in a wooden slipcase covered in Tsarina Crush, with a sliding tray in the base for ease of use* In very good near fine condition. Near fine slipcase. Pages all clean and tight. An excellent limited edition copy. Books I & II 528 pages, books III & IV 516 pages, books V & VI 507 pages. It is printed on thick watermarked laid paper with gilt top page edges and white ribbon markers. Profusely illustrated with 88 large illustrations and 135 illustrative head and tailpieces by Walter Crane. 1,712 pages in total he sixteenth century was the golden age of English poetry. Edmund Spenser burned to create an English equivalent to Virgil’s Aeneid. Instead of lauding the Caesars, he would glorify Elizabeth, the Virgin Queen. Where Virgil connected Rome to the heroic past of Troy, Spenser would forge a link between Tudor England and the mythological age of King Arthur. The result was The Faerie Queene, a rich allegory which elevated Protestant virtues through the medium of a romantic, chivalric epic. Today the power of Spenser’s story and the beauty of his verse still live in ‘famous memory’., London, The Folio Society, 2011 Limited Numbered Edition 114/1000., 0, United Kingdom: Bristol Classical Pr. New. 1995. Paperback. 1853991333 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED - 96 pages; 5 1/3 x 8 1/2 inches -- In the ancient world Homer was recognized as the fountainhead of culture. His poems, the ‘Iliad’ and the ‘Odyssey’, were universally admired as examples of great literature which could never be surpassed. In this new study, Richard Jenkyns re-examines the two Homeric epics and the work that is perhaps their closest rival, the ‘Aeneid’ of Virgil. A wide range of topics is covered, including chapters on heroism and tragedy in the ‘Iliad’, morality in the ‘Odyssey’ and Virgil’s skillful reworking of elements from the two earlier epics. Essential reading for those who are unfamiliar with the works of Homer and Virgil, the author’s lively and provocative approach will also appeal to more experienced scholars of classical literature. -- with a bonus offer-- ., Bristol Classical Pr, 1995, 6<

1998, ISBN: 1853991333

[EAN: 9781853991332], New book, [SC: 40.11], [PU: Bloomsbury Publishing PLC, London], Paperback. In the ancient world Homer was recognised as the fountainhead of culture. His poems, the I… Altro …

[EAN: 9781853991332], New book, [SC: 40.11], [PU: Bloomsbury Publishing PLC, London], Paperback. In the ancient world Homer was recognised as the fountainhead of culture. His poems, the Iliad and the Odyssey, were universally admired as examples of great literature which could never be surpassed. In this study, Richard Jenkyns re-examines the two Homeric epics and the work that is perhaps their closest rival, the Aeneid of Virgil. A wide range of topics is covered, including chapters on heroism and tragedy in the Iliad, morality in the Odyssey and Virgil's skilful reworking of elements from the two earlier epics.Essential reading for those who are unfamiliar with the works of Homer and Virgil, the author's lively and provocative approach will also appeal to more experienced scholars of classical literature. In the ancient world Homer was recognised as the fountainhead of culture. His poems, the 'Iliad' and the 'Odyssey',were universally admired as examples of great literature which couldnever be surpassed. In this study, Jenkyns re-examines the twoHomeric epics and the work that is perhaps their closest rival, Virgil's Aeneid. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability., Books<

ISBN: 9781853991332

United Kingdom: Bristol Classical Pr. New. 1995. Paperback. 1853991333 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY A… Altro …

United Kingdom: Bristol Classical Pr. New. 1995. Paperback. 1853991333 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED - 96 pages; 5 1/3 x 8 1/2 inches -- In the ancient world Homer was recognized as the fountainhead of culture. His poems, the ‘Iliad’ and the ‘Odyssey’, were universally admired as examples of great literature which could never be surpassed. In this new study, Richard Jenkyns re-examines the two Homeric epics and the work that is perhaps their closest rival, the ‘Aeneid’ of Virgil. A wide range of topics is covered, including chapters on heroism and tragedy in the ‘Iliad’, morality in the ‘Odyssey’ and Virgil’s skillful reworking of elements from the two earlier epics. Essential reading for those who are unfamiliar with the works of Homer and Virgil, the author’s lively and provocative approach will also appeal to more experienced scholars of classical literature. -- with a bonus offer-- ., Bristol Classical Pr, 1995, 6<

ISBN: 9781853991332

In the ancient world Homer was recognised as the fountainhead of culture. His poems, the Iliad and the Odyssey, were universally admired as examples of great literature which could never … Altro …

In the ancient world Homer was recognised as the fountainhead of culture. His poems, the Iliad and the Odyssey, were universally admired as examples of great literature which could never be surpassed. In this study, Richard Jenkyns re-examines the two Homeric epics and the work that is perhaps their closest rival, the Aeneid of Virgil. A wide range of topics is covered, including chapters on heroism and tragedy in the Iliad, morality in the Odyssey and Virgil's skilful reworking of elements from the two earlier epics. Essential reading for those who are unfamiliar with the works of Homer and Virgil, the author's lively and provocative approach will also appeal to more experienced scholars of classical literature. New Textbooks>Trade Paperback>Poetry>Poetry>Poetry, Bloomsbury Academic Core >1 >T<

ISBN: 9781853991332

Paperback / softback. New. In the ancient world Homer was recognised as the fountainhead of culture. His poems, the 'Iliad' and the 'Odyssey', were universally admired a… Altro …

Paperback / softback. New. In the ancient world Homer was recognised as the fountainhead of culture. His poems, the 'Iliad' and the 'Odyssey', were universally admired as examples of great literature which could never be surpassed. In this study, Jenkyns re-examines the two Homeric epics and the work that is perhaps their closest rival, Virgil's Aeneid., 6<